I'm not interested in playing the field and all that stuff because frankly I'm not into frivolous relationships.
But I'm not interested in politics. I lose interest the microsecond it ceases to be emotional, when something becomes a political movement. What I'm interested in is emotions.
I'm not interested so much in collaboration. You see that from the history of my albums.
I will not do a role that I don't think I can do, that I'm not interested in, where there's no humanity, that doesn't have any kind of handle for me at all because I know I'll just stink the joint up.
Everybody knows that I don't have a muse. I'm not interested in that.
I'm not interested in people positioning me next to other artists.
People would say, Can we develop a sitcom around you? and I would say, Not interested. I'm very happy doing standup and writing and taking my kids to school.
I'm not interested in possible complexities. I regard song structure as a graph paper.
I think women are not interested in being like "the man" or having the same position as "the man." Women want to be women with equal rights. At this point now, we're very clear about that. I don't want to be the same as him. I want to be me with the same opportunity. So I think that's the difference of today than the fight that my mom had to fight, which was a little bit different and as complicated.
I only use the computer for editing. I don't have an eight-track, otherwise I probably never would have bought a computer. When I first got my Mac, I was exploring its possibilities and had fun with all of the sound hacking software, but I'm not interested in that approach. I toyed with the idea of releasing a 12-inch of all the stuff I did early on but good sense prevented me from doing so.
No matter how many rich people call New York their home, we don't really have enough capital here to build and maintain the infrastructure that a population needs to live. We don't have the federal money, and for-profit investors are just not interested in anything other than making the biggest profit they can.
When you're a person of color in white America, you know white people. You know why you know white people? Because you can't enjoy any kind of entertainment if you are not able to humanize white people. If you watch a film and are like, "Oh, this has white people in it? Then I'm not interested," then you can't enjoy anything in America!
I'm not interested in pop art.
I think now that I've tried directing, I'm not interested in doing adaptations anymore. I could do an adaptation of someone else's work that I would write, but the idea of taking someone else's material entirely doesn't interest me. One of the things that I found really helpful, at least in my mind - and I've never discussed this with the actors or with the people I work with - is that being a neophyte in directing, I feel like I have a kind of authority simply because I'm the writer as well.
Let me just say that the politics that I have are never the politics of poetics. I am not interested in politics. Politically, I am only very conscious of how we live and what we do right and what we do so awfully wrong.
I'm not interested in safety. A great risk in writing is imagining you have something to protect. Playing it safe to placate someone or something. People talk about compromise, but often people don't even know when they're compromising, because they're not conscious of contradictions.
I notice that Indians love to tweet about each other - will be like, yeah, go India, we're awesome, Indians are awesome, here is another example of an awesome Indian. That's a dangerous false nationalism that I am not interested in. There's a huge amount of diversity within our so-called communities; within the South Asian community, there are people who would never talk to each other.
I'm not interested in scoring points or being over-critical of the US administration. I want to find the entry points to try and get it back on track so that the United States can get out of the present disastrous situation it's in, and back into being a constructive force for human rights in the world.
I think I had a lot of fear, even when I was really young, that I was going to be seen as something that I didn't want to be. I didn't really know how to be myself well enough to be comfortable being someone else. Now, as an adult, I have a grounded enough awareness of who I am as a human being and what I'm comfortable exploring and what I'm not interested in exploring.
I've never felt British. I'm just not interested in national identity. I don't know why.
Even the presence of my kids cannot, during those writing hours, disturb me. Unless there's a bone sticking out of their arm, I'm not interested.
I'm not interested in closure. Some people just have heart attacks and die, right? There's no closure.
I wanted to make a living, but I really was not interested in money at all. I was interested in being a great comedian.
I'm not interested in making all-black films - I come from a very diverse culture, I want to work with every type of person. I work a lot with women executives because they seem to be a lot more open minded about that and a lot more progressive in that way.
If I'm alone too long I think too much, and I'm not interested in doing that. That won't lead anywhere good, I'm sure. If I'm busy I tend to stay out of trouble. An idle mind is the devil's playground.
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