Pop Art looks out into the world. It doesnt look like a painting of something, it looks like the thing itself.
The pop artists did images that anybody walking down Broadway could recognize in a split second — comics, picnic tables, men’s trousers, celebrities, shower curtains, refrigerators, Coke bottles. All the great modern things that the Abstract Expressionists tried not to notice at all.
Pop art is the inedible raised to the unspeakable.
Pop art is the American Dream, optimistic, generous, and naive!
Pop Art is industrial painting. I think the meaning of my work is that it is industrial, it's what all the world will soon become. Europe will be the same way, soon, it won't be American; it will be universal.
Pop art is for everyone.
Outside is the world; it's there. Pop Art looks out into the world.
Pop Art is not painting because painting must have content and emotion.
Don't worry about mistakes. Making things out of mistakes, that's creativity.
Fashion wasn't what you wore someplace anymore; it was the whole reason for going.
We use the term pop in the art world, as in Pop Art, but we forget that its root is popular - popular culture.
Pop art is about liking things.
I am a pop artist, so my medium is public opinion and the world is my canvas.
Only thanks to Pop Art, my painting has become understandable.
Reality itself is steadily becoming more colored. Think of what factories were like, especially in Italy at the beginning of the 19th century, when industrialization was just beginning: gray, brown and smoky. Color didn't exist. Today, instead, most everything is colored. The pipe running from the basement to the 12th floor is green because it carries steam. The one carrying electricity is red, and that with water is purple. Also, plastic colors have filled our homes, even revolutionized our taste. Pop art grew out of that and was possible because of this change in taste.
People should fall in love with their eyes closed.
When you stop wanting something, you get it.
By the late '50s, something was happening in England, and it got to be quite exciting. The music world then started to explode with the Beatles and the Rolling Stones. It was an incredible time with this mixture of independence in art, fashion, and the explosion of the pop sensibility. London was certainly at the center of it all for a few years. And as far as art is concerned, I think that sensibility of what was later called Pop art started in England even before America. And so I was lucky to be there.
Before pop art, there was such a thing as bad taste. Now there's kitsch, schlock, camp, and porn.
I’m really afraid to feel happy because it never lasts
After pop art, graffiti is probably the biggest art movement in recent history to have such an impact on culture.
There's something retro about the pop culture references in the paintings, so I'd imagine it's not as much a pop culture reference as a pop art reference.
Reality is what you can get away with.
The idea of waiting for something makes it more exciting
I first came up with the idea for the colour-chart pictures back in 1966, and my preoccupation with the topic culminated in 1974 with a painting that consisted of 4,096 colour fields. Initially I was attracted by the typical Pop Art aestheticism of using standard colour-sample cards; I preferred the unartistic, tasteful and secular illustration of the different tones to the paintings of Albers, Bill, Calderara, Lohse, etc.
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