I just tried to come up with some honest songs. What I was writing about was real plain stuff that I wasn't sure was going to be interesting to other people. But I guess it was.
A lot of times songs are very much of a moment, that you just encapsulate. They come to you, you write them, you feel good that day, or bad that day.
'If You Could Read My Mind' was written during the collapse of my marriage. It's a great song. No one has any gripes about it. I wondered what my wife and daughter might think. My daughter is the one who got me to correct 'The feelings that you lacked' to 'The feelings that we lacked'.
I tended not to be concerned about whether a song was going to be a hit when I wrote it. Because it became evident that none of us knew what was a hit and what wasn't. So I thought if I just write what I like, why shouldn't people like what I like?
My songwriting and my style became more complex as I listened, learned, borrowed and stole and put my music together.
Each song has its own secret that's different from another song, and each has its own life. Sometimes it has to be teased out, whereas other times it might come fast. There are no laws about songwriting or producing. It depends on what you're doing, not just who you're doing.
It's very helpful to start with something that's true. If you start with something that's false, you're always covering your tracks. Something simple and true, that has a lot of possibilities, is a nice way to begin.
Music breeds its own inspiration. You can only do it by doing it. You may not feel like it, but you push yourself. It's a work process. Or just improvise. Something will come.
Songwriting is a very mysterious process. It feels like creating something from nothing. It's something I don't feel like I really control.
Songwriting is like ... being possessed. You try to go to sleep but the song won't let you.
I never sit down to write. When I'm moved, I do it. I just wait for it to come. You just hear it. I can't really describe writing. It's in my head.
I love writing. I love the swirl and swing of words as they tangle with human emotions.
I consider myself a poet first and a musician second. I live like a poet and I'll die like a poet.
To be a musician, especially a singer-songwriter - well, you don't do that if you have a thriving social life. You do it because there's an element of alienation in your life.
Songwriting is about getting the demon out of me. It's like being possessed.
I write a song because I want to. I think the moment you start writing it to make money, you're starting to kill yourself artistically.
I just tried to come up with some honest songs. What I was writing about was real plain stuff that I wasn't sure was going to be interesting to other people. But I guess it was...I've never had any discipline whatsoever. I just wait on a song like I was waiting for lightning to strike. And eventually-usually sometime around 3 in the morning-I'll have a good idea. By the time the sun comes up, hopefully, I'll have a decent song.
I don't write songs, songs write me.
I don't force it. If you don't have an idea and you don't hear anything going over and over in your head, don't sit down and try to write a song. You know, go mow the lawn...My songs speak for themselves.
For me, songwriting is something like breathing: I just do it. But that doesn't mean you're fantastic.
I never sit down to write. When I'm moved, I do it. I just wait for it to come. You just hear it. I can't really describe writing. It's in my head. I don't think about the styles. I write whatever comes out and I use whatever kind of instrumentation works for those songs...A lot of people don't listen to the lyrics, really. A lot of people pretty much only listen to the chorus.
I'd hate to be a songwriter starting a career today...Al Stanton walked in one day and said, 'Otis, I've got an idea. Why don't you write a song called "All Shook Up"?' Two days later I brought the song in and said, 'Look, man, I did something with it.'
It seems to me that those songs that have been any good, I have nothing much to do with the writing of them. The words have just crawled down my sleeve and come out on the page.
I don't think about the styles. I write whatever comes out and I use whatever kind of instrumentation works for those songs.
My discussion with Keith Richards about the creative process led me to believe that there's an invisible presence of a stream of ever-flowing creativity that we overhear-all you have to do is pull up the antenna and dial it in. This presence allows you to maintain your sense of origin and move forward.
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