Every two to three weeks, I was changing around my room. My room was made out of nothing, basically - a magazine, a little radio, a little bed - and I had the sensibility to put things together and match things in a certain way so that they were very special.
My main influences are pop and folk music - Bob Lind, Neil Young, Joni Mitchell, Bob Dylan, the Motown collection, The Zombies, Elliott Smith, and a ton of 70's AM radio hits. I love powerpop too.
Sometimes I listen to the radio and I can't believe some of the stuff that I'm hearing that everyone is loving. So it's a task that we've got to conquer and we have to make sure that we pass the test.
I think Justin Bieber played a couple of songs up the block from it - and they said that some-one in his camp came and got him a burger. We had been talking about him a lot. Especially actually, last time we came to Australia, C.T. was on a real big Justin Bieber kick. I just thought it was really interesting to finally cross paths with him in New Zealand. And like really - the TV, everyone's just talking about it on the radio - it's a big deal that he was here. I think he just left.
I sent a lot of the e-mails out to venues and tried to get shows and tried to get people interested in it. It can be a tough thing, because you know these people at venues are getting e-mails like that every day, but I think just my experience in working in running a radio station.
The transitions will be tough because of the nature of a triathlon, you have to get changed and dry off or whatever. But this is going to be even harder because I have to do all that, then speak on the radio, do an interview with local telly, do some press and some interviews.
The music I was always attracted to and the shows I was really into like, you know, those weekend Don Kirshner shows, "Midnight Special," those shows, I remember watching those and the music was just on; it was the greatest radio stations.
And then, one day, they program a new tune, and it really catches your ear, you know, because you can be doing the washing up or something, you know, in your apartment and suddenly you go, whoa, what are they playing in there? And you run to the wall, but it's finished - but the song's finished. You only heard enough of it just the pique your interest. And you never know when they're going to play it again, of course, like a normal radio station.
The older I get, the more I think it's this listening. You listen for it, and you have a bit of patience. And it'll come until it sounds - to me, the best songs I've written, I think, are ones that I can't hear anything - any of myself in it. It sounds like a cover song, like somebody else's song - really something you've stolen wholesale off a radio that you've listened to in someone else's flat.
And as Craig Brown - he's an English humorist, not a comedian but he's just a writer and humorist - I'm quite a fan of. I heard him talking in a rather similar way on the radio. He said I'm the sort of person - I can't remember exactly what he said, but it was rather interesting - he said I'm the sort of person that can be reduced to tears in an empty church and feel like I'm the CEO of the Devil's organization in a full one, and I tend to feel like that as well. I love empty churches and going into them looking around, but I'm not a churchgoer at all.
And then, also, when you're doing something that doesn't sound like anything else on the radio at the time, you almost need to, like, ironclad it to make sure it gets through, you know?
The hope for me going back into television - after doing what will have been two years of radio - is to bring that authenticity with me. And, to not have the visual be overpowering the content.
I've always been about honesty, whether on the radio, whether I did a movie, whether I wrote a book. As long as you're honest, you don't lose your edge.
Radio is less important than it used to be. Kids are not just hip-hop kids, just punk kids, just pop kids, just whatever kids. Everyone is mixing and matching on their playlists.
Listen- my relationship with radio on a personal level is nothing but a one way love-a-thon... I love radio, I grew up on radio. That's where I heard Buddy Holly, that's where I heard Chuck Berry. I couldn't believe it the first time I heard one of my records on the radio, and I STILL love hearing anything I'm involved with on radio, and some of my best friends were from radio. But we were on different sides of that argument, there's no question about that.
Now that I'm afraid was institutionalized, and the great thing about the Canadian content regulations is that it broke that open. I mean it broke it open because people were faced with no choice, but to really start listening to these records and find the ones that they could play. It didn't take long for Canadian radio to go "Wow! We're not going broke doing this, it's not killing us, the audience isn't complaining."
A lot of stuff you hear on the radio is like instant hooky pop, but I can't imagine it being covered in the future by other artists. It's really for themselves.
Worst music ever sells millions. The worst music with the shittiest lyrics. The fact is that they pay radio stations to put it on the radio, then you've heard it a million times when you're driving from your shitty job to your shitty house. It's indoctrination, it's sad.
On my radio show Chris Christie came to the defense of Ted Cruz, noting that - I guess at a rally, that - one of those Iran rallies on Capitol Hill, I believe even Donald Trump, according to Christie, had acknowledged that, you know, Ted Cruz of course was eligible, and just because he was born in Canada.
Yes, anyone can log onto your "anonymous" band's MySpace page and hear the music. So, in theory you have gotten your music in front of 5 billion people. The other thing is that something has to cause them to go to those bands MySpace page, and it's that reliance on taste makers or radio, that is still very much a part of how music is sold and marketed.
When you start in the childhood period, when you begin to form a comic sense, it was the radio comedians - from the last days of radio and the first days of television. And Spike Jones. And the Marx Brothers. They represented anarchy. They took things that were nice and decent and proper, and they tore them to shreds. That attracted me.
I have an antique console stand-up radio that I bought in a yard sale, that I've always half-believed has magical properties. It's in my office, and it has watched over each of the fifteen books I've written. It also helped me find my wife.
My mom is a big sports fans. Basketball, football, baseball, whatever. She calls into sports radio shows and gets into shouting matches, that's how intense she is about it.
I just encourage everyone to make real music and it will fuel the engine and the machine. Just make it real and put your heart into it. Don't make it because you heard someone on the radio.
Thank God I've never been taken to task on a talk-radio show. I won't go on a talk-radio show.
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