If you think you can't, you're right.
There's one thing you can't download and that's a live performance. And I know how to put on a show, and enjoy performing, and I'll always have that.
Live performance has always been my thing. It’s my purpose to master and capture the moment every time I have you connected.
My live performance, it just comes from feeling an energy and emotion from the crowd. Just going out there and doing my own stuff and being in front of my own people. I love it.
I think it's one of those things about live performance - anything goes, anything can happen, and you have to just be ready and able to roll with the punches.
One of the things I love about music is live performance.
Nothing beats a live performance. Nothing.
Whether you are a writer, or an actor, or a stage manager, you are trying to express the complications of life through a shared enterprise. That's what theatre was, always. And live performance shares that with an audience in a specific compact: the play is unfinished unless it has an audience, and they are as important as everyone else.
I'm much more energetic now; you might say live performance is my mission.
Get out of your house and go see some live performance, for God's sake. There are people creating things just outside your window.
For me, the most important thing is the element of chance that is built into a live performance. The very great drawback of recorded sound is the fact that it is always the same. No matter how wonderful a recording is, I know that I couldn't live with it--even of my own music--with the same nuances forever.
When you take an energetic song and add it to one of the most energetic live performance set's you get pure mayhem...which is what the fans want to see!
My preference is live performance, because you get the feedback. There's an energy. It's live theater. That's why I think actors like that.
You want people to think. You want people to be emotionally moved. And there's a theory behind that in terms of storytelling. It has been around for thousands of years. And that's where something like live theater or a live performance is something that is very valuable because you get instant feedback from your audience and you kind of know the things that work and the things that don't work.
The thing I love about live performance the most, is that the doors are closed, the lights are turned down, and the audience has to be reverential to what's happening onstage.
I couldn't worry about whether I`m gonna make it onstage or not. You can't. You just gotta do it. And if you do, you do, and if you don't, you don't, and then something else happens. That's the point of the live performance.
Music films are great, but they can never compete with a live performance. Live music is what it is. It's the whole point. You experience it in the moment.
No matter what, I will always prefer a live performance. Whether it be a play or a musical, or playing music live. As long as it's live, it's the best because there's sort of an immediacy to connection between an audience and a performer, whereas where you do film or television, you're at the whim of so many different forces.
As music becomes less of a thing--a cylinder, a cassette, a disc--and more ephemeral, perhaps we will begin to assign an increasing value to live performances again.
My preference is live performance. Because you get the feedback. There's an energy. It's live theater. That's why I think actors like that. You know, musicians need it, comedians definitely need it. It doesn't matter what size and what club, whether it's 30 people in the club or 2,000 in a hall or a theater. It's live, it's symbiotic, you need it.
The adrenaline of a live performance is unlike anything in film or theater. I can see why it's so addictive.
Live performances make music important. Recording is cool and fun, and it's nice to document the thing you made, but the goal in my mind is to perform.
Before the whole [music] business was calibrated around the selling of records. I never could have imagined that live performance would become kind of a vortex of the business. It's such a seismic shift really.
It [live performance] is just very difficult. Doing an hour, hour and a half of live standup is an endurance test. You almost have to do it every day to stay up on it.
Check out the albums, ... Check out the live performances. That's the reality of it all. Music is such an energizing thing.
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