I wake up in the morning and I feel like I’m missing something. I know that there’s something not right, and it takes me a while to remember what it is . . . then I remember. My best friend is gone. My only friend. It was silly of me to rely so much on one person.
It takes me a while to figure things out, doesn't it?" Edilio grinned. "Do me a favor. When you find Astrid, repeat that to her, word for word, the part about how it takes you a while. Then remember her exact reaction and tell me.
Writing will be like a journey, every word a footstep that takes me further into undiscovered land.
Maybe that's partly why I'm an actor, I'm a fairly empathetic, emotional person, so I get very, very involved when it's really, really great when I'm watching - so it takes me a second to click back into reality again.
When I was young, I wanted to find the Great Dark Man. When I said that I realise now that people thought that by 'dark' I meant black, and that by 'great' I meant big. Whereas I only meant a strong, mysterious person; someone who would 'take me away from all this.'
I'm very secretive. I'll write a whole novel and revise it, which might take me two years or more, and the people I know best don't know what I'm writing about.
My mom was a manic depressive schizophrenic who, after a year in prison, went home and shot herself. My sister, Kirsten, an amazing poet, who was raised by this woman, and was dating a guy who broke up with her for the fourth time in three weeks. And one day, she came to his house, got a gun, and blew her brains out all over his headboard. I just went through a divorce, five years in court and cost me $2 million dollars. If anyone, by law, should be forced to take antidepressants it's me... But instead, I choose to be an antidepressant. And you can take me with alcohol.
I write two pages - that's all I write. It takes me about an hour. I've learned that's all I'm capable of and to push myself beyond that is foolhardy. It's a very delicate thing, and I will not abuse it. So I write two pages, then I get up from the computer.
By now you know: I come from another planet. But I will never say to you, "Take me to your leaders." Even I--unused to your ways though I am--would never make that mistake. We ourselves have such beings among us, made of cogs, pieces of paper, small disks of shiny metal, scraps of coloured cloth. I do not need to encounter more of them. Instead I will say, "Take me to your trees. Take me to your breakfasts, your sunsets, your bad dreams, your shoes, your nouns. Take me to your fingers; take me to your deaths." These are worth it. These are what I have come for.
When I visited KU, I thought, 'I wish I'd gone to Kansas.' They would take me around to their spots, and my spots at Indiana just felt like old hangouts. It was one of those times where you always wished you were somewhere else. But I was happy I ended up at Indiana coming from small little St. Louis.
America has borders. You have quite strict borders, actually. Even getting a work permit in New York actually is quite a difficult thing to do. I've got to prove I've got an address. I've got to prove I have private health care. And when my work permit runs out, if I haven't left, there'll be a knock at the door, they'll put me in handcuffs and take me to JFK Airport. That's how you guys do it.
I was going to do a big radio show, and I said to my driver, 'Radio can wait, take me to the Full House house.' It literally was a drive-by. I photobombed the Full House house yesterday. I took like 20 pictures because I thought I didn't look good in any of these - you can't see the house! You gotta really show that that's the house!
It takes a lot of people years to turn a negative into a positive. It takes me, like, an album.
One day you will take me completely out of myself, I'll do what the angels cannot do. Your eyelash will write on my cheek the poem that hasn't been thought of.
My grannies would both bake things like shortbreads and cookies. I think whenever I smell those kinds of things it really takes me back to my childhood.
I write very quickly; I rewrite very slowly. It takes me nearly as long to rewrite a book as it does to get the first draft.
When I walk across my living room from my chimney to my window, it takes me 10 seconds, but for a bird it takes one second, and for oxygen zero seconds!
My first few years as TV critic, I would go to parties and people (usually older Posties or ex-Posties who seemed to pride themselves on not watching very much television) would take me by the arm and insist that I watch this show they'd recently starting watching on DVD, about drug dealers in Baltimore.
I'm also a sucker for a view. Take me to a high place where I can see the landscape or the stars or the whole city, and I'm putty, I'm melting in your arms. Then I think having a romantic night, getting a little dressed up, but don't kill yourself trying to force the romance. A bunch of little subtle changes that will make the day more special will amount to a big awesome day in your memory. I like little breadcrumbs along the way. Draw it out!
I really try hard not to work, not to engage, because I know what that means. What hard work it is; it takes me away from my family.
God's design in our pain enables us to look back and say: He loves me enough to take me where I would have never wanted to go in order to produce in me what I never could have achieved on my own.
The same way I want them to take me seriously. I want them to look at my music as kind of like an open book to who I am inside.
It seems to take me about five years to get a record together, which is not a clever idea.
My accountant regularly asks to take me to lunch. I always say I can't afford it.
As a practice exercise, I'd usually just wear blindfolds around the house to allow my other senses to take me wherever I would like to go.
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