I was musically baptized by the black founding fathers of rock-and-roll, and like all real music lovers, the music changed, enriched, upgraded and fortified our lives forever.
I have undeniable evidence that many have awakened as a result of my raising hell. Raising hell is SO American rock-and-roll. And of course even soulless wimps love killer music and my incredible guitar tone.
I do think that's one of the strengths of the show is every year there's sort of the giant rock gets thrown into the stream and Selina has to figure out how to get around the rock. It's in Veep's DNA, whether anyone realized it or not, to constantly be changing.
I guess we all had that work ethic. None of us were rock stars, so if you had time in a studio, it was a big, big deal: you're not going to sit around taking drugs and drinking and waste it, you'll do something.
Everything's immediately diminished. That's why there's no real rock stars anymore. People are too accessible.
I liked seventeen-year-old me, I was happy when I was seventeen. I was this troubled goth kid that wore eyeliner and make-up to school and listened to punk-rock music and I loved my friends and I started to make music - I like seventeen-year-old me.
I've only done two other TV shows [instead of Sex&Drugs&Rock&Roll], one was Rescue Me and the other was a show called The Job, which was at ABC and only on for two seasons.
Julieanne Smolinksi has a history in rock journalism and she's a huge rock 'n' roll fan, and she was a huge fan of Ava (Elaine Hendrix) and Gigi (Elizabeth Gillies) and of the actresses. I was really lucky to get her, in between seasons on Grace and Frankie.
My primary reason for bringing my son on was to have a voice on the show [Sex&Drugs&Rock&Roll] that would bring a 25 or 26 year old point of view to it, and my son is very capable of writing that stuff.
I had this one rock band I used to listen to, but I forgot the name of them.
I make time to exercise at least four times a week. I mix up running, yoga, barre classes, and rock-climbing to get a full workout. I also follow my mum and dad's nutritional advice and eat a variety of colors on my plate. Plenty of fruit and vegetables.
People from the rock and roll world have felt for years that electronic music had no soul, but now electronic music can not only have soul but have all the shapes in the world.
It was always important to me to be that kid who could rock the party as well as rock the English professor's mind.
That's the great thing about rock n' roll: the myth is ultimately more important than the reality. And that's what you learn - you just learn to go with the mythology.
The mythology in rock n' roll is that I'm a bit of a loose cannon. Yet I've produced more music than anybody in my generation. So how much of a loose cannon am I? But the general public believes that I'm a loose cannon, so let them believe it. I'm not going to correct them.
I'm a member of the Recording Academy and I see the way it works and even with the whole voting process it's broken down into specific categories. There are Pop categories and Dance and Rock and Metal and Film and Score and everything else. Basically when you are voting you are urged not to vote in the category that you don't know anything about.
I've always said that there's a huge progressive rock, progressive metal audience out there, in the world.
We've seen progressive rock all over the world, in South America, Europe, Asia, across the US and North America and Australia. There's huge audiences for this stuff. For me it's always been there and it's just a matter of time before the people have more of the means to spread the word.
Pompeii is an extraordinary place to be because it was preserved exactly as it was. There are many other sites. If you visit any other antiquity-type sites throughout the world, they're very damaged with what's gone on over the centuries since they were abandoned. But this one was just, like, sealed, so you're looking at rock surfaces and the carving of letters and names in the stones looks like it was done yesterday.
Biggest lesson I've ever had in life is that blues had a baby and they named it rock 'n' roll.
I've watched so many women, from Kathleen Hanna all the way up to Taylor Swift, whether they're pop artists or rock stars or fine artists or writers, it is the subhistory of female artists that if you're going to make art, you're also going to have a full-time job of defending your right to make art.
I think that it was really rock-and-roll stars, women who were breaking boundaries with their bodies and their voices and their beings and their music. I spent a lot of time at concerts,just watching women rock out. They expressed so much of what I believed could be possible.
Rock-and-roll was an example of change in the body of the culture. I think it's really what helped bring the anti-war movement to its peak and moved people into the streets to seize the day - the movement was the embodiment of what was happening in the music. This is what taught me that it was possible to bring art and activism together. Without that piece, that energetic embodiment piece, the rest is just intellectual construct.
You know, being in a rock band, you can't overdo the costume changes too much because everyone thinks, oh, that's not a real rock band. Look how many times he changes costumes. That's not rock. Rock's about going on in a T-shirt and staying in it and getting it all dirty. But that's not really my approach.
I'm a rock climber. I really specialize in doing first ascents, and finding new routes outside, as opposed to doing competitions. I focus my energy on going out into nature and finding these new climbs. For me, it's not just this athletic pursuit - it's a really creative, artistic thing of finding these amazing formations out in nature, and mixing that with this high level of athleticism.
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