In particular, with climbing, we're climbing on these surfaces that Mother Nature has created. We search out the most perfect pieces of rock. It's so amazing that these formations are so perfect for climbing on. It's almost as if they were created for climbing.
I'm fifty-six years old - I'm as old as rock 'n roll.
I'm not a rock star, I'm not Seane Corne or Shiva Rea or Rodney Yee or Baron (Baptiste) or John Friend, and thank God, because there's just too much risk of getting hit by flying tomatoes if you stick out that much.
I'm a rock-and-roll drummer, so my job is to create chaos.
Punk rock meditation, that's what keeps it going. That's how I let go, you know. It's exactly what I do, I blast it and run around crazy banging my head on the wall.
I'm not interested in popular culture. I hate Quentin Tarantino. I rarely go to movies. I hate rock 'n' roll. I work. I think. I listen to classical music. I brood. I like sports cars.
Oxytocin rocks the world.
You're not insulting my character. Being a woman, especially in this business, it's so thrilling to get to do that. It's so rare, especially right now the way the film industry is. If you're a girl, the part you get to play these days...because there's so many less movies made...in a good movie, if there's a girl in it, there might be a handful of scenes, and your job is to be supportive to the guy who's messed up. Be the loving rock at home, or be the good mom, or be the attractive person.
Singing, dancing, and acting! The part [of Roxie in Let It Shine] was right up my alley. Plus, the thought of playing a rock star was like a dream for me.
You don't become a rock star for no reason.
I thought the idea Jim [Carrey] had, which was to do a comedic version of movies like The Hand That Rocks The Cradle and Unlawful Entry, was really funny. The movie was a little lighter when we first came on, a little more like What About Bob? or something.
You should know the lines, be prepared, get sleep, and have the script analyzed so you're ready to rock and roll.
In this country, particularly, actually in times that are difficult, or from corners of America where you least expect it, unbelievable pure creativity has welled up. Generally because of the cross-fertilization... a Scott Joplin tune becomes jazz, becomes blues, and becomes rock 'n' roll.
"Rock Candy" was my first record. I had never been in a studio, so I was in shock and I had no idea if it was great or if it stunk. I was just putting in my heart and soul, and closing my eyes and keeping my fingers crossed. I gave it everything.
I was really wanting to be a rock star. I was saying, "I am going to have a fancy car, I got to have fancy clothes, and I have got to play the whole role." Obviously, I meant business.
I've had my fill of "One Way To Rock" or "I Can't Drive 55." Those are guy songs to me, and I'm cool with that. But when you write a great love song and you start seeing that 50 percent of your audience is beautiful women, that's much more rewarding, than having a bunch of guys out there.
Anything that has to do with rock seems to be on the decline. There's not a lot of rock stations or MTV anymore, you just go on Youtube.
I think punk, pop-punk, and rock music is all meshed together and I think good music is good music.
If you're an actor, you know people are going to recognize you in a restaurant. If you're a rock star, you know people are going to stop you on the street and ask you for your autograph. But as an author? That's not something I was ready for.
I don't look like a model; I'm a rock writer.
When I post a selfie and someone comments, 'Oh, sure, go ahead and reclaim your sexuality, I got my rocks off,' that's not my problem.
Some thoughts went through my head about recording some stuff that had influenced me earlier in my career like blues and early rock. But it didn't seem to really make sense at that point - it might have been taken the wrong way. A lot of people already had been into that trip.
What excited me when I first came into it was the performing aspect and doing blues-oriented material, rock/blues oriented stuff, basic stuff, basic what they call rock 'n' roll.
[Jazz musicians] couldn't cut rock. I had to be more limited and specific about what I was doing.
I realized that what I was looking for was doing collaborations with other people - people who can play a ballad, rock, jazz. I was looking for more co-op type things than what I had been doing, which had been completely my own trip.
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