Most of the reggae awareness is still among music industry people and people who are already into all types of music.
You have to be able to grow and move with the organism that is the music industry. You need to maintain flexibility. Ownership of your own stuff is key and then you're able to dictate on a present-terms basis what would be the most effective way to protect yourself and what you've created. You also don't want to lock yourself into a situation where a major label owns part of your touring and merchandise.
There is no excuse for a billion dollar industry to have somebody who's pushing papers on an administrative level - which is still very important in terms of getting projects done - it's imbalanced and completely illogical and example of how badly this art form has been rapped... for them niggas to have health care benefits but for themselves to share in no part to that? It's very telling about the climate of the music industry.
No matter what does, or doesn't, happen for me in the music industry, getting to play the Opry as a kid was always be a highlight of mine.
A lot of females are openly discussing their experiences as women in the music industry.
Whatever the reasons, 2008 it felt as though the combination of distribution models starting to tighten and the publishing and film and music industries having to revolutionize themselves to catch up, and understand how this is going to work in the new millennium has made it a lot easier to pursue multi-platform careers. It's much easier to hire one person who can do three or four different things than one specialist in that field.
Is there a gender gap in the music industry? It is true that there are more professional male music creators than female. For some reason, it's taking a lot longer in music than in literature and the visual arts to reach equilibrium. It was almost acceptable by the 19th century for female writers to be published, yet it's only in the last couple of decades, since about 1980, that historical female composers have really emerged.
Coming from the era of vinyl you could argue that everything went wrong in the music business the moment we went digital. The day the first CD came out, it all went downhill in the music industry. Digital destroyed everything.
Radio is so cutthroat, but I do feel like the music industry is structured so differently than it used to be. I'm amazed and in awe of artists who can build a parallel universe that's so big and clearly defined that the mainstream finally has to pay attention.
The music industry has completely restructured itself in the last couple of years because it hasn't been making money. Labels are signing bands they trust as artistic entities, instead of cash cows. They're signing bands because they believe that the bands have tastes beyond anything they could concoct themselves.
I bring to the music industry something that isn't over-complicated. What you see is what you get. But, I feel every performer has something unique to offer.
In music the mystical element is definitely there all the time, and one can see it. When it comes to rock and roll, when it comes to any kind of industry, it's not there. It's not there. So it's a battle between the two. Music, Industry.
In music industry they always want you to write something like the one that was popular. And that's something you kind of have to just - sometimes you just say yes to people, like, "Yeah, yeah, yeah, sure," and then you just write the one you want to write.
The problem now with changes in the music industry is that there's almost no point in making records anymore. The only thing really is to tour, and then you're revisiting history. Maybe it's better to leave it, if you see what I mean.
I don't think the music industry has done any damage to my faith - it's probably strengthened it because it's made me see how necessary and relevant it is. I think if you don't keep your guard up, obviously there's a lot of potential for being half-hearted throughout the whole process because you can compare yourself to other people instead of the ultimate standard.
At the end of the day, I want the music industry to be larger than what it is today.
I don't want to follow the map of what the music industry does because I've already lived the industry and I still live the industry so I already understand how it works. The industry doesn't really like us around anyway once we get older because we know too much so, that's fine - cut us off - and we'll find another way to get it out there.
I've only had a sit-down encounter with Robert once, and that one conversation was the best advice that I have gotten from any individual in the music industry. R Kelly told me that as long as I write life and not music I will always have a job. He listened to several of my records and told me that they were great records and for that to come from a man who has produced hit after hit gave me a comfort and reassurance that making honest and good music was not in vain.
I have often been doubted in music industry not because of my talent, but because I might not have been introduced to the game by major industry hype men, but I love being the underdog. I truly believe that god has put me here to say something and send a message to not only women but to all individuals like myself. I will not allow the politricks of the game to discourage me and keep me from the goal at hand. I will sing from my heart and leave the industry bullsh*t alone.
I think to find an escape route out of a music industry that is becoming more and more focused on making money.
I feel like there isn't as much mystery to music anymore. That could be a good thing or a bad thing. There definitely is no seperation anymore. Your connection with your fans is like two clicks away on a phone with a Twitter or a blog. I think that's a good thing. It's a new music industry. You're really connected with your fans.
The Internet obviously changes things; we've seen that in the music industry above all else. As an author, I'm now having to deal with the fact that it's happening in the publishing industry as well. And publishing is going through a very difficult time. Some view it as positive, some negative, but nobody really knows how to deal with it. If you're an author it looks very challenging because your work can be pirated so easily and there's very little you can do about it.
The whole music industry has completely and totally changed from how it was. It's very, very different. When we started, there were loads of record company people throwing money at musicians, and that did give people a long term career.
I like that I stand for something like American Idol which helps musicians and artists get out there. It's important to have shows like Idol because it's so hard to get into the music industry nowadays - nearly impossible.
I think my philosophy on music is sort of like the difference between religion and spirituality or religion and faith. There's a lot of bullshit in the music industry. It's really tough to get a leg up and navigate around your gender and stereotypes. You feel hopeless, [but] all of that disappears the minute that I start writing a song. Then I record something and have that magical feeling. You have to have the negative and the positive. Trying to own that and go to that place in yourself creatively is the most important thing.
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