Moral justification is a powerful disengagement mechanism. Destructive conduct is made personally and socially acceptable by portraying it in the service of moral ends. This is why most appeals against violent means usually fall on deaf ears.
Portraying emotionally ill characters gives me the chance to really act.
Walt Disney got away with portraying me in the light that they were portraying me in. I have always been a fighter, so... But I have no regrets, man. It's just like God brought me through the drugs, I know he'll bring me through this.
I love portraying the totally indifferent person.
I started out as a very young girl in Hollywood doing westerns portraying a mother with a couple of kids.
I find the subject of childhood fascinating. I explored this subject in Speak to me of love and I am curious about portraying the often painful transition into the adult world.
I'm very interested in portraying homosexual man and woman in my films because I'm interested in their lives and their problems.
Within the microcosm of a film you get drawn to people. There are certain projects you care enormously about, and 'The Edge Of Love' was one because I was portraying a great hero of mine, Dylan Thomas.
All I try to do is portray Indians as we are, in creative ways. With imagination and poetry. I think a lot of Native American literature is stuck in one idea: sort of spiritual, environmentalist Indians. And I want to portray everyday lives. I think by doing that, by portraying the ordinary lives of Indians, perhaps people learn something new.
The older I've gotten, the more the need to exert comedy no matter how tragic a character I may be portraying because they are essentials for presenting truth.
There aren't a lot of alternative roles for Indian actors. I think we've fallen short of portraying Indians in the media. We don't need to make another Dances With Wolves, because it's not an Indian movie. When Indians portray themselves, then we have a different perspective. I've been asked about making period pieces but I've never read one that wasn't about guilt, and I'm not trying to make a guilt film.
I've also worked hard portraying an Ireland which is fast disappearing. Ireland was a very depressed and difficult place in the 1980s, and I've tried to include that in the script. I worked really hard to find the heart of the book.
I care about people. In the end, I think they feel it. It comes across, regardless of the character I'm portraying.
I'm not afraid of portraying anything on-screen
One of the things we learn in movies directed by men is what the 'fantasy woman' is. What we learn in movies directed by women is what real women are about. I don't think that men see things wrong and women right, just that we do see things differently.
Mine is a quiet exploration—a quest for new meanings in color, texture and design. Even though I sometimes portray scenes of poor and struggling people, it is a great joy to paint.
Abortion is the only event that modern liberals think too violent and obscene to portray on TV. This is not because they are squeamish or prudish. It is because if people knew what Abortion really looked like, it would destroy their pretence that it is a civilized answer to the problem of what to do about unwanted babies.
My personal interest in ordinary people is unlimited, but I am fascinated by the challenge of portraying true greatness adequately with my camera.
I’ve become skeptical of the unwritten rule that just because a boy and girl appear in the same feature, a romance must ensue. Rather, I want to portray a slightly different relationship, one where they two mutually inspire each other to live– if I’ m able to, then perhaps I’ll be closer to portraying a true expression of love.
I've always been interested in a lot of the medieval art portraying people being tormented.
For film and games, there is now a fantastic method of actors portraying characters which don't necessarily look like themselves. And yet you've still got the heart and soul of the performance.
I think I'm doing a service to black women by portraying myself as a sex machine. I mean, what's wrong with being a sex machine, darling? Sex is large, sex is life, sex is as large as life, so it appeals to anyone that's living, or rather it should.
When I'm on stage, I'm not me playing me. I'm somebody else doing me. I could never go on stage and be like, "Hey, I'm Mike Tyson. My mother and father was in the sex industry." That's the politically correct way to say it, but I would really say, "My mother and father were pimps and whores. This is my life." I could never do that as Mike Tyson. Because I'd feel sorry for myself. But if I could be objective about it and be somebody else, portraying Mike Tyson, saying this story, then it's easy sailing.
I think you have to be very secure as an actor to escape yourself - to revisit someones past, whether youre portraying another person or creating someone, and then to come back to who you are and not bring those emotions with you.
All my photographs seep through EMOTION , through the relationship I establish with the place I am portraying. Whenever I see something that captivates me, I start turning around it to find MY OWN frame. I work on myself and on the city at the same time.
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