When I was young, we were quite strongly discouraged from listening to pop music. It was an uncomfortable thing, pop music; I think my parents felt threatened by it. They were always happy when they were listening to Mozart, so if your parents are happy, then you're happy.
I really like Howler and an American band on Sub Pop called Jaill. There will always be new bands that I like, it's always been that way. I still go out to shows. One thing I don't like now is this idea that all singing needs to be expressed at maximum volume with so much bullshit sentimentality - it's pervading regular pop music.
I tend to score with songs from Western pop music.
When I'm in the car sometimes it's like, 'Yeah, man, just put on the pop music.' You know what I mean? I don't want to listen to Tom Waits.
Political people don't solve stuff - not really. Political people are like guys in pop music.
With pop music and pop musicians, you know everything about everyone all the time, particularly their physical appearance. With female musicians, that's made a big thing of, and I think people, certainly with me, have appreciated a bit of mystery.
The whole thing about rock music, pop music, is it's really for kids.
I mean I like pop music, and I like heavy music and, stuff that I like... the band I've signed on to our label right now; they're called The Sounds. They're kind of like a new-wave pop band.
Martin, Dave, and I get together and rough out a few songs and put them on cassettes for some reference...With the actual music, I'm not interested in objectivity, quite the opposite. I want a solely and totally subjective experience...A lot of pop music is about stealing pocket money from children.
I feel that the music that I do is somewhat of a lost art and it's not as popular as dance or pop music and people are not as interested in it. But it's something that I believe in and I feel that it's needed, so that's why I do it and I will keep doing it until everybody hears it and gets it.
The unhappiest people I know, romantically speaking, are the ones who like pop music the most; and I don't know whether pop music has caused this unhappiness, but I do know that they've been listening to the sad songs longer than they've been living the unhappy lives.
There is a lot of snobbery towards pop music, to me and pop in general - it's kind of a despised art form.
In England, pop music seems now to be exclusively for children. If an artist is no good, why is it necessary to have that artist repeatedly rammed in our face?
This is pop music. You've got a candidate for president of the United States using it, that's hitting the biggest audience you're ever going to hit in your entire friggin' life. And you don't want that? Bullshit. That's what you want. It's not even for success or fortune, it's because that's the power of the song.
A lot of pop music is based on trying to make people remember it so that they'll buy it. To me, it was not about that.
I listen to classical music at home probably more than pop music.
I don't want to sound presumptuous, but I've made it my goal to revolutionize pop music. The last revolution was launched by Madonna 25 years ago
I see my music as Emotional Therapeutic Pop music that bleeds into loads of different genres.
I wasn't very aware of pop music because I attended an arts school. For me, it was all about jazz.
Pop music, disco music, and heavy metal music is about shutting out the tensions of life, putting it away.
Spin Me Round was number one all over the world, everywhere. It changed the face of pop music, no question. We took technology further than Trevor Horn.
Pop music is aspirin and the blues are vitamins.
I felt that the elegance of pop music was that it was reflective: we were holding up a mirror to our audience and reflecting them philosophically and spiritually, rather than just reflecting society or something called 'rock and roll.'
I've never intended to be controversial but it's very easy to be controversial in pop music because nobody ever is.
A lot of pop music is about stealing pocket money from children.
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