I consider myself a poet first and a musician second. I live like a poet and I'll die like a poet.
Songwriting as an art is a bit archaic now. Just writing a song is not good enough.
Songwriting is an emotional medium, and rock and roll is an emotional medium.
Songwriting becomes a conscious attempt to delve into the unconscious. Even those writers who scoff at the concept of a spiritual source for their songs admit that the phenomenon of having them simply arrive feels magical.
I just tried to come up with some honest songs. What I was writing about was real plain stuff that I wasn't sure was going to be interesting to other people. But I guess it was.
Songwriting is kind of like a craft. It's not something that just comes in a dream. You've got to work at it.
We need to have music that contributes to the well-being of the spirit. Music that cradles people's lives and makes things a little easier. That's what I try to do, and what I want to do. You don't want to close the door on hope.
I don't think about the styles. I write whatever comes out and I use whatever kind of instrumentation works for those songs.
I never sit down to write. When I'm moved, I do it. I just wait for it to come. You just hear it. I can't really describe writing. It's in my head.
More times than not, it's a failed endeavor. You will fail more times than you succeed. But I think you need those failed endeavors.
You can't ask me to explain the lyrics because I won't do it.
'If You Could Read My Mind' was written during the collapse of my marriage. It's a great song. No one has any gripes about it. I wondered what my wife and daughter might think. My daughter is the one who got me to correct 'The feelings that you lacked' to 'The feelings that we lacked'.
I don't think you can ever please all audiences.
And Paul hits this chord, and I turn to him and say, 'That's it! Do that again!' In those days we really used to absolutely write like that - both playing into each other's noses.
If I lose the light of the sun, I will write by candlelight, moonlight, no light. If I lose paper and ink, I will write in blood on forgotten walls. I will write always. I will capture nights all over the world and bring them to you
I stand firm behind the belief that, for me, songwriting isn't something that I do or command, it happens to me. I can either choose to stop and acknowledge it, or put it off and hope that it won't fade away. 'That Wasn't Me' is no exception - it came together more quickly than any other song I have ever constructed on my own.
It seems to me that those songs that have been any good, I have nothing much to do with the writing of them. The words have just crawled down my sleeve and come out on the page.
In writing songs, I've learned as much from Cezanne as I have from Woody Guthrie.
A lot of people pretty much only listen to the chorus.
Not to dismiss Gershwin, but Gershwin is the chip; Ellington was the block.
I don't think you can ever regain your ignorance.
My style of songwriting is influenced by cinema. I'm a frustrated filmmaker. A fan once said to me, 'Girl, you make me see pictures in my head!' and I took that as a great compliment. That's exactly my intention.
Sometimes you're writing a song and you have an image whilst writing a song. I don't think you ever base a songwriting process around a video, but when you're writing a song sometimes it'll be a very visual song.
Cherish forever what makes you unique, 'cuz you're really a yawn if it goes.
If I knew where good songs came from, I'd go there more often.
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