The suffragettes were women of action. Their motto was "Deeds not Words," and the film reflects that with a number of big set pieces, from the smashing of windows in central London to a riot at the Houses of Parliament.
I love shopping, but I can find something to buy wherever I go! London is great for shopping, as is Los Angeles and New York - but I can find a good shop in the middle of nowhere!
I was a young man, and this is the kind of London it was, but so many people are just not here anymore. Not even Tina [Chow], who was to me absolutely the most important girl of the time. Tina was absolutely the chicest thing, the way she kept herself, the way she moved. You're born like that - you cannot acquire it. All those upper-class girls, people like Catherine Tennant, they used to be there in Chelsea, sitting on the couch. Now Chelsea is full of Russians.
London is always fun, obviously, but something about Glasgow really speaks to me. Usually what it says, though, is "Let's get wasted."
They’re a nasty bunch of people. The Riot Club’s sole purpose is to celebrate wealth, elitism, hedonism, and excess - just random acts of destruction and chauvinism, which is interesting because our Prime Minister, our Chancellor of the Exchequer, the Mayor of London were are a part of this club.
I never really thought comedy was a career option, just something I did for fun. Suddenly I realised I was getting paid which was a bonus. I studied for a diploma with the London College of Music, and teaching was something I thought I might do but comedy intervened.
I'm a big fan of London in the summertime. English people are dependent on weather to change our attitudes, and, provided it's a decent summer, everyone's spirits are uplifted and the whole place is in bloom. It's a magical transformation. London in the summer, going to see bands play outside, watching football.
I went to comprehensive school in North London and left without any qualifications [diploma]. And I was doing bits of acting and improv in a drama club in the evenings. Then I discovered you didn't need qualifications to go to art school, you just needed a body of work.
If you make a film set in London or in Pakistan or wherever, the thing that interests me is the relationships between individuals - individuals and society, individuals and their family, their girlfriend or boyfriend, it's all the same idea.
I seem to respond most to places that are more cosmopolitan because of my Manhattan upbringing. Some of the major international cities I've visited, like Madrid, Rome and London, have a lot of similarities and "New York" elements while ... having their own flavor.
The color and spectacle of Mexico's streets sparked my interest in community driven space and experience, a passion that I began to develop while studying architecture at Syracuse University and then at the Architectural Association School in London. Having been immersed in such a diverse array of lively environments, it would be impossible for me not to use these memories and experiences as inspiration for my work.
Its a bit cloudy in London but people are already drinking out on the streets- God Bless the pubs.
The terrorist attacks of September 11, 2001, as well as more recent attacks in Madrid, Spain, and London, England, showed in a very tragic way just how vulnerable many areas of the world are to these sorts of actions.
As far as cities, I love London. I go to London very often because I think the young people there are very creative. I also love New York, of course, and the clash of different cultures you find there.
In the past, people couldn't place me. They thought that I was Danish or English or French. They never got that I am Italian. I'm not typical, maybe because my visual education was very mixed. There was a lot of London in my aesthetic: The Face, i-D, British music, and a lot of British fashion . . . But I really enjoy this contrast.
I like filming in New York a lot myself, but London is accommodating to me; the weather's very good there and the conditions for shooting and the financial conditions, the artistic conditions are good, so it's a pleasant place to shoot.
I can live in Paris for four months or London or, you know, Barcelona. These are places that are like New York. But I don't think I could live in many places. When I had to make a film in the United States I picked San Francisco because to me it's one of the great cities of America.
Most historians accept that Egypt was a cradle of civilization, and that many cultural idioms and traditions come from there. What has yet to be understood, however, is the manner in which Egypt inherited its cultural elements from the lands of the North-West. This fact is not known today because of the threat it poses to Rome and London, the Vatican and Crown, and to all those who have profited from the suppression of knowledge.
It's been a long time since I've stood on a stage in London. Was about 14 or 15 years ago, I was 60 years old, just a kid with a crazy dream. Since then I've taken a lot of Prozac, Paxil, Wellbutrin, Effexor, Ritalin, Focalin. I've also studied deeply in the philosophies and the religions, but cheerfulness kept breaking through.
You know, if you want to meet a lot of Iraqi leaders, the best places are the hotels in Amman or in London. In general the government here is amazingly unpopular.
I go home to London in between jobs, and in London, my life has nothing to do with the business. It's a family life, hanging with friends.
In a city like London, the fact that cultures live together and cross-fertilize is a beautiful and natural thing. The many cultures in Amsterdam contribute to the city's high level of craziness - something which every interesting city should offer. But sometimes immigrants can live in parallel worlds which can exclude others and not be very attractive.
I was born on a pig farm in Norfolk. We grew up in the city called Norwich in Norfolk, then I moved to London when I was thirteen.
What we have to do as a nation, and London as a city, is to get behind that figure and think what we are doing.
During terms, Professor Marsden lives in Cambridge with his wife, chess player extraordinaire and distinguished physician and surgeon Bryony Asquith Marsden. His favorite time of day is half past six in the evening, when he meets Mrs. Marsden's train at the station, as the latter returns from her day in London. On Sunday afternoons, rain or shine, Professor and Mrs. Marsden take a walk along The Backs, and treasure growing old together.
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