I've been arrested a few times, but I've never been in real trouble. Because what I do is art and even if it is illegal, Art is a universal activity, and artists are generally respected.
Football's another sport I absolutely despise. Along with baseball. Really, for me, basketball's the only real sport, the only one that matters.
I think writers can get too attached to these worlds they create, these characters they make real, so that, instead of ending the story where the story's asking to end, they draw it out, unable to let go.
Life's so much easier when you're not always maintaining two worlds: the one formed of lies, which feels real, and the one you live in, which often feels like lies. So easy to get them confused.
What could I do with $1 million? What can I do with the satisfaction that I perhaps today helped somebody to have a better life. That's real reward. The million dollars, nothing.
I'm a real gangster rapper and I'm a rapper. I just think my music takes different directions. I don't think you can pigeon hole me in one genre. I'm probably the most versatile in the game, period.
The cinema camera doesn't make movies; it allows movies to be made. It's the creative people who make it real to people.
Talented men are not threatened by talented women. They welcome them. And same way with real men.
With Late Night Show I can begin the search for the real Stephen Colbert.I just hope I don't find him on Ashley Madison.
It's very unbalanced actually, to be real. Everything's like deserted.
The toughest nights when I was a young, unknown comedian were opening for these real old-time Italian singers. I'm like Grace Jones to them. "This guy is nuts-talking about socks. Where's the wife jokes, where's the fat jokes?"
Just because a baby cries, I discovered, doesn't mean there's always something wrong. Sometimes babies wake up for no real reason. They just want to check if they're doing it right. "This is Sleeping, right?" "Exactly." "I just lie here?" "That's right." "Okay." Then back to sleep they go.
We're richer, but that wealth doesn't reflect durable, authentic economic value - which is hitting fast diminishing returns. The growth that we're pursuing is neither sustainable - nor is it, in many ways, real growth at all. Boardrooms from finance to autos to energy to pharma to fashion have learned that the hard way.
The real magic in National Geographic isn't how much money they have left at the end of the year. It's the fact that through their overall focus they are reaching hundreds of millions of people and educating people about the world. It just happens to be done in a business-oriented kind of way that is more sustainable.
The 10 or 12 artists I have known really well all my life are at least as competitive as professional athletes. They may express it in slightly different terms, but you look at the Jackson Pollocks et al., and they are as interested in wall space in the galleries as Joe Montana is in the percentage of completed passes. So the notion that symphonic conducting, or stage play, or pure art, is not a competitive business is real bullshit.
Like comedy, horror has an ability to provoke thought and further the conversation on real social issues in a very powerful way.
We are free, in the West, to choose; we have real choice to pursue our own desires; we are free to set the goals and contents of our own lives; the West is made up of individuals who are free to decide what meaning to give to their lives-in short the glory of the West is that life is an open book,[1] while under Islam, life is a closed book, everything has been decided for you: God and the Holy Law set limits on the possible agenda of your life.
I was always interested in drawing and creating, but it never really occurred to me that I could pursue art as my profession until my mid twenties. From all I had heard from other people, art was just something you do as a hobby in between your real work and real jobs.
I think traditional media is vitally important, I think there are a lot of benefits to working in traditional media, and I enjoy doing working with real paint when I get the chance.
There are real facts in my poems, but facts mixed up in the perverse stubborn stew of imagination, add a pinch or two of revenge and retribution, a dash of amplification and reparation.
Nothing focuses attention like a real deadline. If you are in a field where life and death, or having a job or not having a job, depends on not missing deadlines, you need to learn to manipulate yourself to meet them; often a good way of doing this is teaming up with non-procrastinators.
I like stories that exist both in the naturalistic world and in our imaginative lives, films are so immersive in that sense, we can explore how our characters think and dream, as well as how they exist in the real world.
I'm interested in the parallel narrative of our fantasy lives. How the moment of 'now' that is palpably real, is surrounded by our memories, our dreams and hopes, the stories and connections that our brains make as we navigate a universe of fantasy, or unreality, or surreality. I'm keen to explore this very human experience, how our minds create our own realities, a blend of fact and interpretation of fact.
You got to be real with yourself and not just let yourself pass on things that tend to become a bad habit. Make sure you stay on top of practicing well and preparing the way you always do.
My first fundamental premise of our faith is that God is real and so are eternal truths and values not provable by current scientific methods. These ideas are inevitably linked. Like other believers, we proclaim the existence of the ultimate lawgiver, God our Eternal Father, and the existence of moral absolutes. We reject the moral relativism that is becoming the unofficial creed of much of modern culture.
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