I think to put death on screen where it isn't that turns it into comic book time and there I think by desensitizing an audience, you really do open the possibility that someone is going to kill.
Green screen, you know, it's been interesting, it's my first time to ever work with green screen technology, and it's, sometimes it can be really boring because you're like wow, I've got to really imagine all of this stuff around me. But it's low maintenance, which is nice, um, and it's not as hard as I thought it would be, so.
I do want to make a special appeal to women movie stars to, I think, have a special responsibility these days to stop smoking, not to do it up on screen because the example that's being set is really an awful example.
My own idea about 3D is that it is there to enhance the viewing experience but I don't think that you have to use it in a tricky way, I think that the minute you sacrifice story and character for something coming out of the screen, I think you've lost it.
We've been working on the visual effects for a year, so we're trying to raise the bar. Stuff will absolutely come out at the screen, but it will absolutely not look as bad as that tire in Final Destination.
Well we've got to do a lot of kung fu choreography, which was really cool. Like I have, you know, like the big hammer that I use, kind of like a staff in a sense. So I get to use that like a really cool weapon. Kung fu style. And it's just really fun to get to learn that and execute it in a way that looks cool on screen. It just feels really rewarding.
To me it's so much like Spaced in that way. Um, which I love so much, so I think fans of that and fans of the comics are going to really see that up on the screen.
It's like so great to be in Toronto and to see everything that's in the books and everything they reference and to be able to hang out in those places and go to those bookstores and those comic book stores and those music stores, and like have that, from the books onto the screen, is so cool and I'm glad to have been part of that.
I work a lot with a green screen, which is really time consuming. All the special effects are.
It's hard to keep the energy and the emotion of the scene when they're installing a massive green screen behind you.
The best thing about streaming is there are no load times during play. Once the game has loaded the player never has to wait for new maps to load. This enables the player to get more immersed in the game world as there are no loading screens to remind the player they are actually playing a video game.
(The) process of acting is no different to conventional screen acting, in that it's providing a perfect interface between the director and the performer. So there's no sort of long way around a viral committee of animators.
I felt there was a certain amount of violence in the graphic and that it could still be cheated on screen so you could still have a hard PG-13 and open up your audience. Anybody can read the graphic novel. If you're 14, you can go out and buy it, and I felt that if you're 14 you should be able to see this movie [The Loosers].
I find that with fantasy, you lose yourself in it a lot. It's great to be able to go into a dark theater or turn off the lights in your house and just get sucked into this world. I remember watching Star Wars when I was a little kid when they did the re-release of all the originals. I couldn't even read yet but my uncle took me and he would read me the opening as the words were coming up on the screen. I just remember being so sucked into that and thinking, "I want to be Luke Skywalker."
I really don't like watching myself and for the most part I will never watch myself. I worked with Kevin Smith on Yoga Hosers and I really respected the way that he directed. He told me, "It's very important to watch yourself." So he would direct by going, "Hey come over to the screen and watch this scene." And so it was very uncomfortable for me to have to watch myself but then he talked me through the process of that and it was very helpful.
The only thing I can say is that people requested,when The Exorcist it going to be on the big screen? People want it on the big screen and they want to see the footage. I think it's going to do very well. I think it will please people, and the fact that they added the new sound.
The Ford Flex is a really, really cool car. You get inside and you have so much headroom and it's really comfortable to drive and it's real techy inside. You look at the screen and it's blue and you've got all kinds of controls. Everything is digital.
I have big hands. I can't do the touch-screen thing. I'm a button guy. I want to press buttons.
Honestly, I don't aspire to be a huge movie star. I really just fell in love with acting... Everything I do on-screen is very subtle.
The shenanigans of the kids, on and off the screen, they all fell in love with each other.
I think we're looking at the next major superstar in golf. Tiger has a flair for the dramatic and one of those smiles that lights up the screen.
I use different media, but I still think as a painter. I organize my forms and colors on a screen like a painter does on a canvas.
Bloggers and other flavors of lone wolf are publishing heart-wrenching photo-essays from the front line of the recovery effort. Newspapers and TV networks? They're writing about the temperature of the water in some part (they don't specify which) of some damaged reactor, illustrating it with video screen grabs of machinery they don't understand enough to explain.
... [I] recall thinking that the computer would never advance much further than this. Call me naïve, but I seemed to have underestimated the universal desire to sit in a hard plastic chair and stare at a screen until your eyes cross.
At 13 years old, I realized I could start my own band. I could write my own song, I could record my own record. I could start my own label. I could release my own record. I could book my own shows. I could write and publish my own fanzine. I could silk-screen my own T-shirt. I could do this all myself.
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