Life always is now, but the form the now takes changes continuously. Most people equate the form the now takes with the now itself, and so they believe there are many different moments.
The formless dimension of life is this moment. This moment is timeless and formless - the eternal itself.
You accept whatever happens in the present moment, the only place where it can happen. Internally, you fully accept what is happening, and what is happening may include an emotion, a stream of anxiety that suddenly comes up within you.
Everything is as it is at any moment. There's no way of arguing, because you are arguing with reality - the isness of this moment. You can argue with it, but that's suffering.
The future is only a thought form. Work with the present moment. Be with what is.
Some people say it is hard to live in such a way, being completely one with the present moment. Of course, it is not hard. The opposite is hard. Not being one with life is hard, and that is how most people live.
An enlightened person or business is not concerned primarily with making money, because when you are concerned with making money you want the future more than the present. Whenever you want the future more than you want the present, true intelligence cannot flow into what you do, because it can do so only when you are totally aligned with the present moment.
The ego always looks toward the next moment for some kind of fulfillment.
If you want to beat Donald Trump, you know, one of the clearest indications of who can beat Trump is Donald spends every waking moment attacking me. He doesn't attack any other candidates, because his campaign views us as the only real threat to him.
I guess we all feel like underdogs. I remember being a freshman at Brown University and not knowing what a WASP was. We were reading an Edward Albee play, and - it was just a moment of accepting, certainly that I wasn't very worldly, but also that a lot of the plays that I'd been reading, let's say other kinds of family plays, were speaking a foreign language.
When a bunch of stuff is happening on set, you have to remember the grander purpose: you're telling a story, so you have to get to that moment, and that takes supreme focus.
Laughing can serve you in dark moments and even help you crawl your way back out.
If we lose the ability in question for a single moment only, we are immediately being hijacked by an aggressive little "Think me!" and our mind begins to wander.
I don't ever feel like I've had a moment where I am like, "There it is; perfect and holy in all ways."
As the first woman to win Album of the Year at the Grammys twice, I want to say to all the young women out there, there are going to be people along the way who will try to undercut your success or take credit for your accomplishments or your fame.But if you just focus on the work and you don't let those people sidetrack you, someday, when you get where you are going, you will look around and you will know that it was you and the people who love you who put you there. And that will be the greatest feeling in the world. Thank you for this moment.
Lenny Abrahamson is really the only threat to [Alejandro González ] Iñárritu, simply because the entire act one of Room is amazing. I believe Brie Larson is absolutely deserving of her nomination [for Actress in a Leading Role]. I'm not sure if she's going to win, but I think this is a big moment for Brie Larson, I think her trajectory is going to go straight up.
I didn't like the tone of Steve Jobs [movie] [2015] at all. It was very ugly, kind of rude. I didn't laugh, it was very uncomfortable. It seemed like all the worst moments of his life. It was very critical of Steve Jobs as a person, and it didn't make for a comfortable viewing experience for me. But I guess I don't know who Steve Jobs is, and I guess I didn't know what I was gonna go see. I thought it was gonna be celebrating the rise of Apple, but it wasn't that at all.
Sylvester wins, obviously [best actor in a supporting role in 2016]. That's the whole point of this. We're all getting dressed up to go to the Oscars to hear Sylvester Stallone, let no one get this twisted. The academy can't pay for a better moment than this: this is the Oscar's original darling.
Some of my favorite moments from The Vampire Diaries were from season 3. I found the storyline between Stefan and Klaus to be extremely compelling. It was a friend/foe type friendship, rooted in depth that took us back to the 1920s.
You know that this vignette and that vignette belong side by side, you know that a certain turn of phrase you've been saving will probably work best within a given section of the narrative. As in a jazz performance, writing lives or dies by what's produced in that moment. But that moment is attended by long preparation.
tried to focus on a particular aspect of this historical moment: the failure of mourning. This is something I haven't seen a great deal of in the writing around this disaster. And my view is that you write about disaster by writing around it, by writing allusively.
It takes a few years to understand what we've lived through. At the moment, we're still sort of mired in the irrelevant bullshit. There isn't yet that public conversation about 9/11.
Something about that whole process of building the structure of that game turned into a real kind of lightbulb moment for me as a writer.
Flying while Muslim is nerve-racking in itself. Every time I prepare to fly, I have to make sure the anxiety I feel from all the stares I get from the moment I walk into the airport doesn't show on my face. This is what every woman in a hijab or bearded Muslim man experiences. But we are not alone: Sikh men who wear a turban experience the same anxiety because they encounter Islamophobia by dint of being perceived as Muslim.
The moment in which the narrator, reaching for his boots, becomes vividly and lastingly aware of the finality of his grandmother's death is another such moment. It would be interesting to explore Proust's great novel from the perspective of seeing how stable synthetic complexes are formed and modified.
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