This is an odd profession, and sometimes people get jealous, but I haven't really experienced any of that. Everyone's been really happy for me, which is really, really great.
It feels really great to be popular.
I'm always going to hear people make that connection and I've just accepted it. It's alright. I'm just happy that I get to do my own thing now. I learned a lot from the show [the Voice] as far as being in the TV world and being in front of the camera, which is really great because I'm not as nervous in front of the camera as I was before.
I think the most important thing is that everybody is happy creating, and doing what they want to do, and have really great relationships with each other.
A lot of times we look at the past as something that was really great, but we ignore things that have actually gotten better since then.Our girls [Paper Girls] are now dealing with what their futures look like, and reflecting on what they hoped the present day versions might be like.
If your kids are realizing that they descend from something, that's really great. The more you're able to inculcate that the greater amount of pride they're gonna have. That's incredible.
The editing process was a free-for-all, and since I hadn't gone to film [Dream of Life] school or anything like that, I just said, "We'll do this. We'll do that." It was a really great experience that way.
I'd probably get a much quicker and better result if I went to a really great guitar player for a certain style of guitar that I have a problem doing. But there is a challenge in figuring out if I can do that myself.
That was a really interesting series [Threshold ] that I think would've been really great had it continued. I know Brannon Braga, who was running the show at the time, had a lot of really interesting ideas for what was going to happen the second, third, fourth, and fifth seasons, and they had it really planned out what was going to go on. But CBS just decided to pull the plug on it.
Tom Hanks was really great [the 'Burbs']. The director, Joe Dante, was wonderful. We filmed it here during the summer, every day at Universal. Even the food was good - I mean it was junk but it was really good. The whole thing was like some ideal summer-school experience. It may not have been the best movie ever, but it was certainly the most fun.
If you go to a really great shop that stocks really great stuff and it doesn't makes it feel like a super secret club there's tons of stuff to find all way time.
Since I started as a comic person then became a musician to me it was interesting because I have this really great, interesting fanbase that's really smart and energetic and uh how could I steer them towards a medium that shaped who I was? You know, steer them toward comics. That was really the goal, to bring a lot of readers cuz they were reading a lot of comics but most of them hadn't been reading American comics, they'd be reading manga sitting on the floor of a Barnes and Noble.
Of course there are people out there who are helping others find their why. Some are doing a really great job and some are doing a not so great job. I love the fact there are people out there, and consultants out there doing that.
We kept moving forward, kept pretty particular about certain things. Don Handfield is really great with story, so we kept working on it from that angle and developed a lot of IP over the years, which we became very proud of.
There is a greater a sense of pride - like when we did Kill the Messenger - and that was probably one of my more fun experiences on a movie set. Having everyone there on the same team, it just feels really great.
We were really fortunate to work [on Pineapple Express] with a studio that was really supportive of these guys. It was before Superbad and Knocked Up had even come out, but everyone just felt really great about them and the energy surrounding Seth [Rogen] and Evan [Goldberg] and Judd [Apatow] - all of these guys - and the idea of getting Franco back into comedy as well.
There's a film there in competition [of Sundance Film Festival] called To The Bone. It's directed by Marti Noxon. I have a supporting role in it. It got really well received. It's a really great film.
I loved the role [of John Wick]. I loved the action. I loved all the new characters. The world expands into the Underworld. It's getting bigger. Yeah, it was a really great experience [in John Wick 2].
What happened to the men's boxing is happening to the women's boxing, but not all the time. Every now and then, you get some really great fights. It's a money thing and how many people are going to buy that pay-per-view for the fights. The UFC is eventually going to go that way.
I feel that I want to focus on jobs, I want to focus on healthcare, I want to focus on the border and immigration and doing a really great immigration bill.
[Jimmy] Breslin's [write] really great book on Branch Rickey. And Branch Rickey himself wrote quite a lot. There's some film and kinescope from television.
I also made a lot of really great friends on that show [the Voice], so that's one of the most important things that I've taken out of that experience.
I love thrillers. I've never made them, but I would say a really good thriller is my favorite kind of a movie. If I can get a really great thriller, you know.
If you do something for so long, it's really great in your life, right?
When a friend puts out a new album and it's really great, it makes you want to do something that great and it makes you get yourself in gear. It's healthy competition that helps make some great music.
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