The Bible - it's sort of the other person in the room. There's this book, the reader, and the Bible.
My first generation of young readers now have not only children, but some of them have grandchildren to whom they're introducing their old passion.
What I try to do for my readers is to pass on some of the things that I found out about being thirteen after doing it for forty years.
I hope that readers will tear through my books because they can't stop themselves - and then, maybe, read them again and find new things there.
Mourning Ruby is not a flat landscape: it is more like a box with pictures painted on every face. And each face is also a door which opens, I hope, to take the reader deep into the book.
The language has got to be fully alive - I can't bear dull, flaccid writing myself and I don't see why any reader should put up with it.
My books are primarily plot driven but the best plot in the world is useless if you don't populate them with characters that readers can care about.
Well, there are more writers of blogs right now than there are readers, so that's clearly a vanity phenomenon.
If readers, young and old, would take even a moment to reflect on our rapidly shifting culture and ideology, I would be happy. Many leaders of the older generation dismiss emerging culture. Those leaders are at risk of becoming a feeble voice-piece without followers. Most of the younger generation is going deaf to the truth.
My writing is a very authentic journey of discovery. I'm going out there to learn who I am. My readers, consequently, take the same journey as my protagonist.
I love the characters not knowing everything and the reader knowing more than them. There's more mischief in that and more room for seriousness, too.
I believe it is important to speak to your readers in person... to enable people to have a whole picture of me; I have to both write and speak. I view my role as writer and also as oral communicator.
I'm hopefully making the reader feel a lot about the characters and then about their own life.
I write contemporary fiction, and that is what my readers want to read.
I am becoming increasingly difficult to please as a reader, but I adore being surprised by a really wonderful book, written by someone I've never heard of before.
I was really influenced by Joan Didion and Pauline Kael; they were both at the height of their influence when I was coming into my own as a reader.
Girls are the best readers in the world. Reading is really a way of kind of escaping so deeply into yourself and pursuing your own thoughts within the construct of a story.
I've always been a little bit more of a novel reader than a short story reader. I think the first books that made me want to be a writer were novels.
I want to tell a story that makes the reader always want to see what will happen next.
If I am communicating to my readers exactly what the White House believes on any certain issue, that's reporting to them an unvarnished, unfiltered version of what they - the Administration - believe.
I'm very intrigued by e-books, the topic du jour in the industry today. As a number one bestselling Kindle author, I love the way e-books make an author's backlist accessible to new readers. Of course, price point remains a source of concern. Personally, I don't have any of the answers, but I'm intrigued by the questions.
What I loved about romances was the character, and I think I still bring that to my novels. What romance taught me was that the 'who' will always matter more than the 'what.' It's fun to come up with plots, but I want to make sure the reader cares about who it's happening to.
When it comes to locations, I'm one of those crazy authors who has to see it, touch it, taste it, before I trust myself to recreate it for my readers. Having said that, visiting a locked-down pediatric psych ward was the most intimidating research I've ever done - and I've visited maximum security prisons, shooting galleries, bone collections, etc.
I believe the most intricate plot won't matter much to readers if they don't care about the characters, especially in a series. So I try to focus hard on making each character, whether villain or hero, have an interesting flaw that readers can relate to.
It's not at all uncommon for a writer to get a ton of publicity for one book and then not get as much for the next one. I don't worry about that because I try to worry about the one single part of the job I can control: the writing of the book. If I do that well, I feel, good tidings generally will follow and readers will stick with me.
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