I think doing love scenes is never easy without a strong emotional background.
A good wife must be strong enough to pull a plough and have a very erotic physique.
I think that a lot of dystopian literature tends to be really moralizing and just doesn't tend to give credence to the importance of the sentimental. Maybe it says, "We need love in this world," but it's always this tough, strong statement.
Diversity is crucial to art and crucial to cinema. That's a very strong European statement: All people should be able to have images of themselves.
I'd rather have a strong career, playing and selling records to a loyal audience, then having one record that exploded. That would be devastating.
I would want my son to value himself as a person. To hold himself to a higher standard, and to not listen to all the stuff that's shoved down men's throats about what they're supposed to do and how they're not supposed to feel. I want him to know that he's a person and he's allowed to have emotions and be vulnerable. That doesn't mean he's not strong.
I'm very strong in who I am, I'm very happy where I am. And wherever, as you know some people go overboard with criticism, but you know what? I would say look in your mirror, and see who you are, and what did you do.
I've always been terrified of violence which is probably why I keep making violent films - I'm trying to exorcise some demons or something. My mum ended up bringing me up on the edge of a big estate in south London, so I was on the periphery of violence - a lot of football violence and stuff because I was a Millwall supporter. So I've always had a very healthy fear of it, yet at the same time a fascination. I think in all of my films that's a really strong subtext... people who are terrified by violence but are yet compelled by it as well.
Swimming is probably my main conditioning. It gives you a full-body workout. It builds endurance, builds your lungs strong, I mean you name it. And I like that the older you get, you try to find different ways to train besides just pounding and running every day.
For my part, in everything I do, I aim to strengthen democracy in Germany and beyond. The United States is also a strong democracy. As we are seeing in Poland, for example, and also in Hungary, it is important that we have counterweights in democratic systems, and I believe they are still strong in America.
Often, very talented technical people find it extraordinarily difficult to take the viewpoint of customers, who are often ignorant about the technology and who may have strong and perhaps incorrect prejudices about it. The technical people may believe, deep down, that they know better what customers "should" need. Customers, of course, have a different perspective. They want products that will solve customer problems and provide other customer benefits, and will do so without undue risk or cost. Not infrequently, customers view advanced technology itself as a risk.
That bothers me when I see that fashion editors are consultants for brands. It tells me that the designer has lost sight of what he or she really wants to do, and that he or she is listening to the strength of a very strong stylist and being a little watered down - and by watered down, I mean, the strength of the designer's vision. I'm not saying it's easy.
So many women now in China are entering the workforce and also taking up very important positions CEOs, for example. The problem for many such women now is how to balance all the different kind of responsibilities that they take on and that they want to take up. They have to balance family and work and maybe kids. Chinese woman really have a strong desire to do that. They want to grab a hold of all these things. They are willing and able. But there is the challenge of how to keep the balance.
It is true that there are not many smiling faces in modern art galleries. Happy art is much harder to make. Art and humour are uneasy bedfellows. Artists need strong feelings to motivate them to make things. I am often fuelled by anger.
I'm really working on trying to get that lifestyle aspect of the Emilio Pucci house to be as strong as possible.
Tony Blair made decisions on what he thought was best for the people of Great Britain, and I made decisions on what I thought was best for Americans. And I really don't view our relationship as one of quid pro quo. I view our relationship as one of strong allies and friends working together for the common good.
Choose something that you're passionate about. So for me, that's creating jobs for women who don't have a voice. I would like to be their voice until they're strong enough and on their feet to have their own and really be heard. The way that I can do that is not necessarily by hand-outs, because my hand-outs wouldn't be great enough to really affect change. It's by providing jobs.
The members of the Islamic Staye have cut the throat of an American on television. This is an insult to the United States, which requires that we demonstrate that this is not an act that is free. I would strongly favor a strong attack on ISIS for a period that is related to the murder of the American.
It was not easy when I was a teenager. But today, with the new technology, with the Internet, everybody can do prostitution with two clicks. During the period of Belle du Jour, it was a very strong decision to go into the profession, but now, if you need a little bit money, you go on a website and you say, "Can I have 50 dollars?" It's easy! I wanted to show these facilities.
I am great at delegating when someone is doing great work. The problem - and this sounds terrible - is that there are very few people who are strong enough for you to be able to delegate to.
I travel a lot. Japanese culture is very ancient and very strong. That's why most people who commission work from Japanese architects expect them to create works that have an element of exoticism, the kind typical of Japanese culture. I don't do that.
I wrestled a lot with self-doubt. I've always had such a strong desire for what I wanted for my career, and as I go through it, I'm watching it change and morph into something a little bit different. So there was a lot of confusion as to whether I really wanted to do it, whether I wanted to go for it, because I put so much energy and effort into it, and it's hard.
I love this country. And when you are given an opportunity to help your country, in what is one of the most volatile times we've seen in a long time, there's no way I'm not going to step up to do everything I can and make us strong.
I think Trump has had a very strong and disturbing effect on the country already. He has given more legitimacy to white supremacy and even to neo-fascist groups, and he's created a pervasive atmosphere that's more vague but still significant. I don't believe that he can in his own way destroy the country, just as he can't eliminate climate awareness, but he can go a long way in bringing - well, in stimulating what has always been a potential.
I had no intention of returning into the British political debate, really at all, even though I've obviously got very strong views on it, until Brexit happened, because I think Brexit is a destiny-changing decision for my country.
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