We faced a crisis caused by the Federal Reserve, the corporate tax system, Fannie Mae and Freddie Mac, and the Community Reinvestment Act. But the response of many people in Washington was to blame it on capitalism.
I take his [Theodore Geisel] legacy very, very seriously. I know others may disagree because he's made such an impact on so many people that response to work becomes very personal, so people will have different points of view. But, at the core of this, I take the protection and the extension of his legacy very, very seriously. It's a very important part of my life.
There are... scientific works - star catalogues, for example - which are not art; but the theoretical structures of Gauss, Einstein, or Maxwell are original, individual, "very personal" responses and expressions of exactly the same kind as the creative works of Beethoven or Dostoievski.
Astonishment is the proper response to reality.
A book exists at the intersection of the author's subconscious and the reader's response.
I don't like to do things for any other reason than it happens spontaneously or there's something that makes it happen naturally. I don't like putting down too many plans and trying to do a strategy to get a certain response or a certain effect.
The experience is no longer traumatic; the response of most women to the experience is relief.
Once we have taken the backward step to an abstract view of our whole system of beliefs, evidence, and justification, and seen that it works only, despite its pretensions, by taking the world largely for granted, we are not in a position to contrast all these appearances with an alternative reality. We cannot shed our ordinary responses, and if we could it would leave us with no means of conceiving a reality of any kind.
The human capacity for grief. It just isn't capable of providing an adequate emotional response once the dead exceed a few dozen in number. And it doesn't just level off - it just gives up, resets itself to zero.
When I did a Love Boat, it would go to so many different countries, and I would travel there and get this incredible response!
I assume the senses crave sources of maximum information, that the eye benefits by exercise, stretch, and expansion towards materials of complexity and substance, . . . conditions which alert the total sensibility - cast it almost in stress - extend insight and response, the basic responsive range of empathetic-kinesthetic vitality.
The kind of person other people perceive you to be controls their responses to you.
Karma, memory, and desire are just the software of the soul. It's conditioning that the soul undergoes in order to create experience. And it's a cycle. In most people, the cycle is a conditioned response. They do the same things over and over again.
If your message to the universe is gimme, gimme, gimme, the universe's response back to that kind of mentality is exactly the same. The universe will say right back to you over and over again, gimme, gimme, gimme. If you shift that and you say to the universe, to the world, how may I serve? How may I serve? The universe's response back to you is how may I serve you? How may I serve you?
[A 2005 response to doping allegations] Unfortunately, the witch hunt continues and tomorrow's article is nothing short of tabloid journalism. The paper even admits in its own article that the science in question here is faulty and that I have no way to defend myself. They state: 'There will therefore be no counter-exam nor regulatory prosecutions, in a strict sense, since defendant's rights cannot be respected.' I will simply restate what I have said many times: I have never taken performance enhancing drugs.
There were two Republican responses to the State of the Union. So if you watched the whole night, it was kind of evolution in reverse. You have Obama, then Paul Ryan, and then Michele Bachmann. Then Animal Planet had a squirrel monkey give his take.
I didn't worry if a bit got no response, as long as I believed it had enough response to linger.
I miss THE WALLFLOWERS. Great band. Wrote my first Fan letter to them. No response.
I take the fan response very seriously and respond personally to my fan mail.
When you play the oboe, the flute or other wind instruments, there is something between you and the breath; there is the embouchure, the reed, etc. But with the recorder, I receive an immediate response from the instrument. This is something that attracted me to the instrument, that I could immediately feel the response of what I was doing.
I was surprised by how warm the response was, even among studio heads, who said they really, we do have to do something about glamourization of smoking.
'Scissorman' is terrifying. The studio at the time didn't want Scissorman because they were afraid that he'd look silly to which my response was, 'Well, then why did buy this because that's what the game is.' But I lost that battle.
In studies asking why young people left their family religion, their most frequent response was unanswered doubts and questions. The researchers were surprised: They expected to hear stories of broken relationships and wounded feelings. But the top reason given by young adults was that they did not get answers to their questions.
I find broadcast intensely stressful, to the extent that perversely, I've never seen anything I've written actually broadcast on television. So, the audience response is something which I became aware of gradually.
Some criticize me, thinking I'm too tolerant of the clerical regime in Iran. In response, I have to say, I have served time in prison, I have lost my position [as a judge]. Do I need to prove that I am brave? Do I need to be killed?
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