With six weeks' worth of recuperation time, you'll also be able to see any glaring holes in the plot or character development. And listen--if you spot a few of these big holes, you are forbidden to feel depressed about them or to beat up on yourself. Screw-ups happen to the best of us.
I'm more interested in plot than theme, but I hope my values find their way into my stories: kindness, sympathy, effort, and humor!
When you're reading a novel, I think the reason you care about how any given plot turns out is that you take it as a data point in the big story of how the world works. Does such-and-such a kind of guy get the girl in the end? Does adultery ever bring happiness? How do winners become winners?
I've always read suspense, so raising the stakes to life and death situations in my romance plots seemed natural.
I think this is the first time I've altered a book based on what you guys told me. So it's an occasion! Soon I'll be putting up polls to choose between plots, and then it's a short stop to accepting anonymous contributions and stapling them together while I sip margaritas on the deck of a Pacific cruise ship.
Some artists, such as Jack Kirby, need no plot at all. I mean I'll just say to Jack, "Let's let the next villain be Dr. Doom" ... or I may not even say that. He may tell me. And then he goes home and does it. He's so good at plots, I'm sure he's a thousand times better than I. He just makes up the plots for these stories. All I do is a little editing ... I may tell him that he's gone too far in one direction or another. Of course, occasionally I'll give him a plot, but we're practically both the writers on the things.
In the late 1980s, Soviets were allowed to keep the wealth they created by raising vegetables on their garden plots. Although these plots composed only about 2% of the agricultural lands in the Soviet Union, they produced 25% of the food! When Soviets kept the wealth they created, they produced almost 16 times more than when it was taken from them at gunpoint, if necessary!
Do we really have to wander around apologizing for enjoying plot, just because James Wood and a few dozen other arch-aesthetes sniff at it? It's like being careful not to sing pop songs in the shower because some guy in the local alt-weekly is a music snob.
The solution to the novel's legal problem is a satisfyingly intricate one, and nobody will want his money back on the plot. But the echoes that will remain in your mind after you've finished Reversible Errors will mainly have to do with the novel's other elements.
Plot is unimportant. Family is everything, and 'Furious 7' is a blast.
The character can never be static from book to book. People might think you just come up with a new plot and stick this guy in. Well, he has to be as new as the plot every time.
I know you can't see it, not you, Ed, but maybe if I tell you the whole plot you'll understand it this once, because even now I want you to see it. I don't love you anymore, of course I don't, but there's still something I can show you. You know I want to be a director, but you never truly see the movies in my head and that, Ed, is why we broke up.
The difficulty in the way of writing a children's play is that Barrie was born too soon. Many people must have felt the same about Shakespeare. We who came later have no chance. What fun to have been Adam, and to have had the whole world of plots and jokes and stories at one's disposal.
Plots are ... what the writer sees with.
I did ... learn an important distinction in graduate school: a speculation about who had syphilis when is gossip if it's about your friends, a plot element if it's about a character in a novel, and scholarship if it's about John Keats.
The plot is not very important to me, though a novel must have one, of course. It's just a line to hang the washing on.
She gathers my half of the blankets around her and curls up against the wall. She will sleep for hours more, dreaming endless landscapes and novas of colour both gorgeous and frightening. If I stayed she would wake up and describe them to me. All the mad plot twists and surrealist imagery, so vivid to her while so meaningless to me. There was a time when I treasured listening to her, when I found the commotion in her soul bitter-sweet and lovely, but I can no longer bear it.
I really felt sometimes like I was physically pulling the plot, and it was heavy. I'm sure it didn't look great that I was going into my dressing room at lunch.
Friendship between two women is always a plot against another one.
When I am thickening my plots, I like to think 'What if ... What if ... ' Thus my imagination can move from the likely, which everyone can think of, to the unlikely-but-possible, my preferred plot.
Do you solemnly swear never to conceal a vital clue from the reader? Do you promise to observe seemly moderation in the use of gangs, conspiracies, Super Criminals and Lunatics and utterly and forever to forswear Mysterious Poisons unknown to science? Will you honor the King's English? ... If you fail to keep your promise, may other writers steal your plots and your pages swarm with misprints.
I have a superstition that if I talk about plot, it's like letting sand out of a hole in the bottom of a bag.
I don't know exactly why the notion of homeownership has such a grasp on the American imagination. Perhaps as descendants of landless immigrants we turn our plots into symbols of stability.
He who plots to hurt others often hurts himself.
Characters should on the whole, be under rather than over articulate. What they intend to say should be more evident, more striking (because of its greater inner importance to the plot) than what they arrive at saying.
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