If I knew how to take a good photograph, I'd do it every time.
Photography for me is not looking, it's feeling. If you can't feel what you're looking at, then you're never going to get others to feel anything when they look at your pictures.
For me, the camera is a sketch book, an instrument of intuition and spontaneity.
A good photograph is knowing where to stand.
The art of photography is all about directing the attention of the viewer.
To photograph truthfully and effectively is to see beneath the surfaces and record the qualities of nature and humanity which live or are latent in all things.
Pick a theme and work it to exhaustion... the subject must be something you truly love or truly hate.
Now, to consult the rules of composition before making a picture is a little like consulting the law of gravity before going for a walk.
There is one thing the photograph must contain, the humanity of the moment. This kind of photography is realism. But realism is not enough - there has to be vision, and the two together can make a good photograph.
A portrait is not a likeness. The moment an emotion or fact is transformed into a photograph it is no longer a fact but an opinion. There is no such thing as inaccuracy in a photograph. All photographs are accurate. None of them is the truth.
One should really use the camera as though tomorrow you'd be stricken blind.
The hardest thing in photography is to create a simple image.
The urge to create, the urge to photograph, comes in part from the deep desire to live with more integrity, to live more in peace with the world, and possibly to help others to do the same.
It is part of the photographer's job to see more intensely than most people do. He must have and keep in him something of the receptiveness of the child who looks at the world for the first time or of the traveler who enters a strange country.
Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but actually a trace of it. No painting or drawing, however naturalist, belongs to its subject in the way that a photograph does.
Eventually I discovered for myself the utterly simple prescription for creativity; be intensely yourself. Don't try to be outstanding; don't try to be a success;don't try to do pictures for others to look at- just please yourself.
To me, photography is an art of observation. It's about finding something interesting in an ordinary place... I've found it has little to do with the things you see and everything to do with the way you see them.
Color is seductive. It changes as it interacts with other colors, it changes because of the light falling upon it, and it changes as it becomes larger in size.
There is nothing worse than a sharp image of a fuzzy concept.
Don’t pack up your camera until you’ve left the location.
A photographer is like a cod, which produces a million eggs in order that one may reach maturity.
Ultimately photography is about who you are. It's the truth in relation to yourself. And seeking truth becomes a habit.
I really believe there are things nobody would see if I didn't photograph them.
My job as a portrait photographer is to seduce, amuse and entertain.
No place is boring, if you've had a good night's sleep and have a pocket full of unexposed film.
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