During my time in the entourages of Jerry Falwell and Pat Robertson, I never saw either of them attack and punish those who disagree, as Dobson does on a regular basis.
Back then, I, most rockers loved Chuck Berry, Little Richard, Jerry Lee Lewis... you know in the '60s.
I'm not a star. I'll never be a Frank Sinatra or Elvis Presley or a Ray Charles. I'm just an imitator, man. I'm doing a very bad imitation on the bass of Jerry Jemmott, Bernard Odum, Jimmy Fielder, Jimmy Blanton, Igor Stravinsky, Jimi Hendrix, John Coltrane, James Brown, Charlie Parker... the cats, man. I'm just backing up the cats.
In the eighties, I was fortunate to be one of the young art directors that Jerry Roach, creative director at JWT New York, took under his wing. He taught me how to use typography more visually, to push against design norms and not to rely on preconceived notions of what something should look like. I learned that nuance is everything and to agonize over the details. I have Jerry to thank for driving plenty of people crazy over the years!
I loved Carl Perkins, Jerry lee Lewis... not only were they personal friends.
I love the Dead. As far as Jerry Garcia, Jerry Garcia could walk on water. He could do anything any man could ever do. He's a prince.
Me and Jerry left because we felt we weren't getting anywhere playing our old songs in tiny clubs. The group was getting stale and staying behind the times.
Hell and damnation, life is such fun with a ragged greatcoat and a Jerry gun!
Everyone thinks my name is Jerry Laitis and they call me Mr Laitis. What can you do when you have a name that sounds like a disease?
In the beginning, we had a great deal of freedom, and Jerry wrote completely out of his imagination - very, very freely. We even had no editorial supervision to speak of, because they were in such a rush to get the thing in before deadline. But later on we were restricted.
One of the best things about humans is we recognize patterns, so we get things like science, music, philosophy. One of the worst things is that we see patterns that are not there so we get things like racism, homophobia and Jerry Falwell.
While liberals appeared to be safely in power, feminists could perhaps afford the luxury of defining Larry Flynt or Roman Polanski as Enemy Number One. Now that we have to cope with Jerry Falwell and Jesse Helms, a rethinking of priorities seems in order.
A Separation is another film that I think is extraordinary, and one of those things that feels like it's from another planet, much like Terrence Malick's movies did: at a certain point, you feel like he's an alien from another planet telling us and looking at us and showing us how we are. I also really, really love Jerry McGuire.
Isn't my music the last of the real rhythm and blues? Isn't it great? It's because of my musicians, we were weaned on Muddy Waters, Howlin' Wolf, Bo Diddley, Chuck Berry, Little Richard, Jerry Lee Lewis, all the founding fathers, the gods of thunder, who invented the foundation and the pulse of the greatest music in the world!
Bonkers is kind of a combination of Jerry Lewis and Harpo Marx, which is very strange because Harpo never spoke!
Harry Patch didn't get enough recognition. Jerry Garcia got too much.
Jerry Weintraub, the producer, might be a pain in the ass, but he really knows how to treat his actors.
Jerry Rice made the decision and we honestly tried to accommodate him the best way we can.
I never got tired of Tom and Jerry, but I did have a dream of doing more with my life than making cartoons.
I hear Jerry Falwell every Sunday here talking about the devil and Hollywood. . . . I'm gonna write him a letter. Hollywood wasn't built on filth and dirt - it was built on talent.
Jerry and I hoped that it would be a popular bestseller.
I think the Canadian Football League is a great league, but it's not the NFL, and I'm not Jerry Rice.
The laws against public nudity make no sense. The idea that Jerry Falwell can go topless while Cindy Crawford cannot is an absolute affront to logic, common sense and the 5000 year human struggle for aesthetic taste.
You know when Jerry Ford gets the best joke, you know you're in trouble.
Jerry Lewis played on the very first season of Mad About You, and he played basically himself, but he was called some other name. He said he's never done it; he'd never done a half-hour of [sitcom] television. This was 1992 or '93. And I said, "Well how is that?" And he goes, "Nobody ever asked me." It's like the pretty girl at the dance; everybody's too afraid to ask.
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