I've always been the opposite of a paranoid. I operate as if everyone is part of a plot to enhance my well-being.
We inherit plots. There are only two or three in the world, five or six at most. We ride them like treadmills.
Guy Rivers, a conventional piece as regards the love affair which makes a part of the plot, is a tale of deadly strife between the laws of Georgia and a fiendish bandit.
The more subtle and elegant you are in hiding your plot points, the better you are as a writer.
The families of rabbits or woodchucks will eat the salad greens just before they are ready to be picked; I plot ways to kill these animals but can never bring myself to do it.
I lose tons of stuff on the cutting room floor. For Scary Movie 3, for example, we had a lot of Matrix spoofs, a Hulk scene, and some of that stuff just doesn't hold up - it's too much plot, audiences just didn't want to hear about it.
[Gertrude Stein] really needed someone like Virgil Thomson, whom she respected, to sit on her a bit and make her devise some plot.
When you are drawing characters to serve a plot purpose, you tend to get flat, stereotyped, unliving characters.
I seem to wonder if we can reach some kind of new destination with cinema, or touch upon human existence in a different way to what cinema usually does in its very schematic and sometimes very controlled, plot-oriented ways of thinking. Sometimes I feel like I've found the holy grail, and next week I think it's a complete mistake and I need to try something completely different. It's an ongoing process.
Growing up, for years and years I had no idea what the plots of operas were, and that's part of what fascinated me - I could make them up and learn bits and pieces of what was going on over time. There's something about it being always a step away that makes it more fun to chase.
Each piece of dialogue MUST be "something happening". . .The "amusing" for its OWN sake should above all be censored. . .The functional use of dialogue for the plot must be the first thing in the writer's mind. Where functional usefulness cannot be established, dialogue must be left out.
The Christian faith is the most exciting drama that ever staggered the imagination of man-and the dogma is the drama ... The plot pivots upon a single character, and the whole action is the answer to a single central problem: 'What think ye of Christ?'... He was emphatically not a dull m an in his human lifetime, and if he was God, there can be nothing dull about God either.
In the years since The Life and Extraordinary Adventures of Private Ivan Chonkin, Voinovich has sharpened his satire, and Monumental Propaganda is a novel that slashes and rips -- but not on every page. He expands his narrative to accommodate shrewd philosophy and inventive portraiture, a very amusing disquisition on Soviet latrines and a number of outlandish plot developments. In his translation, Andrew Bromfield deftly shifts his tone and tools as required, remaining true to Voinovich's Vonnegut-like playfulness and appreciation of the absurd.
The way I pack is I look at how long I'll be gone and I pack day for day. If I'm going on a three-day fishing trip, I plot each day. I put most of that in a little bag. If I'm going from there to work on golf courses for a few days, I plot that trip.
Countries across the world are taking action now to help them track paedophiles and terrorists who abuse new technology to plot their horrific crimes.
If you read a book that's fiction and you get caught in the characters and the plot, and swept away, really, by the fiction of it - by the non-reality - you sometimes wind up changing your reality as well. Often, when the last page is turned, it will haunt you.
I'm not willing to risk more terrorist plots succeeding and more paedophiles going free.
Music conveys moods and images. Even in opera, where plots deal with the structure of destiny, it's music, not words, that provides power.
From beginning to end Wilde performed his life and continued to do so even after fame had taken the plot out of his own hands.
This blessèd plot, this earth, this realm, this England This nurse, this teeming womb of royal kings, . . . This land of such dear souls, this dear dear land.
Baseball is a soap opera that plays out day after day, one that a lot of elderly women watch until the characters and the plot becomes a part of their life. She got to enjoy the personal side of the players. They were her kids. The Braves were her family.
But, as an actress, you don't want to run into these scenes, willy-nilly. The couple that I did do were important for the character and essential to the plot, to show what was actually going on between each character. It is great to be able to have that, and to be able to say certain things and have certain passions.
Making up characters and places and plots, unlike fixing your plumbing or doing dishes, is anything but practical or rational. I write what needs to be written the way that seems genuinely right.
Having a sense of purpose is having a sense of self. A course to plot is a destination to hope for.
A potato can grow quite easily on a very small plot of land. With molecular manufacturing, we'll be able to have distributed manufacturing, which will permit manufacturing at the site using technologies that are low-cost and easily available.
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