My boredom threshold is low at the best of times but I have spent more time being slowly and excruciatingly bored by children than any other section of the human race.
I like to work with multiple sections because they lend themselves to the structure of the poem: its intensifications and arcs and closures. I feel like working with smaller units feels more natural to the way I write poems.
I was interested in the ways that artists responded to totalitarianism - the Czech Jazz Section, Romanian absurdist theatre, Brecht's alienation effect. The anything-goes, anarchic qualities of jazz and Surrealism seemed to offer a way to cross some of the forbidden frontiers of Eastern Europe.
You know that this vignette and that vignette belong side by side, you know that a certain turn of phrase you've been saving will probably work best within a given section of the narrative. As in a jazz performance, writing lives or dies by what's produced in that moment. But that moment is attended by long preparation.
The thing with the question of oneness or non-oneness is that you can literally discuss it forever. You can go into the philosophy section of any library and you'll see people have been discussing it forever and will continue to do so.
Then, you know, the other more-traditional role of the producer in, like, the kind of Quincy Jones sense is kind of part arranger. So you're coming up with, like, these - you hear these songs that are quite bare-bones, and you dream up what's the band doing? What's the rhythm section doing? What's the guitars, strings, pianos - that sort of thing. It's almost like a little toolbox.
If you cross-section anyone's life from one angle and then another, what constitutes goodness looks different each time. It's not an absolute.
I don't read "letters" sections of magazines, but I'll read anyone's blog post about me.
I agonize over things like this - the order of things, section titles, all this architectural sort of stuff. Takes me years to figure out.
Why is thinking about crime or imagining crime so goddamn central to pop culture? It doesn't matter whether it's American TV or British TV. And there's entire sections of bookstores devoted to crime.
New Year's Eve, we're going to be doing a concert with the Philadelphia Orchestra in Symphony Hall. It makes me feel good, because of all the people they could have had, they wanted me! We do have to do a little work with the rhythm section.
The clergy are at present divided into three sections: an immense body who are ignorant; a small proportion who know and are silent; and a minute minority who know and speak according to their knowledge.
Regardless of whether we are required to purchase medical insurance, know that we can only buy real health insurance in the produce section of the local supermarket.
Vicke is so fat that she wakes up in sections.
I can't be calm when I drive through sections of Atlanta that look more like Kinshasa, Democratic Republic of Congo, than America.
I'm breathing out of my mouth and thinking things I have only seen on Netflix in the foreign-movie section.
As a teenager I had never been able to accept the fact of having to go to the back of a bus or sit in the segregated section of a train. The first time I had been seated behind a curtain in a dining car, I felt as if the curtain had been dropped on my selfhood.
In order to be a leader a man must have followers. And to have followers, a man must have their confidence. Hence, the supreme quality for a leader is unquestionably integrity. Without it, no real success is possible, no matter whether it is on a section gang, a football field, in an army, or in an office. If a man's associates find him guilty of being phony, if they find that he lacks forthright integrity, he will fail. His teachings and actions must square with each other. The first great need, therefore, is integrity and high purpose.
... my century.. is unique in the history of men for two reasons. It is the first century since life began when a decisive part of the most articulate section of mankind has not merely ceased to believe in God, but has deliberately rejected God. And it is the century in which this religious rejection has taken a specifically political form.
I grew up Southern Baptist, so my experience was fairly conservative. Not archly so, but I think Memphis - when you get to certain parts of Memphis - are more liberal for sure. But I grew up, until I was about 13 or 14, in a section called Whitehaven, and then we moved to a suburb called Germantown - which is a pretty conservative area.
Their preservation depends upon a sentiment. As sentiment never yet annihilated a paying industry, we cannot hope to stay, wholly, the ax and saw of the lumberman. But popular opinion, combined with action, if directed intelligently towards the setting apart of some one section of the noble redwood forests... will, I believe, save for our present delight and for that of the generations who come after us, at least one grand forest of the Sequoia sempervirens such as the world cannot show elsewhere, such as a thousand years cannot reproduce.
We move too much in platoons; we march by sections; we do not live in our vital individuality enough; we are slaves to fashion, in mind and in heart, if not to our passions and appetites.
Ripe bananas are the mark of a good produce section. A good produce section is the mark of a superior grocery store. A superior grocery store is the mark of a good man.
My nails are my rhythm section when I'm writing a song all alone. Some day, I may cut an album, just me and my nails.
One summer day, while I was walking along the country road on the farm where I was born, a section of the stone wall opposite me, and not more than three or four yards distant, suddenly fell down. Amid the general stillness and immobility about me the effect was quite startling. ... It was the sudden summing up of half a century or more of atomic changes in the material of the wall. A grain or two of sand yielded to the pressure of long years, and gravity did the rest.
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