From reading a previous answer, you know that I consider all those aspects to be part of American cultural myth and thus they figure into good American poetry, whether the poet is aware of what he is doing or not.
When we think of his lone effort to live and its bleak reward, the mind turns to the myth "for His mercy endureth forever," with confiding revulsion.
Homo religiosus invents religious symbols, which he venerates and worships to save him from facing the finality of his death and dissolution. He devises paradise fictions to provide succor and support... In acts of supreme self-deception, at various times and in various places he has been willing to profess belief in the most incredible myths because of what they have promised him.
The Christ is a myth. The Holy Ghost Priestcraft overshadowed the harlot Superstition; this Christ was born; and the Joseph of humanity, beguiled by the Gabriel of credulity, was induced to support the family. But the soldiers of Reason have crucified the illegitimate impostor, he is dead; and the ignorant disciples and hysterical women who still linger about the cross should take his body down and bury it.
When we say the South lost the Civil War, we mean the white South. The blacks were liberated. And it's trying to redefine this Southern myth and bring it in a more positive direction.
Peter Watts has taken the core myths of the First Contact story and shaken them to pieces. The result is a shocking and mesmerizing performance, a tour-de-force of provocative and often alarming ideas. It is a rare novel that has the potential to set science fiction on an entirely new course. Blindsight is such a book.
A third myth is that men think that women like guys who are dangerous. As a result, guys will often smoke cigarettes, drink too much, and ride a motorcycle without a helmet. The reality? Women don't like guys who are dangerous. Women want us to think that because women are trying to kill us.
Perhaps the greatest myth being purveyed, is that myths are just myths.
[Science fiction is] a mode of romance with a strong inherent tendency to myth.
The fall [of your soul] from perfection into duality...was naturally followed by the discovery of the duality of good and evil...This is the Biblical version of a myth known to many lands.
The nation, like the church, has its visible symbols and insignia, its parchments engrossed with the revealed word, its dogmas, hymns, liturgy, holy day celebrations, its early Fathers, prophets and martyrs, its priesthood and its lay sodality, its myths of sacred genesis and apocalyptic crises, its world-saving mission and its missionaries.
A brilliant analysis of leadership in democratic, authoritarian, and totalitarian states, Archie Brown's The Myth of the Strong Leader draws on a remarkably wide range of examples and is distinguished by the relevance of its insights and by the precision and clarity of their exposition. It is an absorbing read that deserves to become a modern classic of political thinking.
Heraldry is the fusion of fact and fancy, myth and manner, romance and reality. It is an exuberant union of family, art, and history.
Looking back over a decade one sees the ideal of a university become a myth, a vision, a meadow lark among the smoke stacks. Yet perhaps it is there at Princeton, only more elusive than under the skies of the Prussian Rhineland or Oxfordshire; or perhaps some men come upon it suddenly and possess it, while others wander forever outside. Even these seek in vain through middle age for any corner of the republic that preserves so much of what is fair, gracious, charming and honorable in American life.
Nothing endures unless it has first been transposed into a myth, and the great advantage of myths is that they are ladies with portable roots.
All systems require myths for their longevity.
We're going to have to debunk the myth that Africa is a heaven for black people -- especially black women. We've been the mule of the world there and the mule of the world here.
Myths hook and bind the mind because at the same time they set the mind free: they explain the universe while allowing the universe to go on being unexplained; and we seem to need this even now, in our twentieth-century grandeur.
Folklore is the boiled-down juice, or pot-likker, of human living.
A myth is more powerful - and more lasting - than reality.
As long as the family and the myth of the family ... have not been destroyed, women will still be oppressed.
The great myth of our work-intense era is 'quality time.' We believe we can make up for the loss of days or hours, especially with each other, by concentrated minutes. But ultimately there is no way to do one-minute mothering. There is no way to pay attention in a hurry.
The first kiss ideally signals rapture, exchange of hearts, and imminent marriage. Otherwise it is a kiss that lies. All very crude and nonsensical, and yet it is the staple myth of hundreds of comics called 'Sweethearts,' 'Romantic Secrets' and so forth. The state induced by the kiss is actually self-induced, of course, for few lips are so gifted with electric and psychedelic possibilities.
the unconscious of an artist is her greatest treasure. It is what transmutes the dross of autobiography into the gold of myth.
the more a body tries to explode all the foolish myths that have grown up about Texas by telling the truth, the more a body will wind up adding to the mythology.
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