O poor New England! There is a deep laid plot against your civil and religious liberties, and they will be lost. Your golden days are at an end. You have nothing but trouble before you. . . . Your liberties will be lost.
According to the media, trans women were subject to pain and punch lines. Instead of proclaiming that I was not a plot device to be laughed at, I spent my younger years internalizing and fighting those stereotypes.
Confession: When I went to see The Empire Strikes Back I found myself glancing at my watch. The Force is with us, indeed, and a lot of it is hot air. It's a measure of my mixed feelings about The Empire Strikes Back that I'm not at all sure that I understand the plot. The Empire Strikes Back is about as personal as a Christmas card from a bank.
I never plot out my novels in terms of the tone of the book. Hopefully, once a story is begun it reveals itself
With the Holy Mother as the centre of inspiration, a Math is to be established on the eastern bank of the Ganga. . . . On the other side of the Ganga a big plot of land will be acquired, where unmarried girls or Brahmacharini widows will live; devout married women will also be allowed to stay now and then. Men will have no concern with this Math.
Friends now fast sworn, Whose double bosoms seems to wear one heart, Whose hours, whose bed, whose meal and exercise Are still together, who twin, as 'twere, in love, Unseparable, shall within this hour, On a dissension of a doit, break out To bitterest enmity; so fellest foes, Whose passions and whose plots have broke their sleep To take the one the other, by some chance, Some trick not worth an egg, shall grow dear friends And interjoin their issues.
The art of the dramatist is very like the art of the architect. A plot has to be built up just as a house is built-story after story; and no edifice has any chance of standing unless it has a broad foundation and a solid frame.
If I had a plot that was all set in advance, why would I want go through the agony of writing the novel? A novel is a kind of exploration and discovery, for me at any rate.
As regards plots I find real life no help at all. Real life seems to have no plots.
A meal can be thought of as a ritual and a work of art, with limits laid down, desires aroused and fulfilled, enticements, variety, patterning and plot. As in a work of art, not only the overall form, but also the details matter intensely.
I farm a little plot of things to say, with not much frontage on the busy road.
I have a catch-phrase to describe my plot-generation technique -- 'What's the worst possible thing I can do to these people?'
Your life will have chapters, complete with crazy characters, villains and a plot you can't even imagine as you sit here today. It's a lot like a Scooby Doo episode.
The winner must promote social jusitce, remove corruption and discrmination, and stand against political, cultural and economic plots.
I confess that I cannot understand how we can plot, lie, cheat and commit murder abroad and remain humane, honorable, trustworthy and trusted at home.
When sex is necessary for the plot of a book, or a character development, then I don't shy away from it. Why should I?
My friend Ian Hagemann, a regular at Wiscon, once said on a panel that when he reads science fiction futures that are full of white people and no one else, he wonders when the race war happened that wiped out the majority of the human race, and why the writer hasn’t mentioned such an important plot point.
I describe my plots as follows; A character is walking down the street when all of a sudden a piano falls on them. They spend the rest of the story digging out from under that piano. How they dig, how long and how well, this all depends entirely on the character.
It is scary for an actor when you get hired as a lead. No matter what the plot is, it is your job to do something interesting enough to make them want to get inside the lead character's head.
Our easiest approach to a definition of any aspect of fiction is always by considering the sort of demand it makes on the reader. Curiosity for the story, human feelings and a sense of value for the characters, intelligence and memory for the plot. What does fantasy ask of us? It asks us to pay something extra.
I begin by writing paragraphs that don’t have an immediate relation to a plot. The sound of the story comes first.
Every work [of literature] has both a situation and a story. The situation is the context or circumstance, sometimes the plot; the story is the emotional experience that preoccupies the writer: the insight, the wisdom, the thing one has come to say
The Blood She Betrayed is unique, and Shahkara, the character, is one of the most engaging strong female role models I’ve seen in a long time. This girl can handle herself! The plot is full of ingenious twists, turns and surprises, and I look forward to reading the next book in the series.
I'm told my SF is of the hard variety and my Fantasy is romantic but hopefully all the characters are strong and the plots are lively.
Science fiction is an amazing literature: plot elements that you would think would be completely worn out by now keep changing into surprising new forms.
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