I was doing gigs to stay alive. I worked two or three jobs at a time, there were times when I stayed up for 36 hours straight. I slept in shopping mall parking lots. A stand-up gig paid $35; then I could eat for another few days until the next gig. Literally, I was performing to live.
Sad when you spend more time trying to stay alive than living.
The dreams now were simply of staying alive.
One realizes how we take water for granted and how important it is to have it in order to stay alive. Beyond the drinking of it, let's not forget the hygiene.
Do you understand the difference between dying for something and dying for nothing? The only reason I fought so hard to stay alive in China was because I didn't want to die for nothing. Today, I can die for something. My way, my choice.
I don't believe in convention at all. I do what I have to do to stay alive.
We have been so successful in the past century at the art of living longer and staying alive that we have forgotten how to die. Too often we learn the hard way. As soon as the baby boomers pass pensionable age, their lesson will be harsher still.
Writers and reporters need to remind themselves they're not to be judged solely by the number of clicks or eyeballs on a given story, but there is this other value and this other important mission, and the key is balancing the two so that you stay alive long enough, whether you're an individual writer or whether you're a whole news organization, to keep doing what you're doing but that you don't get so driven by that that you forget that what you're supposed to be doing in a higher sense is informing people, is elevating the debate and not lowering it.
Life is really pretty tricky, and there's a lot of loss, and the longer you stay alive, the more people you lose whom you actually couldn't live without.
In order to drill into young men the need to stay alert and stay alive, I used to punish offenders with my fists, boots and rifle butt, and with stockade time.
Dictators are not strategists in the way I normally use that term. All the dictator cares about is survival. That means constantly worrying about the tactical response, "What do I do today, tonight, tomorrow morning, to stay alive?" Vladimir Putin doesn't care what happens a year or five years from now. He just cares about staying in the game. That is all he needs to survive.
The university is one of various funding structures by which people who want to do theoretical work stay alive, the same way that people go to grad school, not because they think it's going to change the world but because there's no patron system anymore, and they need some scaffolding of support while they're trying to figure out how they can proceed in their lives. I think that's utterly legit. A lot of our better theorists and thinkers, that's what the university is for them.
I always thought eating was a ridiculous activity anyway. I'd get out of it myself if I could, though you've got to do it to stay alive, they tell me.
Sometimes you need lies to stay alive.
Your staying alive means so much more than you really know, or that anyone is aware of at this moment.
Well, the kind of central question: "Do you want to live - and I don't mean stay alive - do you want to feel your life while you're living it?" You know, there's somewhere to go that was here before we were and is going to be here after us, so get out there in it. It doesn't take somebody who's got some self-important sense of their own attachment to nature to recognise that you're just stupid if you don't go out there.
It does the things we're also most concerned about. It tries very hard to stay alive. It's motivated to reproduce. It gets hungry and goes to look for food. It gets frightened. Compared to other things in the universe, we and the albatrosses are almost identical.
I think in the inception and creation of the characters, improv was the most important part for me, because I wanted to feel at home in those characters. I wanted to feel like I could commit to them. And so much of improv is saying yes and committing, so I think that's where the improv came in. Even if I'm saying yes to the X across the room from me, or the tennis ball on a stick, I have to stay alive.
Listen, baby, people do funny things. Specially us. The cards are stacked against us and just trying to stay in the game, stay alive and in the game, makes us do funny things. Things we can't help. Things that make us hurt one another. We don't even know why.
When am I happy and when am I sad and what is the difference? What do I need to know to stay alive? What is true in the world?
If watching television doesn't hasten death, it surely manages to make death very inviting; for television so shamelessly sentimentalizes and romanticizes death that it makes the living feel they have missed something - just by staying alive.
Worry about staying alive first. Then worry about how you're going to live.
It's true: Everyone needs a reason to stay alive -- someone who justifies your existence. Someone who loves you. Not beyond all reason. Just loves you. Even just shows an interest. Even someone who doesn't exist, or isn't yours. No, no! They don't even have to love you! They just have to be there to love! Target for your arrows. Magnetic Pole to drag on your compass needle and stop it spinning and tell you where you're heading and...Someone to soak up all the yearning. That's what I think.
The life of the enemy . Whoever lives for the sake of combating an enemy has an interest in the enemy's staying alive.
Facts, at any rate, could not be kept hidden. They could be tracked down by inquiry, they could be squeezed out of you by torture. But if the object was not to stay alive but to stay human, what difference did it ultimately make? They could not alter your feelings, for that matter you could not alter them yourself, even if you wanted to. They could lay bare in the utmost detail everything that you had done or said or thought; but the inner heart, whose workings were mysterious even to yourself, remained impregnable.
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