I love shooting guns. I would never shoot an animal or hunt, but I probably would be a very good hit woman. It's hand-in-glove for me.
I love my situation as a spectator. The actors are only a little bit ahead of the audience. The audience discovers the episode when it's screened, but we actors only discover the episode when we get the script, two weeks ahead of shooting. Until then, we know nothing of the evolution of our characters.
I guess for me - in the TV commercial world I was known for shooting locations, beautiful landscapes and things like that - so, it's interesting.
I like to try to shoot in the city in a way that allows the city to go about its business while we're shooting, and that's always a challenge because unfortunately people on the street don't know not to look in the camera or interact with the actors.
I've made quite a number of movies like Castaway and a few others where I'm the only guy in the movie and the only place to be is right next to the camera in costume ready to go in order to get it. The years, and more specifically probably the four months prior to beginning shooting, is where the big preparation is that the director does because I knew we were going to get on the set. And the good news is, if you're the boss, if it ain't good, you don't use it. You just cut it out.
I've got this reputation for shooting one take which is a wonderful reputation to have but it's hard to live up to.
The beauty of shooting on something that's not in front of an audience is that you can just cut out the times you're laughing. You can cut to the other person and try to use that moment, right before you break. There's an energy to those performances. There's a reason people were laughing. There was something very special. That little extra something was in that line delivery or in that improv, so you try to use that stuff.
I have never been able to understand why pigeon-shooting at Hurlingham should be refined and polite, while a rat-killing match in Whitechapel is low.
The vicissitudes of life resemble one of those gilded balls seen in a fountain. Thrown up by the force of the water, it flies up and down - now at the top, catching the rays of the sun, now cast into the depths, then again shooting up, sometimes so high that it escapes altogether, and falls to the ground.
One of the best rules anybody can learn about investing is to do nothing, absolutely nothing, unless there is something to do... I just wait until there is money lying in the corner, and all I have to do is go over there and pick it up... I wait for a situation that is like the proverbial "shooting fish in a barrel."
...the people who talk most about the need to regulate guns are also usually the same people who know the least about them. Ask these gun prohibitionists about the Second Amendment and they'll usually mention hunting or sport shooting.
The importance of making sure that the sense of accountability when, in fact, law enforcement is involved in a deadly shooting is something that I think communities across the board are going to need to consider, we have a great opportunity, coming out of some great conflict and tragedy, to really transform how we think about community law enforcement relations so that everybody feels safer and our law enforcement officers feel, rather than being embattled, feel fully supported.
One ... aspect of the case for World War II is that while it was still a shooting affair it taught us survivors a great deal about daily living which is valuable to us now that it is, ethically at least, a question of cold weapons and hot words.
The distance at which all shooting weapons take effect screens the killer against the stimulus sensation which would otherwise activate his killing inhibitions. The deep, emotional layers of our personality simply do not register the fact that the crooking of the finger to release a shot tears the entrails of another man.
Whilst shooting think of nothing else; brace the whole of the body; have both hands on the stick; concentrate on your ring sight.
After watching the video, the senseless shooting and taking of Walter Scott's life was absolutely unnecessary and avoidable. My heart aches for the family and our North Charleston community. I will be watching this case closely.
In the history of photography, one process has always replaced another. The tumultuous realignment that's going on in the photography now is really just a natural evolution. The irony is that none of the processes that have been replaced have disappeared. More people than ever are practicing every approach to shooting and printing.
But I think a life of raising prize cattle, going shooting two or three times a year, fishing in the summer, and interspersing the whole thing with some golf and bridge - and whenever I felt like talking or writing, doing it with abandon and with no sense of responsibility whatsoever - maybe such a life wouldn't be so bad.
Well, a funny thing, there are three that I like all for the same reason, golf, fishing, and shooting, and I do because first, they take you into the fields. There is mild exercise, the kind that an older individual probably should have. And on top of it, it induces you to take at any one time 2 or 3 hours, if you can, where you are thinking of the bird or that ball or the wily trout. Now, to my mind it is a very healthful, beneficial kind of thing, and I do it whenever I get a chance, as you well know.
Just learn the whole script before you start shooting. That makes shooting a joy. Even if they rewrite, it's easy.
But you have to trust your instincts. Because you're not going to try it 20 different ways during rehearsal. You'll try it two or three different ways, maybe, but then you've got five other scenes you're shooting that day. You've got to keep going.
While directing in theater that the actors will - I don't know if it's competitiveness or what it is, but they love to make each other laugh. They love to impress each other in rehearsal. They'll try something for a reaction. But in film, you're very often not all together in the room at the same time. You're shooting one day, somebody else is shooting the next. It's a totally different dynamic.
With animation, if something does not fit, you always have the time to change it. When you make a live-action movie, when your days of shooting are over, they are over forever.
It was easy to make fun of Bush, but it was sort of like shooting fish in a barrel and it didn't really feel all that good because it was so easy to do. I would much rather live under a thoughtful president. Even if it makes it harder to be funny about politics, it makes it more interesting to be funny about politics.
I'm not an escapist, but the value of language is that it can create places that did not exist before. And so language for me doesn't reflect the world, it extends the world, so that it becomes larger and more fantastic and less mired in this school shooting bullshit. It actually builds a future - that's how evolution occurs.
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