It's going to be really weird to know that people are going to actually know my name, that's going to be strange.
I hate the word "method acting." It's just so silly. You hear people going, "Yeah I'm a method actor." I'm like, "So what happens if you're playing a period film or something? You're in the Second World War. And what happens when your mom calls you on your phone? Do you go, 'Oh! What is this strange talking brick device?'" No. It's stupid. But you do everything you can to get in that mindset.
I don't think I've seen that sort of character in a long time in this genre because again, there was a time when you could have quirky, strange characters that you grew to love, you didn't quite understand, you know, and then all of a sudden they became almost cardboard cutouts for awhile. You kind of know the guy, what his deal is - this guy's hard to figure out. He has some strange habits, but, you learn to love him and you discover more about him, where it comes from.
I was pillaging a lot of music that had nothing to do with guitar playing, using a lot of strange tunings and voicings and chord structures that aren't really that natural to the guitar; I ended up developing a harmonic palette that's not particularly natural to the guitar because I was always trying to make my guitar sound like something else.
I enjoy all kinds of music. But it is kind of strange when I do parodies, instead of setting up drums and guitar amps.
We are in a very strange way going back to the mentality of the time when Americans went in covered wagons. I imagine they had a piece of cloth, and the piece of furniture they carried with them meant to be a good piece of wood, and sturdy. We're going back to that.
It was a very, very strange experience to go through on social media. Before that, my social media life had been very tame. I had only just dipped my toes in the world of Twitter and was throwing out a tweet, here and there, of very boring and normal stuff. All of a sudden, Pornstache just turned my world upside down.
I had a very short time on that film [The Possibilities Are Endless] and it was quite strange because the process was kind of like a documentary, which was different for me. The way everything was filmed was very casual.
You start doing the addictive behavior to feel good and then your receptors get overloaded with dopamine, then you stop doing the addictive thing and some of the receptors have shut down and you don't have enough dopamine to feel good. So then you feel bad and go back to the addictive behavior to get more dopamine. The strange thing is that it works with what we think of as uppers and downers and whatever you call gambling - sidewaysers.
I've seen comedians make people laugh by being either really dark and sad and touching, or really strange and bizarre and creepy. You can take the format and do whatever you want with it, and that seemed interesting to me.
The movie industry places such importance on first-week numbers-which means what to people, I don't know. It's very strange. They hope to sell tons of records the first week, and then what?
I always stayed away from the studio environment as much as possible. But I just wanted to see if I could work in one. It's not easy. Just having an engineer's assistant around is enough for me to be uncomfortable. With more than one person there in the room, it feels strange.
I understand the opposite side of the camera. I have a profound respect for that. I have worked with people who, when you hit that mark, are doing 50 percent of your work for you. So, you know, it's a balance. When you walk into a mark and you're lit a certain way or something's happening so often you don't know what's behind you... And that's what's so strange about being a movie actor.
Being actors is a strange job. To try to go live that out, it's a very strange thing to want to do when you step back and think about it.
Choosing work is an interesting thing. It's a balance between what's available and what you've always got in the back of your mind - that awful, strange thing that seems to have to exist in this industry, of what will give you "exposure."
When I went in for the [ Embraced] DVD interviews, I thought, "Good lord, it's 17 years later!" I thought that maybe I should do my make-up differently and put extra effort in, or I'd look like a different human being. It's very strange.
There has always been a strange dissonance between the public and the private in Nigeria.
Here is a children's film made for the world we should live in, rather than the one we occupy. A film with no villains. No fight scenes. No evil adults. No fighting between the two kids. No scary monsters. No darkness before the dawn. A world that is benign. A world where if you meet a strange towering creature in the forest, you curl up on its tummy and have a nap.
It is strange, but true, that the most important turning-points of life often come at the most unexpected times and in the most unexpected ways.
It was only in South Africa that I got over this shyness, though I never completely overcame it. It was impossible for me to speak impromptu. I hesitated whenever I had to face strange audiences and avoided making a speech whenever I could. Even today I do not think I could or would even be inclined to keep a meeting of friends engaged in idle talk.
If you sit down with a person, or a watermelon for that matter, when you're stoned and sing into it, the quality of the hallucination is such that there is a way of thinking about it where you could say, 'This is an acoustical hologram of the interior of their body.'" I don't say that.I just say, "My goodness isn't it strange that I seem to be able to see inside of the watermelon when I'm doing this.'
You always notice a facelift on a woman. It's a tightness around the ears, and the scar is usually inside the ears. If I suspect it's been done, I usually move around until I can see it. But with a man, it actually pulls your beard and your sideburns back, and that's what's so strange.
So this piece of dirt waits four and a half billion years and evolves and changes, and now a strange creature stands here with instruments and talks to the strange creatures in the audience. What a wonderful world!
It's strange because a lot of people are like, 'You can't change human nature-people are inherently negative.' I don't think that's true. If you expect the best from people, they'll step up.
During one performance of 'Les Miserables,' the barricade didn't leave the stage, so we had to actually end up finishing the second act with the barricades on the stage, which was very strange... doing the love scene on the barricade.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: