Berenice Abbott Quotes About Photography

Quotes about: Photography

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  I didn't decide to be a photographer; I just happened to fall into it.

  Berenice Abbott

  Photography, Fall, Photographer

• Let us first say what photography is not. A photograph is not a painting, a poem, a symphony, a dance. It is not just a pretty picture, not an exercise in contortionist techniques and sheer print quality. It is or should be a significant document, a penetrating statement, which can be described in a very simple term-selectivity.

  Berenice Abbott

  Photography, Exercise, Simple

• Photography can only represent the present. Once photographed, the subject becomes part of the past.

  Berenice Abbott

  Photography, Past, Photographer

• Photography helps people to see.

  Berenice Abbott

  Photography, People, Helping

  "Berenice Abbott: Still Feisty and Eager at 91" by Richard F.Shepard. Archives, www.nytimes.com. 1989.

• Photography can never grow up if it imitates some other medium. It has to walk alone; it has to be itself.

  Berenice Abbott

  Photography, Growing Up, Walks

  Nancy Tousley, Berenice Abbott, Glenbow Museum, Edmonton Art Gallery, Southern Alberta Art Gallery (1982). “The Berenice Abbott portfolios”, Glenbow

• Photography is not only drawing with light, though light is the indispensable agent of its being. It is modeling or sculpturing with light, to reproduce the plastic form of natural objects. It is painting with light.

  Berenice Abbott

  Photography, Light, Drawing

  Berenice Abbott (1944). “A guide to better photography”

• Does not the very word 'creative' mean to build, to initiate, to give out, to act - rather than to be acted upon, to be subjective? Living photography is positive in its approach, it sings a song of life - not death.

  Berenice Abbott

  Photography, Song, Mean

  Berenice Abbott, Julia Van Haaften (1989). “Berenice Abbott, photographer: a modern vision : a selection of photographs and essays”

• I took to photography like a duck to water. I never wanted to do anything else. Excitement about the subject is the voltage which pushes me over the mountain of drudgery necessary to produce the final photograph.

  Berenice Abbott

  Photography, Ducks, Water

  Berenice Abbott, Julia Van Haaften (1989). “Berenice Abbott, photographer: a modern vision : a selection of photographs and essays”

• Imagine a world without photography, one could only imagine.

  Berenice Abbott

  Photography, World, Photographer

• Like every other means of expression, photography, if it is to be utterly honest and direct, should be related to the life of the times - the pulse of today.

  Berenice Abbott

  Photography, Mean, Expression

• Pictures are wasted unless the motive power which impelled you to action is strong and stirring.

  Berenice Abbott

  Photography, Strong, Action

• The challenge for me has first been to see things as they are, whether a portrait, a city street, or a bouncing ball. In a word, I have tried to be objective. What I mean by objectivity is not the objectivity of a machine, but of a sensible human being with the mystery of personal selection at the heart of it. The second challenge has been to impose order onto the things seen and to supply the visual context and the intellectual framework - that to me is the art of photography.

  Berenice Abbott

  Photography, Art, Mean

• Abstraction in photography is ridiculous, and is only an imitation of painting. We stopped imitating painters a hundred years ago, so to imitate them in this day and age is laughable.

  Berenice Abbott

  Photography, Years, Age

• I believe there is no more creative medium than photography to recreate the living world of our time. Photography gladly accepts the challenge because it is at home in its element: namely, realism - real life - the now.

  Berenice Abbott

  Photography, Real, Believe

  "Photography at the Crossroads". Essay by Berenice Abbott, 1951.

• Photography was the medium preeminently qualified to unite art with science. Photography was born in the years which ushered in the scientific age, an offspring of both science and art.

  Berenice Abbott

  Photography, Art, Years

• To chart a course, one must have a direction. In reality, the eye is no better than the philosophy behind it. The photographer creates, evolves a better, more selective, more acute eye by looking ever more sharply at what is going on in the world. Like every other means of expression, photography, if it is to be utterly honest and direct, should be related to the life of the times-the pulse of today. The photograph may be presented as finely and artistically as you will, but to merit serious consideration, must be directly connected with the world we live in.

  Berenice Abbott

  Photography, Philosophy, Mean

• Photography doesn't teach you to express your emotions; it teaches you how to see.

  Berenice Abbott

  Photography, Emotion, Teach

• What to me is anathema - a corpse-like, outmoded hangover - is for photography to be a bad excuse for another medium. ... Is not photography good enough in itself, that it must be made to look like something else, supposedly superior?

  Berenice Abbott

  Photography, Hangover, Looks

  Berenice Abbott (1944). “A guide to better photography”

• The lens freezes time and space in what may be an optical slavery or, contrarily, the crystallization of meaning. The limits of the lens' vision are esthetically often a virtue.

  Berenice Abbott

  Photography, Space, Vision

  Berenice Abbott (1944). “A guide to better photography”

• I wanted to combine science and photography in a sensible, unemotional way. Some people’s ideas of scientific photography is just arty design, something pretty. That was not the idea. The idea was to interpret science sensibly, with good proportion, good balance and good lighting, so we could understand it.

  Berenice Abbott

  Photography, Ideas, People

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