The quality of a leader is reflected in the standards they set for themselves.
Hypocrites are those who apply to others the standards that they refuse to accept for themselves.
Your parents ask you to follow the standard path: School, job, security. Is this really the best way? I don't think so - be your own boss!
The double standard of morality will survive in this world so long as the woman whose husband has been lured away is favoured with the sympathetic tears of other women, and a man whose wife has made off is laughed at by other men.
Let's not be afraid to speak the common sense truth: you can't have high standards without good discipline.
I've also seen that great men are often lonely. This is understandable, because they have built such high standards for themselves that they often feel alone. But that same loneliness is part of their ability to create.
I'm not better than anyone, and I'm not trying to convince people to live by my standards of what's right. I'm trying to convince them to live by their own.
Comparisons are odious.
Without a standard there is no logical basis for making a decision or taking action.
When anything goes, everything goes.
It was a really interesting time in New York in the late 70s and early 80s, and the music scene was really, really interesting because you didn't have to be a virtuoso to make music, it was more about your desire to express things.
Others may be able to accept standards from another, but an artist is a person who decides.
Good, bad, or indifferent - it doesn't matter, just work.
Life is like that. We don't know anything. We call something bad; we call it good. But really we just don't know.
The classicist, and the naturalist who has much in common with him, refuse to see in the highest works of art anything but the exercise of judgement, sensibility, and skill. The romanticist cannot be satisfied with such a normal standard; for him art is essentially irrational - an experience beyond normality, sometimes destructive of normality, and at the very least evocative of that state of wonder which is the state of mind induced by the immediately inexplicable.
Ordinary' is a word I loathe. It has a patronizing air. I have come across ordinary people who have done extraordinary things.
Bad art might be defined as a series of bad choices about what to show and what to leave out.
Extroversion is an enormously appealing personality style, but we've turned it into an oppressive standard to which most of us feel we must conform.
Sometimes good art jumps out at me; most of the time I see bad art, or see nothing at all and just drift, feeling weird, pretending to be fine.
Those who try to combat the production of shoddy pictures are enemies of the best art today... It always feels tragic to see people labouring to saw off the branch they are sitting on.
Under ordinary circumstances, bad art naturally gets sorted out and disappears. That is how history works when it is left alone to do its job.
In art there is no absolute good or bad, but it is absolute that there is good and bad.
The painting world is awash with people who cannot paint. This is a condition that would not be tolerated in other professions such as Dentistry, Medicine, or among members of the Airline Pilot's Association.
Art thrives on a difference of opinion. My treasure is your junk, sort of thing. Life would be dull if we all agreed.
In life and art we need to make sure that we honour that which our hearts and brains tell us is good. And we should cast a philosophic yet curious smile at that which our hearts and brains tell us otherwise.
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