If you write for the New Yorker, you always get people critiquing your grammar, you can count on it. So, because a lot of New Yorker readers are kind of, you know, amateur grammarians and so you do get a lot of that.
New Yorkers, we've seen Donald Trump for, like, 30 years; we know who he is. So he wasn't a surprise to me.
I am a New Yorker. I like New York. And I like cities. And it's not my desire to make New York more suburban. I would personally just like to vet each person.
When I read the article [in The New Yorker] by David Grann, I was very struck by people responding to the article, of people thinking I was such a hero and what a wonderful person I was, and I didn't feel that at all. I felt like I had very much, like Todd [Willingham], taken a path of self-preservation.
I grew up eating hamburger helper, macaroni and cheese, and drinking lots of milk, and looked at lots of cows; but I feel like a New Yorker now, I've lived here for sixteen years.
I'm a New Yorker. I'm liberal and open-minded. Things don't really shock me. But I was reading the second-act today and thinking that if you're religious, you could be. But you shouldn't be! You can be extremely religious and have your faith and still be open-minded to art. Because this is art. That's part of the excitement. It literally is "The Jerry Springer Show" on-stage set to beautiful operatic music. That's what's so incredible about it!
Speaking as a New Yorker, I found it (9/11 event] a shocking and terrifying event, particularly the scale of it. At bottom, it was an implacable desire to do harm to innocent people.
I think many articles in the New Yorker have a strong point of view, but they are so rigorously fact-checked. I wouldn't call them objective, but they feel fair.
I always have issues. I'm a New Yorker. I always have issues with trust - you adopt it from being a New Yorker. I think trust is something that comes from the gut. I don't think it's anything specific. I don't think it's anything tangible.
I was just a guy who did adult or alternative comic books. And then suddenly to be, like, a New Yorker cover artist was a different thing.
I was just reviewed by Robert Gottlieb, who was my editor at 'The New Yorker,' and he sort of wondered at the fact that I still need to exorcise my parents at my age. I think he makes a basic mistake in thinking that exorcism can ever be total. The exorcism of your parents will still be occurring on your own deathbed.
Look, there's no denying that comics have moved dramatically into the mainstream in North American culture in the last 10 years, and for someone like me who's always tried to make a living at it, it's been great, I'm very grateful for it. But at the same time, it's not a subculture-y thing anymore; it's something that's in the New York Times and the New Yorker.
The narrative songs were well-written, like an article in The New Yorker. They're nice and pat. They're more like I'm just showing I can do that when I write a song like that. It's not my true calling.
The resistance to my work, and to my way of writing, has been there from the beginning. The first things I wrote were these short short stories collected in At the Bottom of the River, and at least three of them are one sentence long. They were printed in The New Yorker, over the objections of many of the editors in the fiction department.
As a New Yorker, or wherever I am, I just want to know I can get our of the house in five minutes if I have to and not have to spend a bunch of time obsessing in the mirror, trying on a million different options. Now, I just know what works.
I think that most New Yorkers would object to calling me a New Yorker. I didn't grow up here.
By comparison with other less hectic days, the city is unconfortable and inconvenient; but New Yorkers tempramentally do not crave comfort and convenience - if they did they would live elsewhere.
New Yorkers love the bigness -- the skyscrapers, the freedom, the lights. But they also love it when they can carve out some smallness for themselves. When the guy at the corner store knows which newspaper you want. When the barista has your order ready before you open your mouth. When you start to recognize the people in your orbit, and you know that, say, if you're waiting for the subway at eight fifteen on the dot, odds are the redhead with the red umbrella is going to be there too.
When people endure a traumatic event, they are either defeated or made stronger. On Sept. 11, I told New Yorkers, "I want you to emerge stronger from this." My words were partially a hope and partially an observation that people in New York City handle big things better than little things. I could not be more proud of the way my city responded.
So I said to myself-I'll paint what I see-what the flower is to me but I'll paint it big and they will be surprised into taking the time to look at it-I will make even busy New Yorkers take time to see what I see of flowers.
I'm a New Yorker. I don't believe in air unless I can see it.
I am the young, edgy New Yorker.
The history of Hillary Clinton as a five-year senator is to promote Hillary Clinton and not the needs of New Yorkers
You can get the true essence of New Yorkers by just hanging out in Central Park
Media reporters have pointed out that the paragraphs in my Time column this week bear close similarities to paragraphs in Jill Lepore's essay in the April 22nd issue of The New Yorker. They are right. I made a terrible mistake. It is a serious lapse and one that is entirely my fault. I apologize unreservedly to her, to my editors at Time, and to my readers.
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