Directing is probably the best job, but acting is really, really great. It's like a fun vacation that you get paid for.
I had the good fortune early on to cast some really great people that were not just characters, they had character.
Let me tell you what would be a really, really great project for all of us. Why don't we start mentoring kids? Whether we're liberal or conservative, why don't we start going into the schools and giving the kids a sense of their own purpose, their own self-worth, their future, and what they can learn from us? You know, if we're mentoring kids together, we might actually begin to talk to one another again and listen to one another. We have a big crisis all over the country and in our state on drugs.
I think it is so great when artists use their voice to help other people and it is really great to be a part of the benefit.
When you coach and teach leadership, most people think about them. It's like you're the leader and how do you influence them. Clearly, leaders do take their followers, their flock, their enterprise, their business - whatever - hopefully to a better place. But I think the foundation of what makes really great leaders is they lead themselves, and they're conscious about knowing themselves and coaching and leading themselves in a very profound way. The simplest of us talk to ourselves. The question is, "Do we really lead ourselves?"
Speaking for myself, I try to go out there on the stage and make jokes with people, so I'm not really thinking about the impact anything I have. If it does resonate with people, that's really great.
"Prison Break" has been a really great experience because of the writers. I think that in television, you can have great directors, really good actors, but if it's not on the page... I think a series lives and dies in writing.
Actor is an odd profession, and sometimes people get jealous, but I haven't really experienced any of that. Everyone's been really happy for me, which is really, really great.
You want to make a little money, and sometimes you want to play some really great parts. Sometimes they don't always coincide, or co-exist. Sometimes you've got to do good parts for no money and... You know, I sometimes can't do movies just for the money. I really can't. I mean, I've tried. Believe me, I'd love to just take the money and run. That might just be part of the equation, but there has to be something there. You have to be somewhat creatively satisfied.
Even Gene Kelly: I always preferred him to Fred Astaire, just because he was more athletic, like skateboarding. His leaps were big. There was something really great about his moves.
Ironically, I have been putting out more new music since I left the label. When all the cooks are removed from the kitchen, all of a sudden you just want to cook all the time. There is this really great freedom in having an organic fan base that you built that loves what you do and supports you no matter what. I'm never gonna be superrich. But I'm never gonna be broke either.
There's just a lot of really, really great male artists right now, and it's good, too. And there's so many different influences in country right now, too, like hip-hop and rock 'n' roll and some blues. So I feel like if you turn on country radio, you will find something you'll love because it's so diverse right now. And that's a great thing.
Gummi Bears was actually an adventure comedy. It was great fun, it had this terrific backstory, a show created by Jymn Magon. The candy was the inspiration for starting the show in the first place but the series that was created was really great. We felt that Gummi Bears never got the respect it deserved. I don't take any credit for Gummi Bears. Gummi Bears was up and running by the time I joined Disney. I thought it was a great show.
I knew I wanted to be an actor, and I didn't necessarily need or want to be famous or a celebrity actor. But I wanted to be somewhere where there would be no ceiling on what I could accomplish, and I felt like if I stayed in St. Louis I might have a really great regional theater career or something, but that I wasn't going to be able to get much further than that. And it felt like New York and L.A. were the two places where you could end up being a TV star or you could end up doing regional theater, which would have been fine as well.
There's this script that my dad wrote that portrays my brother's life, and I don't want to bore you with the details, but there's something in that that's really great. I would love working with him. I don't know in what way, but if I need a coach next time I'm on the set, or to produce or make something, absolutely. He's one of the main reasons I am where I am today. His mentorship and guidance.
It's hard to convince people when you haven't done anything that the things you're working on are worthy of spending their time and money on: like, "Oh man, I write really great songs, I promise!"
I wrote some weird magical realism stories that are probably on some hard drive somewhere, and if I ever uncover that hard drive, I'll burn it. I tried to do a little bit of writing while I was in Iraq, but it wasn't the really greatest space for creative production.
There are some really great books that have been written about slavery, but I don't think that the discourse about it in society has been very accurate or healthy. I don't think we've come up with ways to tell it that don't insult people or hit them in the wrong way. Part of the problem is that most people don't really understand what slavery was anyway. Most white people didn't own slaves. Slavery was a way of life, just like driving cars is a way of life now. It doesn't mean that it was right.
It is more important to just be as honest as I can about my characters than to write some really great sentence.
I love New York. It's made me realize that God's a lot bigger than I thought he was. It's a really interesting crowd. We have an agnostic person who comes on a regular basis, a transgender person who said that they found our church because they we're looking for a church that wouldn't hate them. The congregation is really great.
There are so many fashion shows during fashion week, and the fashion show has almost become theater. It's all about the wow factor. And it's easy to make a name when you're shocking people all the time. But when you just make really, really great clothes, it can be difficult to get press and build a brand. What you do when you pare things back and make something timeless, though, is build a foundation to have a longer career and a stronger clientele.
I saw this film Moon, it's directed by Duncan Jones, David Bowie's son. Sam Rockwell plays this astronaut that is stuck in a space station on the moon. You just have to see it. It's easy to do something really cheesy with sci-fi, and to do something that's already been done, but I think the story was something I hadn't heard before, so it was really great.
In high school, I had a teacher there who was really great to me and with whom I finally dared to admit I wanted to be a writer myself, and we did a project where I wrote terrible, 17-year-old fiction. But I remember a couple of the stories. I'd love it if I could read with pride something that I wrote that long ago, but it hasn't happened yet.
Americans have a hard time writing moms. I'll get a script and everything's really great and well-drawn, but the mom is like stock footage, they go and get that out. They plug it in, this idea of "mother." You could lift moms out of any script, no matter what the culture, what the neighborhood, what the economic status, and you could switch them around, and they'd be the same person. I think it's because most people don't really have a human idea, a specific life that they attach to who their mother was. Their mother was there for them, so it either gets deified, or the opposite.
I'd be fine if there weren't film festivals, and you just made your films and didn't have to do anything from that point on. That would be really great, wouldn't it? I don't know. I'm in kind of an aloof time, where I'm not taking anything too seriously.
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