This was in the sense that if Dada was reacting to the morality and aesthetics of pre-WWI, then we were very much a reaction to the pomposity of rock that existed within music at that time.
If you're going to change things, one of the things we had to change is to get away from that traditional model of rock music, and we were a part of that.
I'm not sure at all about the current prog rock scene.
Prog rock, with a little good taste, is ok. I tried to bring some of it into this century, I guess.
Generally I try to read anything but indie rock journalism or anything about music at all, especially in the summer.
I grew up always hanging out with boys, and I always wanted to play rock 'n' roll with boys, and so I've always acted kind of like a man.
There's this celebrity thing that goes along with making records or being a rock star. I'm into this celebrity thing just enough to let me go on making records and making a living out of it.
I don't really go out to clubs, but if I did, I'd just want to go rock out with my mates or whatever.
My running mate, Ajamu Baraka, was out camping out with the homeless in Baltimore . We were both recently at the Standing Rock Sioux encampment where in fact we are both now, a warrant is out for our arrest for participating in civil disobedience to support this very critical stand being taken on behalf of our water, on behalf of human rights, on behalf of our climate.
I love a little more driving rock and roll vibe and that kind of music has always spoke to me. I guess it just rubs off when I'm writing music.
When there are rock festivals where there are sometimes 120,000 people and they're all sold out and they're epic, I think rock is alive and well, and hopefully it stays that way.
That old rock and roll song, "looking for love in all the wrong places," it's true.
Jesus Christ rose up from the tomb. Well, he's the son of God, and now he's like God's spirit at this point. Why would a spirit need to move a rock? Why not just pass through the rock? But also, why wait for the guards to go to sleep?
Basically, I have found that people who have tried to start communities out of good feelings or hippie-dippie abstract concepts of love - it doesn't work. But if you just concentrate on what is the identity of your town - its waterfalls, its battles, its notable mill strike or those things - you dig into what your town is from its rock formations to its history to its food. Then this thing called community happens all the time.
I worked on it [ Too Much Tuna] for a little bit downtown and it was a great experience. I couldn't believe how enthusiastic the audience was for it. It was just extraordinary. It felt like you were at a rock concert, which was just unusual for shows at Cherry Lane, which are usually intimate plays about big ideas, you know.
I went to acting school with Mario Van Peebles. For a little while, he was at the same school. So he asked me if I wanted to do [ New Jack City]. He said, "There's not really a role. We'll figure something out. But would you like to?" And I was like, "Sure." 'Cause he said it was Chris Rock and Ice T's first movie.
We've been doing something every year. We had a rock concert a few years ago to benefit the Garden of Dreams. And then we had the mask event.
Even marginal progress could be affected by investigations in Little Rock and in Washington.
It doesn't matter to me where Barack Obama goes. If he wants to go to Hawaii because it's his home state, fine! Hunky-dory. Plastic banana, good-time rock 'n' roller dittos.
There's such a wealth of arts and styles within the guitar... flamenco, jazz, rock, blues... you name it, it's there. In the early days my dream was to fuse all those styles. Now composing has become just as important.
This week, I'm a gypsy. Maybe next week it'll be glitter rock.
I remember one particular occasion when I hadn't played a solo for, quite literally, a couple of months. And I was asked to play a solo on a rock & roll thing. I played it and felt that what I'd done was absolute crap. I was so disgusted with myself that I made my mind up that I had to get out of it. It was messing me right up.
The term "genius" gets used far too loosely in rock & roll.
When you hear the melodic structures of what classical musicians put together and you compare it to that of a rock & roll record, there's a hell of a long way rock & roll has to go.
There's a certain standard in classical music that allows the application of the term "genius," but you're treading on thin ice if you start applying it to rock & rollers.
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