Music gets recorded usually in one format, and when you have to take it out and perform it there are other applications and things like that that are better for the live performance.
Americans work a long away ahead of themselves because of the size of the place. To make any impact at all you have to promote yourself with live performances ages before a release.
I actually acted onstage before I'd ever seen a live performance, and I loved it.
For some artists the live performance is the chicken before the egg of writing or recording of repertoire. For other artists the writing or recording of repertoire is the chicken before the egg of live performance.
Black music has become a commercial commodity. Live performances are not so accessible as they were previously. It use to be possible to go to the bar on the corner and hear music. It was available for a fifteen cent beer.
The best voice actors all have a live performance background. And are competent, fearless, incredibly creative actors.
In order for my live performance to work, which is about generating a focused energy for about an hour and a half, it is necessary for me to listen and take in someone else's focused energy the day of or the day before the live show. That can transpire through a conversation, or inspiration can occur by looking through any type of visual book which sparks a narrative. That narrative then becomes today's seed and can then take root in music terms, where a sonic tree begins to grow.
I've been approached about doing some live performance collaborations with DJ's. That is something I'd be interested in getting into down the line, but I've worked very hard to distinguish myself as a laptop artist.
I like the adrenaline of live performance, whatever that is, appearing in front of an audience of any kind, whether it's one or a hundred or a thousand. It gives you a buzz of adrenaline, its exciting. The thing about that is that you want to make those nerves work for you in terms of an energy that's appropriate for the part and the performance, and not to distract the people who are watching so that they become nervous for you.
I'm actually looking for a gallery, but the thing is some galleries just want to show the video work and some are just interested in the 2-D work. It has to be a gallery where I can do the 2-D collages, the video, and live performance, where it's not this weird conflict, where it can all move forward.
Three languages - the video, the music and the live performance - are awesome to bring together.
I guess I cringe, because sometimes I don't even watch my live performances back. When I edit, it's this feeling of seeing my mistakes. It's always a mixture of loving characters, but being the artist that created it and not trying to go too deep in criticizing myself.
There's nothing like watching a live performance of, frankly, anything. You have to make sure that people believe everything is improvised. I could not stress enough how little we [actors] prepare and what small amount of time we put in before these shows.
The nice thing about live performance is that I've never, ever been let down. Partly I'm lucky that my audience self-selects itself. Generally they know what they're in for, and generally we all just like each other and get along. But I always find one or two or a dozen really interesting people in the audience who make the show different. And that's one of the things I really like about performing.
In a sense, I like to think of the live performance as something different than the record, not necessarily looking to exactly recreate the record. Sometimes Matt and I just do duets folk-style. Part of the fun of seeing a live show is having it be different from the way that you hear it in your bedroom or wherever you listen to music.
When you have performers, there's the uniqueness of live performance and what performers do in concerts.
I really love watching the 70s live performance TV series "The Midnight Special" and "The Old Grey Whistle Test". Those are the best performances you've ever seen, and they sound incredible.
The only difference with wrestling is we're like a live performance. So we're feeding off the audience and if they do't like something, they can let us know immediately.
The energy of college football rivals that of a live performance for me. I am an extremely analytical guy and predicting these games is right up my alley, especially with a little luck thrown in. It is even more fun when I am winning and I have to say, I have fared quite well in my predictions.
The ephemeral nature of live performance is the part I love most - it's a monk's sand painting, carefully constructed, then wiped away in an instant.
I'd gone through periods where I didn't work live performances for probably seven or eight months at a time.
I don't ever want to stick myself in one category. I do really love making movies, but the thing about live performances is you don't have to wait around. Literally, we're still waiting to see what the reaction is to the film, so it's a slower process. But it is enjoyable.
Learn as much as you can about performing. Live theater, improv classes, music, stand up comedy, dance, anything to make yourself confident and comfortable in front of an audience. It'll all come in handy when auditioning for producers and performing with other actors. The best voice actors all have a live performance background. And are competent, fearless, incredibly creative actors.
The old forms of entertainment are not extinct. Live performances are the pinnacle. If you can something that people want to see live, then you have a great career.
I like the energy of live performance.
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