Real divas give 150 percent. If they don't have the right dress, they'll go out in whatever they have. If there are no microphones, they'll still put on a show. They are people who put their heart and soul in what they do.
The older you get, the more power you have with language as a writer, which means that you have to be extra responsible for what you say, whether it's in print or in front of a microphone, because those words can go out and kill or go out and plant seeds for peace.
There's a very old recording maxim that goes, 'Distance makes depth.' I've used that a hell of a lot-whether it's tracking guitars or the whole band. People are used to close-miking amps, but I'd have a mic out around the back, as well, and then balance the two. Also, you shouldn't have to use EQ in the studio if the instruments sound right. You should be able to get the right tones simply with the science of microphone placement.
To be successful in the world of art you must, of course, have talent, although very small talents have gone very far in this age. Just as the microphone gave volume to voices that had none, so does the science of press-agentry magnify limited skills into highly saleable properties.
Our whole dream for our home was for it to be an artist's haven. So there are paint supplies; there's a piano with a microphone and a recorder right there to capture things right in the second. There's editing equipment. There are cameras. I think the only thing in our house that people would be surprised by is the efficiency.
The camera or the microphone in the booth is merciless. If you don't believe what you're saying, it hears it. If you don't believe it, it sees it in your eyes, it hears it in your voice that there isn't the conviction there.
My experience tells me that any time you hear people laughing on a sitcom, it's the writers who happen to be closest to the microphones - not the audience.
The truth is I've always been a Christian. What's amazing, is that the flaws that come with Christianity are really weird, because mine have a microphone and a camera attached to them. Most people don't have to live under that microscope.
I fell in love with the classical crossover genre when I was on AGT. I found out that I could use the microphone to establish a deeper intimacy with the audience. I did not portray an opera character; I was my true self. I would sing a four-to-five minute piece for the audience and then I could talk to them and say "Hi" to them! I would not need to act out scenes where my character was dying from tuberculosis or killing somebody else on stage, I could have a nice conversation with them.
I'm just very sort of compulsive and lack the ability to keep things in perspective. If I'm not writing or playing guitar or on the microphone or out on the road, I'm cleaning pots and pans or freaking out about some plumbing issue or tweeting.
Well, it's really gratifying to me to have a stage and some bright lights and a microphone. They're tools and opportunities, and to be able to just pull somebody up on stage with me and point at them is a great feeling.
Sometimes I am just playing the character. I will move out of the way of the microphone, and they will have to tell me. Because I am moving around a lot. I am performing the cat. The animators look for that material, to see if they can put it back into the movie.
There's that old cliché which has a lot of basis in truth, that all music journalists are failed rock stars. They all harbour the inner feeling they should be up under the spotlight and the microphone is there for them.
I'm a hard act to follow, because when I'm done, I take the microphone with me.
Being outraged about two men or two women, it requires absolutely no work on the ground. So you can be outraged and you can be an armchair activist, engage in nothing and just simply get on the microphone and say, "I don't believe in X, Y, and Z, and it's terrible," and you can call them names.
I've dabbled in running around on stage, and at certain times it's nice to step away from the anchor of the piano and use a handheld microphone and connect with the audience, but I think my soul as a performer is just a little bit more connected to the instrument. To just sort of sit and sing - that feels like the most natural fit for me.
The reason we'd stopped was that the buffet car was on fire, that was the reason we stopped. One of the giant biscuits spontaneously combusted out of boredom. Whoever was charged with making the announcement momentarily lost all sense of procedure and we got this tantalizing glimpse into the chaos on the trains, and all we could hear was (bangs on microphone) "Gary, it's burning, what we gonna do?!" And everyone on the carriage just cheered, "Hooray! We're rubbish!"
I think it's important to know how to free in case you fall of what you've written, you can be able to keep going with your rhymes. I think it's also good for the culture of emceeing. It's about microphones and about controlling the crowd; it's about rocking the party.
I used to love to come to the ballpark. Now I hate it. Every day becomes a little tougher because of all this. Writers, tape recorders, microphones, cameras, questions and more questions. Roger Maris lost his hair the season he hit sixty-one. I still have all my hair, but when it's over, I'm going home to Mobile and fish for a long time.
It takes a little more time to get into the role, but not very much more. In making a record you don't have the sense of projection over a distance as in an opera house. We have this microphone and this magnifies all details of a performance, all exaggerations. In the theater, you can get away with a very large, very grand phrase. For the microphone, you have to tone it down. It's the same as making a film, your gestures will be seen in close-up, so they cannot be exaggerated as they would be in a theater.
have you ever noticed how a man orders food at a fast-food drive-through window? ... men have an innate desire to be cute while placing their order through the drive-through microphone. It's as if they believe the invisible mike on the plastic menu screen is actually connected to a standup comedy stage somewhere in the recesses of the restaurant.
I'm the only person in my family who can't sing. My grandmother was an opera singer and all of her kids were in church five days a week - or between church and vocal lessons at Carnegie Hall. But my mom had her first studio experience recording on my album. She's used to having to fill the room, so she had to adjust to the microphone and not sing opera.
People want leadership, Mr. President, and in the absence of genuine leadership, they'll listen to anyone who steps up to the microphone. They want leadership. They're so thirsty for it they'll crawl through the desert toward a mirage, and when they discover there's no water, they'll drink the sand.
I do very little on-camera acting, so within a phrase as a voice actor you have to know how to convey when someone is 95 years old or 19 years old. . . When I was the lead singer of the California Raisins commercials there was a traditional actor there as well and he would do all these body movements without saying anything because he was "acting." And the only acting the microphone picked up on was silence.
Make sure of two things. Be careful - microphones are always hot, and understand that in Washington, D.C., a gaffe is when you tell the truth. So, be careful.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: