A phrase may come to me as I am walking, and, once I write it down in my journal, the rest of the poem will unravel from that catalyst.
There's nothing better than having an experience now that's the exact same thing I would've done when I was 16, like texting a really awkward "I like you" message to someone. The way you phrase it might change, but it will always continue to happen, and there's something really charming and calming about that.
I just go for what makes me feel good. Especially in 2011, it's so easy to sound like a dickhead when describing yourself because anything anyone says is a catch-word or a buzz-phrase.
I made it clear that I will consider - this is the important phrase I am trying to say - myself most fortunate if Jesus Christ will accept the sacrifice of my blood to raise the voice for the justice and rights of the persecuted and victimized Christians and other minorities in Pakistan.
It's painful, but it's part of the recognition that makes real healing possible, if healing is possible (the jury is out on that, that's the usual phrase - should I say the jury is deadlocked?). Staying with the pain, attending to it, being present to and with it - that's the task, because that's the only (as far as I can tell) hope of finding a way forward.
In the "Intervention" section of the book we go into that looping from a battery of positions (where healer and sufferer are blurred). I'm very interested in "repetition and revision" (to use Suzan Lori-Parks's phrase) and in the culture's desire to loop or repeat.
Five-hundred years ago people were saying in manuscripts, "Can you believe these kids today?" They were saying that same phrase everyone says now. No one can believe the youth and what they're doing and how culture is going and how it might fall apart.
That you write a phrase or you think of something and it seems to have a deeper charge because the title has to be some kind of marker, something setting out a space, creating a space for what's going to come.
Why I can't stand this phrase about I don't have any permanent enemies, any permanent friends, only permanent interests. I can't stand that. It's a matter of principles. What kind of integrity, what kind of morality do you have?
When I wrote "Win," it only took about eight months, but eight months of sheer pain and suffering because every phrase that's in there - and there are about 130 specific linguistic recommendations - I had to test every one to make sure that it worked.
The most powerful call to action of anything that we've ever tested: Let's get to work.I didnt create that phrase. It came from Rick Scott, the current governor of Florida.
Believe in better, which is a corporate phrase rather than a political phrase. We don't want more. We're not looking for quantity. We're looking for quality. Believe in better suggests intergenerational change. It suggests product innovation. It suggests something better for the future.
There are people who will be wanting to apply "Win" to their own, personal life. If you remember only one thing, and I'm going to do it right here, right now because I just happened to come to it, that phrase - if you remember only one thing - there are 125 specific language recommendations in "Win" that can make a difference in your day-to-day lives.
FedEx is another company that's passionate. When it absolutely, positively has to get there is such a great, aspirational phrase. And FedEx used it for almost a decade to communicate the passion of delivering a package. The more passionate you are, the more successful you are.
I had nothing to do with death panels. I thought it was a horrible phrase about end of life. I didn't think it was accurate, and I was - I've always been opposed to it. The reason why I stood behind that phrase "death tax" for so many years is because the only time that you could pay that tax, the only time, is on the death of a relative. And that's what makes it a death tax. You have to be accurate.
I would not have used the phrase "I'm selling you" because even though that's exactly what you're doing, when you tell people you're doing it - or worse yet, when you tell people "I'm not here to sell you anything," they automatically assume that that's exactly what you are here to do.
No words, phrases, or sentences are capable of describing or naming the Way, because once it is named, it is a false name and has to be eliminated. Once it is eliminated, only emptiness is left. When the false is abandoned, the true emerges.
Writers are outsiders, and usually not by their own choosing. It’s why they’re writers. If they didn’t feel alienated from human experience, they wouldn’t feel so drawn to writing to make sense of their lives. It’s not the outsider’s facility for language that makes her a writer — many a student body president or homecoming queen can turn a phrase — but her ability to howl at the moon, on the page.
The catchall phrase big data means three things. First, it is a bundle of technologies. Second, it is a potential revolution in measurement. And third, it is a point of view, or philosophy, about how decisions will be-and perhaps should be-made in the future
In 2005, the Global Language Monitor-a nonprofit organization that does exactly what its name suggests-issued a tongue-in-cheek list of the year's most politically correct words and phrases. Top
How many times did we hear [Barack] Obama say, 'You didn't build that. You didn't build that - no, you need government.' We even saw Hillary Clinton say - remember her phrase - 'It takes a village to raise a child.' In other words, your children are not your children - they belong to the community.
He [Louis Brandais] did believe in the states famously as laboratories of democracy, to use that resonant phrase that Tea Party and conservative libertarians have embraced today because he loves state experimentation.
The house as I say ... smelled of brisket and bourbon, so you could hear that. I started imitating them. Phrases came out of that, "Can't you dig that?" "I knew that you would." We were at [Passover] Seders and they were confused with the bitter herbs, "Do we smoke these or do we do we dip them in salt water?" "We dip them in salt water, well that's gonna kill the vibrancy of the weed, you know." So that's what I was around. So I would imitate them. That's where it all started.
I have a vague memory of seeing an image of a child in an iron lung and the phrase "sad little breathing machine" coming into my head. The more I thought about it, the more I felt that on certain days - the worse ones - we could all be described as sad little breathing machines.
In fact, the very phrase "teaching creative writing" sounds to me oxymoronic. How can you teach someone to be creative?
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