Fashion is not something that exists in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, what is happening.
When you think of fashion photography, it's a dream. It's like we all want to be those women. We want to wear those dresses.
Fashion is not something that exists in dresses only.
I like the stories. I like the narratives that you get in fashion photography. And I like what the clothes do to the body - the patterns and stripes and all of that.
Fashion is in the sky, in the street.
Fashion is the opposite of the real, its worst enemy. Fashion photography is subversive; it makes you believe everything is true, whereas this could not be more false. It is the opposite of a mirror, a deformation.
Fashion has also been a great outlet, and I'd like to do more fashion photography in the future. I also photograph a lot of artists.
What I find interesting is working in a society with certain taboos and fashion photography is about that kind of society. To have taboos, then to get around them that is interesting.
When I was at college, the idea of fashion was more immediate to me, whereas art photography, the depth of it, was a different thing. Storytelling - fanciful storytelling - can only be told through fashion photography. It's the perfect way to play with fantasy and dreams.
My favorite type of photography - apart from fashion photography - is journalism, which in a way documents something that exists in a very precise moment, that didnt exist in a moment before and will not exist ever again. This has influenced my work a lot - I usually try to make my images look like they just exist, like no effort was put into it.
I love beautiful women. I love to show their personality, their sexuality. There's a fashion side to my erotic pictures: I love beautiful shoes and jewellery. But the erotic work I do is too daring and provocative for a fashion magazine. It's more fun, and if you have the right girl who likes it, more exciting, too. It's fashion photography, but with fewer clothes.
I really learned a lot from collecting clothes because I got to go back into the history of fashion and fashion photography and jewelry. It changed how I felt about fashion and about what I did forever because I used to look a little bit down on myself for it.
I'm not a social person. Not that I'm not at ease. I'm pretty good, but it bores me. Not the people, but the whole thing. What for? It's not very productive. I only want to do what I have to do: fashion, photography, books. And that's all.
It's shot by Ben Rayner who I think is very talented at doing portrait photography as well as fashion photography. His images never look like a model. You know, it doesn't look like a faceless model just wearing whatever. There's always personality that comes through. That was quite important for me to capture.
People thought this was a computer IT gig, and that will flow through those nerdy departments and it won't come into fashion photography, it won't come into television, it won't come into my daily communications, it won't come into my telephone, my microphone, my light control, my microwave radio, my - I mean, just name it.
In 1990 I did a story with Helena Christensen about a woman who lives in a trailer in the middle of the desert and finds a little crushed UFO with a martian who has survived the crash. She takes him home, and they fall in love. Later he has to meet with his fellow martians who have arrived to rescue him. It's a sad ending. This was my first truly narrative story and apparently the first narrative story in fashion photography.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: