Most performers take themselves too seriously. They forget there is a difference between the characters they play on the screen or stage and themselves, but the public doesn't forget there is a difference. They see how silly it is if you try to be the same person all the time.
We were trained from cartoons. Everything who was on the screen was chosen. Anything who was not there was deliberately not there.
On stage it's just a wild setting - we have a big screen - hecklers, I'm fighting. It's entertainment, but I want to pierce [the audience's] souls and have them think about what I have to say.
The movie on the screen is always going to be different from the movie in your head. How it makes you feel is what I'm after, what I'm chasing, and what I'm trying to construct.
I like taking my leads from what I see rather than trying to impose. I like that way of looking at things and seeing what's on screen and seeing how I can draw music out of it almost.
As an actor, I was taught, from an early age, that secrets are the most powerful thing that you can have on screen, and that what you withhold is as important as what you share.
At the end of the day it is just a movie and we should remember that we're doing it for the audience and we should have fun doing it. If we have fun doing it, it will come across on the screen.
Not harder than it should be, no. We're about the business, we're about the work. It's all about the work, always. We have fun and laugh and there're days that are more intense than others, but we're there to make it better. He's always going to try and make it better, I'm always going to try and make it better. So you accept anything, you accept whatever it takes to get it up on the screen and make it worthy.
Being on set and seeing all that green screen, and how it activated my imagination, was amazing to me. I fell into that world very easily, and it was incredible to be a part of.
I think it's doubly important, now that we see so many people failing. When the norm is an anti-hero, there's a serious loss when you cannot portray a decent person on screen without it becoming slightly sentimental or feeling like it's unrealistic.
I've never been a snob. It [movie] is just about stories. And I've never felt just because it's a big screen and you plop down your eight bucks that gives it a special meaning. It's just "Are you good at telling a story?"
I screen tested for Training Day many years ago, which was David Ayer's script with Antoine Fuqua directing.
It's so off the charts and off anybody's radar screen, that place. It might as well be another planet. Just try to find somebody who's been to Madagascar. Nobody has been to Madagascar.
So often you're asked to play impossibly perfect version of yourself on screen that it's nice to get to bring in those parts that you think aren't as worth looking at.
It's tough to get any movie made, but unless it's a movie about race or culture or ethnicity, it's becoming less and less important who's playing what. You see that on the big screen and the small screen, and I think that's great. That's exciting.
More and more people are watching entertainment on their phones. On a plane or on a train, or whatever, you see people with their headphones and they're looking at their iPhone or their Galaxy. You're reducing a medium that's meant to be seen on your 65-inch plasma screen at home for your 4-inch monitor on the train. People are ready to do either, and the content has to work on both.
For movies, you need to come up with a movie that is only possible to screen in the theater, which legitimizes the way you watch them. You buy your ticket so you need to get something in exchange for that. It should be a spectacle.
I was a Hollywood musical fan as a kid, and I know how rare it is for someone who originates the Broadway role to get to then do it on screen.
I've learned to keep my work on the stage or on the screen.
Start by putting yourself in your users' shoes. Why are they coming to your site? If you look at most Web sites, you'd presume that the answer is "User is extremely bored and wishes to stare at a blank screen for several minutes while a flashing icon loads, then stare at the flashing icon for a few more minutes."
Personal improvement is like sitting in a movie theater, arguing with the villain projected on the screen, and feeling that at least we have tried to make things better.
I wouldn't want you to see me all the time on the screen, because I get bored of it myself!
You have to draft a catcher, because if you don't have one, the pitch will roll all the way back to the screen.
If I can play a scene in a master shot, I always prefer it. And the actors always prefer it. It's fun to look at on the screen, the actors get a chance to sink their teeth into something substantial, and it's economically helpful.
I am very aware of the fact that it's highly unlikely anyone will write an article via their mobile phone. I've done it, but it's painful. And it's not just about the small keyboard and the small screen - though that's awful. It's the emotional experience of writing an article.
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