For years, right wing outlets like outlets like Fox News and talk radio have been telling their audience day after day that any information coming from outside of conservative media is not to be trusted.
I'm not trying to make any radio hits, or throw any curve ball or any bullshit. I've learned my lesson in life to just do what I love and if people accept it that's great. It's going to be, if you are a Madchild fan, it is going to be me at my purest rawest form. But I have come up with some things that I think are me thinking outside of the box and going to the next level.
Say an A&R person wants me to do this type of song because they feel it is going to work on the radio, I guarantee you that unless the song is real, there is nothing wrong with having success and I want to be successful. That is why I am, but I do it my own way.
I've always wanted to have a radio show. It has been a dream of mine for a long time. With a radio show I can sit in a studio, or ultimately even sit in my own living room, and talk to hundreds of thousands of people.
We physicists know that the brain is a milliwatt transmitter of radio. We have computers that can decipher much of this gibberish coming from our brain and we could then use that to control computers.
I began to realize something - to understand the future you have to understand physics. Physics of the last century gave us television, radio, microwaves, gave us the Internet, lasers, transistors, computers - all of that from physics.
Anything that's ever gotten on the charts as a result of "American Idol" or "The X Factor" in the UK. It's born out of karaoke culture. It's been a long time coming, but it's absolutely affected radio.
I think the first thing that you need to detach yourself from is numbers, because music has now splintered off into so many different forms of media, MTV doesn't play videos, the radio is now competing with the Internet.
My family's still loves my music. Every time they hear me on the radio they call my phone - my grandma even called me: "I hear you on the radio!" I'm like, "Grandma, you listen to that and you be in church?"
There's this corporate machine giving us a chance to access radio - though there's no guarantee.
When I was 10, I would hear songs like "I Love You Always Forever" by Donna Lewis on the radio, and I want to make stuff that a 10 year old might hear coming out of the radio and think, "Yeah! I love this!"
I wonder if this reason is partly geographical, that talk radio is so much more successful in North America than in Britain? People who are very remote - I'm thinking of Newfoundland - feel very connected though the radio.
Radio is very popular [in Britain], but it doesn't connect us in the same way. It seems to have this community function.
When I was living in Boston I worked in this store that played the college radio station. I had to listen to it all day, and I didn't care for most of it.
Make a record in your bedroom on a cheap computer, play it on pirate radio, and that's what's it's all about. You can do something really exciting and you don't need any record companies. The way I do everything comes from that, the impact of those two things.
Most every album - and especially metal albums these days - are made in a way that you can grow tired of them very easily: They're made to be dissected and played on radio, released as singles or stuck on at parties.
I get nostalgic for things that didn't really exist. I might have a cassette from the first time a Melle Mel track, say, got played on radio in Manchester. And it might be a copy of a copy of a copy of a tape and there's all these weird nuances and distortions that have affected what I know as the truth, if you like, of that track.
We [No Doubt] were making music that was the opposite of grunge and what was popular on the radio, and we were fine with that. And for a garage band, we were massive! We were already successful in our own minds.
Maybe people are finally tiring of watered down grunge rock on the radio.
I graduated high school in 1989, and there was no alternative rock radio, and there wasn't really good college radio you could get on a car stereo. Once you get a car at that age, you're spending all the time you can away from home, sometimes just driving around aimlessly. Listening, or not even listening, but subconsciously soaking up this classic rock barrage.
One of my favorite occupations is making radio/video edits. I love singles.
The more you push the budgets up, the more you make records cost $20, the more you make records last 4 and 5 minutes on the radio.
I have a radio show on Sirius XM. I put it up as a free download on my Soundcloud and on iTunes. That's a portal for me once a month, to play songs I know aren't getting played on that station the rest of the week.
The way I listen to music goes in waves depending on a lot of things. How busy I am, if I'm in between composition projects, if I'm starting a new project. So, the only time I listen to the radio for music is with my daughter's when I'm driving them to school, or driving them somewhere.
My father was a news guy, you know, he was in radio news. And so that was sort of in my DNA. It was something we talked about at the dinner table when I was a kid.
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