These days, unplugged places are getting hard to find.
People haven't got the interest in long long works these days. A lack of interest which I share.
I wonder if that's hurt me at the box office. Maybe audiences these days want to know exactly what to expect when they go into a movie, and my movies are hard to explain in just one way.
I'm pretty excited about the state of TV these days. There's great opportunity for really complicated relationships, in a way that I don't really see as much in movies anymore.
I realize that I'm a mature woman and one of these days, incredible diet or not, I'll be a little old lady.
TV is a different animal these days. You can bring together really smart writing and directing, in-depth character development and really meaty political and emotional stories.
I really have paid my dues! When I get to stay in fancy hotel suites these days I remind myself of that.
These days kids get paid enough that they probably don't need to work too much. The problem is when the person is old enough that they need to work to make a living, and the only thing that they know how to do is what they are already washed up in.
Lust, Pride, Sloth, and Gluttony, or, as we call them these days, "getting in touch with your sexuality," "raising your self-esteem," "relaxation therapy," and "being a recovered bulimic."
I love writing in longhand. Writing in longhand, I think, is a marvelous thing to do for a writer these days. If you have a notebook and a nice pen you can go off somewhere, you can write that's solar powered. You can drop it or get it wet and pretty much all of your work will continue to be there. If you suddenly decide to look up a word or check a reference you will not look up four hours later, blinking, finding yourself somehow in the middle of an Ebay auction you never had any plans to be part of.
People are doing what they can these days and looking for creative ways to sell music.
Impulses are hard to come by these days.
For me, I feel like reality TV is anything but these days.
I would rather not know about how one gets parts in movies these days.
Broadway is like a club I haven't been invited to, and I'm hoping that maybe they will give me a guest pass one of these days.
Mike Bloomberg may be a Republican these days. But he has been a Democrat for most of his adult life.
These days, right now, these are the good old days. I've always approached it that way. That's why I'm still working. I'm not the guy who is ready to sit by the pool.
The only guys I like watching these days are Roger Gracie, Marcelo Garcia, Kron and a few others. Those guys finish and go for submissions. They don't hold the sleeves and stall for ten minutes.
The brave view is that talking it out helps work it out. Maybe the realistic view is that talking it out inflames the issues further. But that is America, especially these days.
My trade is a lonely one. I'm a craftsman, if you like. It so happens that these days singers are better paid than blacksmiths.
There's not much TV these days where you really get that element of surprise. There are so many spoilers all the time.
It's harder and harder to make a well-done romantic comedy these days because the conventions have been so played out.
These days people wallow in enormous masses of sound.
These days it seems the lyric impulse, so seemingly fragile, comes in for a lot of abuse-or simply a lot of mistrust. What's it for, anyway, in this hard-edged, worried world? Into this cultural uncertainty Gregory Orr's spirited meditation on the surprisingly tensile strength of poetry in the face of profound suffering and grief presents a welcome fresh view of the ancient human instinct to cry out and to praise.
Individualism is going around these days in uniform, handing out the party line on individualism.
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