I like a little bit of everything. I think I'll put on Guns 'N' Roses or Rolling Stones any day. But recently I like a band called Bastille, or The Weeknd I'm a big fan of as well.
Knowing that things are going to slow down in the future, no matter what, that allows me to work hard now, make hay while the sun is shining and knowing that - while momentum is rolling - we have to hit it hard.
Plenty of people have bad divorces, but few of them end up with cancer, imprisonment, and public scorn. In the dark, rolling, treacherous wake of that sunken ship, the last thing I sought was a "relationship" or, heaven forbid, marriage.
Then basically what was happening was that it was the middle '80s, and Rolling Stone realized that a lot of their readers had voted for [Ronald] Reagan, and they were going, "Gosh! We need a Republican! Does anybody know a Republican? Wait a minute! I think P.J.'s a Republican!"
I was never in the office [of Rolling Stone]. It was very different from Lampoon, where we spent a lot of time together socially, which is to say "drunk."
Whereas Rolling Stone, I just never had anything to do with them. I'd stop by the office maybe twice a year.
When [George W.] Bush was elected, I think they thought I would have some sort of special "in" with that administration, to provide some sort of inside poop. Which is not something I'd be interested in doing, and anyway, I didn't. I actually knew more people in his dad's administration. So it was obviously winding down at Rolling Stone, and they were having financial troubles, too. They weren't getting the advertising, and the issues were getting thin. They fired Bob Love, who'd been my editor there for a long time.
I like the fact that they still run substantive pieces. I'm not sure I like the pieces, but it's nice that they do that. Anyway, it was always sort of ridiculous, me having anything to do with the youth culture, but now that I'm in my 50s, it's extra-double-ridiculous. They were losing interest in me, and I was losing interest in them. When I went to renegotiate my contract at Rolling Stone, I kind of halfheartedly asked if I could do half the work for half the money, and they asked if I could do two-thirds of the work for half the money. I ran that by my agent, since he can do math.
I called Scott Rudin, and I told him I wanted to do the play [Fences], so that's how the ball got rolling. I never said, "I'll do the play, and the next year I'll do the film, I just wanted to do the play."
[Peter] Tchaikovsky's "1812 Overture" was my first go-to song in terms of getting into the zone and getting ready and then I quickly gravitated to rock and roll music in the mid-'60s with the Grateful Dead, Bob Dylan, Neil Young, The Beatles, Crosby, Stills & Nash, The Rolling Stones, Carlos Santana. So many of them are still around and still going strong. I go out to see them all the time.
I guess I haven't talked to Bob Dylan since before then [interview to Rolling Stones]. I follow his career.
Whether it's being repealing or replacing Obamacare, rolling back excessive regulations, making the kind of investments that'll support infrastructure, or reducing taxes and reforming business taxes across the country. That's just a sampling of the things that we're working on right now.
The ritual was very important to me: cleaning the pot, rolling the pot.
To me, smoking pot meant sitting with a newspaper on my legs, rolling the seeds down, pulling the twigs out and finally producing a perfectly cylindrical, absolutely wonderful joint that you either locked at both ends or pinched off, or pinched at one end and left open at the other.
I see the stars. I hear the rolling thunder, thy power throughout the universe displayed. Then sings my soul, my Savior, God, to thee.
I'm definitely not a laptop/midi/abelton guy. But there is a lot of music I like. I really like Bach organ music. I really like Chopin piano music. I really like Wendy Carlo's electronic music. I really like Miles Davis and John Mclaughlin jazz style. So I'm not only an old-school rocker, but I have to admit that I'm going to be listening to The Doors, Rolling Stones, Iggy Pop, David Bowie and Bob Dylan many times a week.
It's Axelle's [ Carolyn] concept and she's the one who got the ball rolling. She told a few of us about it, and I brought in Epic Pictures and got it financed.
We have been subject to globalization and financialization and austerity and workers have been thrown under the bus while the one percent is rolling in dough.
"Like a Rolling Stone" [of Bob Dylan] is a kiss-off song like none before or since.
I've got a number of stories written so far in that mythos, more lined up to be written, and a narrative arc taking shape between them. I was experimenting with releasing the stories online for Paypal donations, so the existing ones are currently available via the blog for free download, but the ball didn't keep rolling in terms of meeting the targets I was setting.
It was my second show as a writer, and Justin Timberlake was just coming off boy-band stardom. People were rolling their eyes, but I used to watch the Mickey Mouse Club, and I knew all those kids were talented as hell. Justin was as comfortable on camera in that first episode as any of our cast members.
I'm extremely proud of what I have achieved. I've travelled around the world twice, went from rolling quarters for cigarettes, balling my eyes out, wondering what I was going to do after losing three million dollars, to being very financially comfortable, to buying a Mercedes G Wagon to being able to get whatever I want and living in a beautiful apartment in West Hollywood, furnished exactly how I want it. Life is incredible.
I walked away from everybody I knew. I locked myself in a loft that I rented, like I told you, where I was rolling quarters for cigarettes. I was having to borrow money off of the rent guy... the real estate agent that was renting me the loft.
When Rolling Stone handed me this crazy assignment to be in the studio with James Brown, they had the misapprehension that I'd written for them already just because I claimed my character had.
So by the time the 60s rolled in that became a huge art form in its own right with bands like the Beatles and the Rolling Stones and Hendrix doing total concept albums, same thing with Pink Floyd.
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