Meeting external deadlines is much harder than meeting internal ones. On the other hand, internal deadlines sometimes don't feel real, and are therefore easy to evade.
I think people are people and if their feelings are real and truthful, they can connect.
Actually I want to scare away method actors because it's a pain. It's like, 'Come on, what are you doing? It's not real. What are you doing? Oh, you're really brooding. Okay, good. Go to your trailer. I'll see you in an hour.'
The sense of being alone is a huge issue for so many people in this world. As a worshipper of Jesus, there's a very real sense that we are always seen, held and known.
You're real selfish and everything is focused on you and how you feel until you realize there is something missing and that's your relationship with Jesus Christ.
I want to play Martin Luther King. I want to tell the real story, his demons, his struggles as a man, not just as a hero but fallible, I want to show that side.
Brad Pitt is great fun. He jokes around all the time and has a real quality about him. On set the director called me over and said, 'Jase, just watch him. Watch him move.' Instead of walking, Brad literally glides. It's incredible.
I'd love to cook. It's something I've got into since I've grown older. I'm mates with Jamie Oliver and he's been a real inspiration. I've cooked for Jamie a few times - most people are too frightened to cook for him. Chefs are really easy to cook for. They're just pleased not to be the one who's cooking.
The idea of implanting memories where by the implantee couldn't tell the difference between a real experience and a fantasy experience was really cool. And his ideas of technology - do we control technology or does technology begin to control us? His work hasn't aged a day it seems.
The actors come and you start seeing things happen for real.
There are real issues going on in just about any movie that's got fun elements to it.
The real problem devolves around class lines once again: it's the street hormones that folks without insurance, or folks who are too young for prescriptions without parental okay, use. Sometimes those hormones can be pretty rough.
I like characters where there's something going on and something to make him real. If you find out what somebody cares about, all of a sudden, the whole world opens up.
I hope I don't make it sound like it's this big to-do, but even putting on real cufflinks takes work.
To me, the difference between mythology and real history is that the real history has to tell a kind of believable story of how things happened. The physics has to work.
I'm of the opinion that the real is imagined and the imagined is quite real. The real is imagined, in the sense that we shape our stories, so anything that even happens on the news gets shaped in a certain way and gets a texture, and that the imagined can be real.
I spent a lot of time with a real detective, a lady detective inspector who was the only female detective inspector in the whole of East London. She and I hung out a lot. She showed me what she did and I spent time with her. So, [she was] a lot of the inspiration for the way I dressed and sometimes the dialogue in those interview scenes where we're cross examining and questioning the youths and trying to get a confession out of them.
I know that I'm very susceptible to getting caught up in storylines like, "I want him to be different. I want him to be more open. I want him to call." We have all of these storylines that kind of take over sometimes, and I think there's real grace and a peaceful heart at the center of just accepting what is, and knowing that everything's OK. The good, the bad, the ugly, the pain, the hurt, the frustration - all of that is valuable and part of this human experience, so we should lean in to all of it.
You might get up in the morning and do your devotions and say a few prayers and there you go. You think you've done your connecting for the day. But you don't know how to wait before the Lord and really stop and hear from the Lord or dig deeper and walk throughout the day with the Lord. It's like sending a quick Tweet or checking your Facebook page real quick. "Hey Lord, what's going on?" But you're missing the intimacy of, "Be still and know that I am God."
Television is full of fictional and real violence that's turned into entertainment. It's an interesting phenomena and I tried to put it in perspective and tried to think through a few of the real questions that this sometimes unseemly business raises.
I felt a gravitational pull to the material so that there's a certain element of acting that's not really necessary. I've really liked this in foreign movies before or I've observed others working with them and I've noticed that there's a method that goes on where the actors try and get the children, like the child actor, to interact with them in a real way. It seems like you're the adult trying to get the kid to fall in love with him.
I wanted to create a voyage to the moon just for her, but what I should have given her was a real journey on earth.
I despise Birth-Control first because it is ... an entirely meaningless word; and is used so as to curry favour even with those who would first recoil from its real meaning. The proceeding these quack doctors recommend does not control any birth.
The real hopeless victims of mental illness are to be found among those who appear to be most normal. Many of them are normal because they are so well adjusted to our mode of existence, because their human voice has been silenced so early in their lives that they do not even struggle or suffer or develop symptoms as the neurotic does. They are normal not in what may be called the absolute sense of the word; they are normal only in relation to a profoundly abnormal society.
This separation of government from people, this widening of the gap, took place so gradually and so insensibly, each step disguised (perhaps not even intentionally) as a temporary emergency measure or associated with true patriotic allegiance or with real social purposes. And all the crises and reforms (real reforms, too) so occupied the people that they did not see the slow motion underneath, of the whole process of government growing remoter and remoter.
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