I'm looking at some comedic horror films because I have often been accused of being too dark. I'm not dark, not compared with 'Saw' or anything like that. So I'm looking at live-action horror films, but not slasher ones - ones that have humor and maybe some social satire.
Oh, I adored Mickey Mouse when I was a child. He was the emblem of happiness and funniness. You went to the movies then, you saw two movies and a short. When Mickey Mouse came on the screen and there was his big head, my sister said she had to hold onto me. I went berserk.
I remember the first time I saw the 'Smells Like Teen Spirit' video. I will never forget that day. I just wanted to see Kurt Cobain's face. I had a feeling he was very cute. But, I couldn't see his face. When I finally did see him, he was even cuter than I imagined!
I saw 28 Days. I don't remember rehab being like a day camp or being that funny. Rehab is a dumping ground. It's a big landfill.
I saw Damien Rice in Dublin when I was 13, and that inspired me to want to pursue being a songwriter... I practised relentlessly and started recording my own EPs. At 16 I moved to London and played any gigs I could, selling CDs from my rucksack to fund recording the next, and it snowballed from there.
I didn't see my son the entire time I did 'Dancing With the Stars.' The only time I saw Jeffrey was when he came to the show Monday and Tuesday nights to watch me dance. You literally rehearse six to eight hours every single day - 40 to 50 hours a week.
I've made a lot of stupid action films. But when we made The Matrix, we saw that people wanted more than that.
I looked up and saw the shape of a heart made by the silhouette of Ben Affleck and Matt Damon kissing.
First, when I was 12, I saw a Spanish girl jumping rope. I never saw her face, but it was still the most beautiful sight I'd ever seen.
When I was growing up, I did not exercise at all. I was raised in the French Quarter in New Orleans. If I saw someone running, I would call the police because I thought they stole something on Royal Street.
If a dad does his job, we don't need prisons, we don't need jails. That's what I saw growing up.
With all due respect to Mick Jagger, who is one of my idols, I think it's a mistake to leap around and sing at 53. When I started, there weren't any women I looked up to. It was Mick. I never saw anybody go on a stage and have that tongue-in-cheek attitude. It was all straight, including the Beatles. I love his attitude, hands on hips and lips out.
I would say Will came at a time in my life where he saw beauty in me that I didn't see in myself at the time. And, you know, he saw a diamond in the rough and kind of, picked me up and blew off all the dust and said, 'I'm telling you, I'm going to make you shine, girl.'
I saw Richard Linklater's film 'Slacker' for my twenty-first birthday. That was the moment when it all seemed possible. This guy gave me hope.
I'd see movies, comedies, and I loved 'Animal House', I loved all the John Hughes stuff, but I never saw me and my friends totally represented.
When punk came along, I found my generation's music. I grew up listening to the Beatles and the Rolling Stones and Pink Floyd, 'cause that was what got played in the house. But when I first saw the Stranglers, I thought, 'This is it.'
I barely saw my mother, and the mom I saw was often angry and unhappy. The mother I grew up with is not the mother I know now. It's not the mother she became after my father died, and that's been the greatest prize of my life.
It's funny. When I saw the script in my inbox and it said 'Sparkle,' I thought, 'For real? It's really called 'Sparkle?'' I was wondering, too, how does 'Jordin Sparks as Sparkle' sound?
I like what I see in the mirror. I liked what I saw in the mirror before. It just didn't work in a bikini. And now it does. So I'm excited!
I think one of the worst things that happened to me was, you know, my voluntary fallout with my father. And then the greatest thing that happened to me was when I saw the light, and realized I needed to love him in a way that he could love me back.
I interviewed survivors, I went to Poland, saw the cities and spent time with the people and spoke to the Jews who had come back to Poland after the war and talked about why they had come back.
I've always wanted to tell a story about Lincoln. I saw a paternal father figure; I saw someone who was completely, stubbornly committed to his ideals, to his vision.
I didn't know if it would be a success-ful one, or what the stages would be, but I always saw myself as a lifetime musician and songwriter.
Work creates an enormous sense of self and I saw that in my mother. She was an enormous, towering figure to me in the best possible way. I picked up a lot of things from her in the way that I work... I also picked up a lot of the failings of when your father doesn't have those things and that results in a house that turns into a minefield.
I was an ambitious child and I tended to be scatterbrained. If I was at school and saw a bird outside the window I wanted to follow it. I was adventurous.
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