Mike Huckabee says the answer to our problems is to cure all diseases. I guess no one's thought of that before.
Mike Wallace's interviews may make great television, but they don't produce great evidence.
Not one day goes by when I don't remind myself of how grateful I am for those who came before me over the last 25 years. When I see players like Mike Schmidt and Johnny Bench, I thank them.
I had read the scripts that Nora Ephron had written as a movie about Mike McAlary. We were never able to make it at HBO because we couldn't cast it properly and when I left I called Nora and said, "Look, I actually think that the movie luckyguyindustry has changed. It's very unlikely that you'd be able to make this as a movie. I actually think it's a play."
I have, over the years brought an enormous number of plays to television starting obviously with Nicholas Nickelby and then things like Angels In America or in Wit with Emma Thompson and Mike Nichols. So, yes, I do find that very interesting and I'm sure that down the road there will be plays that I'll want to do that way.
I've always had good relationships with directors. I'm one of those people where, if there's a good idea coming from the sound guy, I'll take it. Filmmaking is a collaborative effort, whether it's a first-time director or it's Mike Nichols. I think that's the standard that the great ones set.
I gave (pitcher) Mike Cuellar more chances than I gave my first wife.
When I'd be out-and-about at a club and the music would come on, I was never the guy that was gonna dance. But after Magic Mike - I have like two or three go-to moves. That's what Magic Mike gave me.
We learnt a lot because we got in with real choreographers who tell you what they need from a song, because a song has to advance the story. Then real directors like Mike Nichols tell you where you can have 'B themes' and 'C themes', and we go oh yes, B themes and C themes! So we were taught in the finest school amongst the finest people. And also by the school of experience.
[Miles Davis] learned from everyone. He was incredible. He took the best from everyone and threw away the rest. He was brilliant. One of the things he told me he loved about my voice was how I used space-both in music and between my voice and the mike.
I did an internship with Mike (Shanahan) and the Redskins last summer and I knew after a week and a half that it wasn't for me. I think I knew that going in, but I wanted to make sure.
People say I don't have great tools. They say that I can't throw like Ellis Valentine or run like Tim Raines or hit with power like Mike Schmidt. Who can? I make up for it in other ways, by putting out a little bit more. That's my theory, to go through life hustling. In the big leagues, hustle usually means being in the right place at the right time. It means backing up a base. It means backing up your teammate. It means taking that headfirst slide. It means doing everything you can do to win a baseball game.
As a solo artist, I just felt cemented in front of the mike stand. There was very little time to play with the audience and be a band member
Mike Tyson’s a great boxer. The greatest boxer - but boxer. Not the best fighter.
Mike Keenan has been responsible for creating a lot of good things for coaches, like mid-season job openings.
I was really happy with Mike [Green]. Not only was he contributing offensively, but he was really making good plays, good decisions. Defensively, he was really strong. For a debut, I didn’t know how he would be just coming off a little bit of an injury. He was real strong. I’m glad he got through that. I think he’s looking forward to a good season now.
I can't remember the last time I was bored.
[Mike] just loves [his] motorcycle and he would take it out too early [in Green Bay]. In Green Bay, you've got ice until June, and he'd take it out sooner than that. He can finish the rest of the story. Ask him about taking the bike out a little too early.
So I'm in the library, and I have keyboards out and my headphones out. Everybody's like, "Mike are you making beats right now?" and I'm like, "Yeah... sorry!"
Nothing is going to stop Mike Tyson that doesn't have a motor attached.
In the year and a half I was on SNL, I never saw anybody ad lib anything. For a very good reason - the director cut according to the script. So, if you ad libbed, you'd be off mike and off camera.
You can’t be disturbed by anything. There’s no emotion involved. You can’t feel sorrow, you can’t feel pity, there’s nothing you feel. The job has to be done.
Two Drink Mike enjoys dancing and knows a magic trick. Whereas, No Drink Mike enjoys biographies, and has serious opinions on wildlife. And Five Drink Mike... dances with wildlife.
I went to drama school with John Schwarz and Mike's his younger brother, so he tends to just hang out, that's it. So we're a pretty tight bunch of guys, they do whatever they do and they're my brothers basically.
We live in a society where we basically live and strive on what people think about us. We’re more visual people so what we see is basically what we believe which is not necessarily true.
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