The music industry is such a huge machine. There are still a lot of good people in it, but the character of the industry and the culture of the industry is very fast.
The odds are so stacked against you to have a music career in a place where there's virtually no music industry. So I always attribute it to God.
People wanted to move to America because of Michael Jackson. Industry changed, the music industry changed, because of Michael Jackson. That's a gift to us, and, you know, I am concerned that the Good Lord may not send another one because we did not take good care of him.
The music industry has always been a beast, which would eat you up and spit you out.
The classical music industry, has been an industry of covers. So we do covers, and if I compare this with the rock and pop side, what is the most exciting event?
When the film and music industries declined in the wake of increasingly conservative Muslim laws and social customs in Pakistan, many of these musicians found themselves out of work. They were brought together at Sachal Studios by Izzat Majeed, who built the studio in order to preserve these musical traditions.
People don't care what men wear or how they look. Unfortunately for women, the music industry is very visual and objectifying. The objectification of our bodies and using our bodies to sell things needs to change. A lot of this marketing stuff comes from men, so we definitely need more women behind the scenes.
I actually quit music and I thought maybe I chose the wrong career. But, I isolated myself in a cabin in the woods for a while and that's where I fell back in love with music. Just being isolated out there, eliminating all these opinions that I endured during my time in LA and the music industry, all the rejection, it was really hard on me and my creativity. So by isolating myself in the wilderness, I was able to fall back in love with music. It was always ingrained in me, always in my blood, but I just lost it for a minute.
The coolest thing about the music industry is that it's super collaborative and based on relationships and mutual respect.
The music industry is so fickle, there's so many politics. I think a lot of people don't pay attention to the credits or the artistry no more. I think there's so much concern about what's going on right now instead of the actual artistry. But that's how the record business is, but for acting, I got that covered.
New generations have unprecedented power to make great changes. Take the music business for example. The new generations have toppled the music industry by file sharing, downloading, and Myspace. Rock 'n' roll belongs to the people.
I'd feel more of the pressures of daily life, obsessed about finding a job or love. Maybe I've taken these things for granted. I go through a lot of other things in the music industry, but "daily life" is a whole different war to fight.
We were the rebels of the music industry so we wanted to write a rebellious song.
With the communication internet, whole industries have been disrupted. You're in the publishing industry, you understand that. Before, we had newspapers, magazines - now you're on the web. I'm in book publishing. I don't have to tell you what's happened to us. Television has taken a hit. The music industry. But, thousands of new businesses have emerged on this new communication revolution platform. Not just Google, Facebook, and Twitter. There are thousands of operations. Businesses that are doing the platforms, the apps. They're mining the big data. They're creating the connections.
I don't wait on the music industry to qualify me or give me my paycheck. I go about my business as an artist and I believe that my value is in my product and in my art form, and that's why I can't be stopped, because I began producing my record by myself, without a record company.
I don't think that the real enemy of the music industry is illegal downloading; I think the real enemy of the music industry is radio.
I had a period after touring the first record where I didn't agree with the way things worked in the music industry as far as how you release music, demand, the pace of everything. You don't know who's talking to you. Who's Spotify? Who's iTunes? Who are all those bloggers? Who says I have to do this? Why do you have to do all this press? Why do I have to do so many shows? Why do I have to do a regular album right now? I don't understand it.
I grew up around fashion - my mom was an editor for Vogue. Compared to the music industry, though, I'd say [fashion] is a little bit more disorganized. But it's exciting for me because, when you're a performer, there is a fashion element.
I think that every band is different, and in fact that's one of the biggest problems with the old-school music industry is that... one band would be successful according to a certain approach, and then every other band in the label gets sent down the same tube.
Some guys that know me from when I was a kid say "My son, oh he's just like your father." It's just a natural part of our lives. But, within the music industry and within the industry of the critiques of music, where it becomes "Ziggy's music is not as good as Bob's music," I don't understand. But I don't really pay much attention to that because I'm just expressing myself.
We're not a band because we're trying to be the Mother Teresas of the music industry, out to serve everybody. We're a band first and foremost because we love playing pop music.
I recognise a lot of myself in these kids who enter shows like Pop Idol. It's very hard to get into the music industry and you have to take every opportunity that you can. Something like Pop Idol is a great opportunity but unfortunately, I think it's tainted by the people that make these shows.
When I watched American Idol, I always thought Simon was the most realistic. Simon's like, It was absolutely horrid. That's what they tell in the music industry.
I think that when you're making your way up in the music industry you have all these heroes and the reasons why they are your heroes. As soon as you get into the industry your guidelines change a little bit. For me, my heroes now are great people first and great artists second.
I want the music to be heard as close to when I made it, as much as possible. I don't want to get into some "future of the music industry" thing, or where I stand on digital this or that, but I think it's ridiculous that a lot of people in the industry plan so far ahead that it makes a lot of improvisation impossible and makes a lot of people's expectations fixed and not fluid.
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