Remember, if you don't feel passionate about the characters and subject of your story, your readers won't either.
One can't write for all readers. A poet cannot write for people who don't like poetry.
The reader has to be creative when he's reading. He has to try to make the thing alive. A good reader has to do a certain amount of work when he is reading.
One thing you really have to watch as a writer is getting on a soapbox or pulpit about anything. You don't want to alienate readers.
The funny thing is, I'm not really a big reader, not a big fan of books in the first place.
Each reader has to find her or his own message within a book.
The first line is the DNA of the poem; the rest of the poem is constructed out of that first line. A lot of it has to do with tone because tone is the key signature for the poem. The basis of trust for a reader used to be meter and end-rhyme.
The poem is not, as someone put it, deflective of entry. But the real question is, 'What happens to the reader once he or she gets inside the poem?' That's the real question for me, is getting the reader into the poem and then taking the reader somewhere, because I think of poetry as a kind of form of travel writing.
I think the thinking is, in the comic books, I should pack as much onto a page as possible, because, you know, it's kind of the cheaper format, and you want to give readers as much as you can for their dollar.
I would like to provoke ambiguous responses in my readers.
I simply write with an intelligent reader in mind. I don't think about how old they are.
I think there are readers out there and I don't think the book is dead. And more importantly I don't think readers have to choose between literary and commercial fiction.
The act of writing... is the act of trying to understand why my opinion is what it is. And ultimately, I think that's the same experience the reader has when they pick up one of my books.
To me, the print business model is so simple, where readers pay a dollar for all the content within, and that supports the enterprise.
As much as I encourage communication with my readers, I don't want reviews from them, simply because I don't need to be hamstrung in the middle of working on something.
In the polls, over 80% support the right to die and have done for the last 25 years. Even 80% of practising Catholics and Protestants support it, plus 76% of Church Times readers.
Proust is a hero of mine. I read 'A la recherche' in one go, and I'm a very slow reader. It had an astonishing impact, reading it on my own and being my main company. I think Proust is the most intelligent person to ever have written a novel.
President Kennedy was a voracious reader and was forever coming up with fascinating bits of information.
I write about the trials and triumphs of contemporary life - and often the readers see themselves between the lines of the story.
Reader loyalty will stay because I'm not changing.
I don't laugh that much, but I do like humorous books, and I like to entertain readers that way.
I've worked with many large and small publishers, and nearly all of them love the value that Instapaper provides to their readers.
People want to download publications quickly and read them without cruft. Publications that started in print carry too much baggage and usually have awful apps. 'The Magazine' was designed from the start to be streamlined, natively digital, and respectful of readers' time and attention.
I have no interest in writing confessions, in deliberately baring myself to my readers. I prefer to remain behind a screen.
I'm a fan of meeting readers face to face, at reader events, where we're able to sit down and take some time to talk.
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