One of the huge advantages of shooting in the winter is that locations that wouldn't have been available to us suddenly were, like Yorkville. ... It's just specific streets and specific angles. I think that's what's always kind of shocking about some cities: they are really about intersections.
I think a lot of that is what helped me develop my character. I wouldn't say it was Method, but it was definitely a little more in depth than I've done before in terms of acting. With the other kids, we all were such good friends by the time we started shooting. Because of that, it allowed us to trust each other more to push the dynamics of the relationship to places which you might not be able to had you not trusted that person.
I don't believe Chinese movies should only have Chinese cast and talents shooting it with a Chinese story.
The important bit for an actor is the actual shooting of it, because the minute the shoot ends, it's got nothing to do with you anymore.
When we're shooting, I commute to the UK, every three weeks or so, and that's hard. That's probably the toughest, physically, on me. It's a much longer commute than I've ever had to deal with. And then, there are the challenges of this particular production. It's not the kind of show that has standing sets.
And your typical TV series, you've got your police station, your apartment, the hospital, the starship, or whatever it is, and you're constantly going back to those sets and shooting, which saves you a lot of money and time. You can do that faster because you become really familiar with it and you become really good at it.
It concerns me when I see a small child watching the hero shoot the villain on television. It is teaching the small child to believe that shooting people is heroic. The hero just did it and it was effective. It was acceptable and the hero was well thought of afterward. If enough of us find inner peace to affect the institution of television, the little child will see the hero transform the villain and bring him to a good life. He'll see the hero do something significant to serve fellow human beings. So little children will get the idea that if you want to be a hero you must help people.
We all believe what we read. I read how Tom Cruise and I were two big egos holding up shooting. I know that isn't true - but if I wasn't making a movie with him and I just picked up the paper, I'd believe it. That's interesting, isn't it?
You cannot have a rational discussion with a man who prefers shooting you to being convinced by you.
Whether I'm shooting 10-under or 10-over I have to realize people have come a long way to see me play. I can't be back-handing putts.
I always tell D-West, 'We're the leaders on the team, and if we go down, we've got to go down shooting.'
I think that work has been the key for me. Just like they say shooting will become easy if you just keep working at it, well, I love the dribble game-that brings excitement to the game.
You have to remember that you only want to use your dunks at the right time. If you do it at the right time, you can wake up everybody and change the whole momentum of the game. It can get the crowd up, get your teammates up. It can wake up yourself, too, if you're not shooting well.
Shooting is a lost art. I want to be one of the artists who is remembered for a long, long time.
When I started shooting it just gives my partners more chances for rebounds. It opens up more room.
Some people have a perverse talent; they're capable of shooting themselves in the foot and stabbing themselves in the back at the exact same time.
There were times when I got frightened. Things weren't going right, so I just went out and got smashed. That's me. Something goes wrong, I find a bottle. I don't like it about myself but I've done it before and I'll do it again. But I never vanished for days or held up shooting or quit the picture.
Since the advent of the atomic bomb, the United States has always needed two kinds of enemies. On one level, it has needed a tactical enemy that it can go out and fight in the field in a shooting war. Since 1945, these enemies have been created and appeared as North Korea, North Vietnam, Grenada, El Salvador, Panama, Iraq and now Colombia. On another level, however, the US needs a strategic enemy that will justify outrageous expenditures of capital for strategic weapon systems like ICBMs, Trident submarines and "Star Wars" missile defence systems.
Shooting a movie is the worst milieu for creative work ever devised by man.
I start from experience and read. . .always between polarities - loud and not-loud, young and old, spring and winter. If I can make black and white behave together instead of shooting at each other only, I feel proud.
I'm an actor first and foremost. My producing credentials are just to say, "Yeah, I love this story and now let's bring the people, the ensemble together," and I get out of the way. I have no desire to check on schedules and shooting schedules and money and stuff like that.
Even when a pilot goes, you shoot it in March or April, and then you have to rush it through post-production by May. If they greenlight it, then you go and there's no time to think about it. And then, you've gotta start shooting in July, so you're off to the races.
Once we start shooting, it's in there. You're trying to get into a place where you rise to the work, rather than make it manageable or make it work for you.
I don't think acting should be all-encompassing. So, when I'm not shooting, I'll go down to Mexico on a spear-fishing trip for a couple of weeks, or I'll go to the Coral Sea, or I'll go to Panama, or wherever.
I love Death Race, it's one of my favorite films. I thought, "You know what? All that two years worth of work is now gong to be wasted because I'm highly unlikely to direct another car movie straight away," and I felt at that point there was no one who was kind of better at shooting cars, so I thought rather than let it go to waste I would explore the idea of doing commercials, and that's what I did.
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