She believed not in divine salvation but in the proposition that we poor mortals are fully capable of saving ourselves, if conditions and inclinations are right, and the evidence of this potential is found in the smallest of gestures, like the uncertain resting of a large hand on a bony shoulder.
I've often said that there's no such thing as writer's block; the problem is idea block. When I find myself frozen-whether I'm working on a brief passage in a novel or brainstorming about an entire book-it's usually because I'm trying to shoehorn an idea into the passage or story where it has no place.
You think publishing is tough but the music world is ten times tougher.
My books are primarily plot driven but the best plot in the world is useless if you don't populate them with characters that readers can care about.
We have years to converse with someone, to blurt and rant, to explain our desires and anger and regrets - and oh how we squander those moments.
Readers are paramount. I live to write books for them.
When you work alone, you need to socialize at some level.
Sometimes you can't be what you ought to be, you can't have what you ought to have.
I think a lot of young aspiring writers get misdirected; they think 'I ought to write this, even though I enjoy reading that'. What you have to do is write what you enjoy reading.
People want to avoid the past. I suppose that's natural. When we tally up all we've said and done over the years, despite the wonderful memories, the regrets may be fewer but stand out more prominently, glowing coals that we can never quite extinguish, try though we might
I like the way words go together and I like the gamesmanship of writing poetry. It is such a challenge.
If you have a craftsman's command of the language and basic writing techniques you'll be able to write - as long as you know what you want to say
Ideally, I like to integrate the human issues into the suspense story itself.
When it comes time to write the book itself I'll shut the lights out, picture the scene I'm about to write then close my eyes and go at it. Yes, I can touch type.
And life changes. Maybe just a little, maybe a lot. And at some point, it just isn't worth the fight to fix it.
Too much screaming in Congress. Too much screaming everywhere.
It means working harder to do the research but I don't really mind - I don't think I have what it takes to chase criminals through back alleys and wade through blood at crime scenes.
Generally my typical books have lots of twists and turns a big surprise ending and then usually another surprise at the end and ideally, as in Garden of Beasts, we get to the very end and we find at the last few pages that there's yet another surprise.
That's the past for you. Not only does it come back at the most unexpected, and inconvenient, times but it's set in stone.
Trying to write books with a subject matter or in a genre or style you're not familiar with is the best way to find the Big Block looming.
The best way to learn about writing is to study the work of other writers you admire.
For me a thriller is a very carefully structured story.
She was reflecting back on a truth she had learned over the years: that people heard what they wanted to hear, saw what they wanted, believed what they wanted.
In suspense novels even subplots about relationships have to have conflict.
I've often said that there's no such thing as writer's block, the problem is idea block
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